Saramati

Ascending scale with shadjam at C, which is same as Natabhairavi scale

Descending scale with shadjam at C, which is same as Hindolam scale

Saramati is an asymmetric rāgam that does not contain panchamam or rishabham in the descending scale. It is a combination of the sampurna raga scale Natabhairavi and pentatonic scale Hindolam. It is an sampurna-audava rāgam (or owdava rāgam, meaning pentatonic descending scale).[1][2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:

• ārohaṇa : S R₂ G₂ M₁ P D₁ N₂ Ṡ[lower-alpha 1]
• avarohaṇa : Ṡ N₂ D₁ M₁ G₂ S[lower-alpha 2]

The notes used in this scale are shadjam, chathusruthi rishabham, sadharana gandharam, panchamam, shuddha dhaivatham and kaisiki nishadham in ascending scale, with panchamam and rishabham dropped in descending scale. For the details of the notations and terms, see swaras in Carnatic music.

A few compositions have been set to Saramati rāgam.

• Mokshamugalada by Tyagaraja
• Sarasadala nayane by Muthiah Bhagavatar
• Manasaramati by Thanjavur Shankara Iyer
• Unnata Venkata by Thulaseevanam
• Shârade Namaste and Sâramati Saraswati by Kalyani Varadarajan

Music composer Ilaiyaraaja has set the Tyagaraja krithi "Mari Mari Ninne" to this Raga in the movie Sindhu bhairavi, even though the actual krithi is in the raga Kambhoji.

This section covers the theoretical and scientific aspect of this rāgam.