Jhalavarali

Jhalavarali scale with shadjam at C

It is the 3rd rāgam in the 7th chakra Rishi. The mnemonic name is Rishi-Go. The mnemonic phrase is sa ra ga mi pa dha nu.[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

• ārohaṇa: S R₁ G₁ M₂ P D₁ N₃ Ṡ[lower-alpha 1]
• avarohaṇa: Ṡ N₃ D₁ P M₂ G₁ R₁ S[lower-alpha 2]

(the notes in this scale : shuddha rishabham, shuddha gandharam, prati madhyamam, shuddha dhaivatham, kakali nishadham)

As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Ganamoorti, which is the 3rd melakarta.

Jhalavarali has a few janya rāgams (derived scale) associated with it, of which Varali is very popular. See List of janya rāgams for full list of rāgams associated with Jhalavarali.

A few compositions set to Jhalavarali are:

• Namami sri rama by Thyagaraja
• Madhava dayya by Dr. M. Balamuralikrishna
• Anatha rakshaka by Thyagaraja

This section covers the theoretical and scientific aspect of this rāgam.

Jhalavarali's notes when shifted using Graha bhedam, yields no other melakarta rāgam, like all 6 rāgams in the Rishi chakra (Salagam, Jalarnavam, Navaneetam, Pavani and Raghupriya being the other 5). Only these rāgams have a gap of 3 notes anywhere in their scale, between G1|to M2. Such a gap does not occur in any other melakarta by definition.