Thyestes (Seneca)

• Thyestes, Brother of Atreus, in exile
• Atreus, King of Argos
• Tantalus, son of Thyestes
• Plisthenes (silent role), son of Thyestes
• Tantali umbra (ghost of Tantalus), grandfather of Atreus & Thyestes
• Furia (Rage, Fury), often interpreted as Megaera
• satelles, attendant or guard of Atreus
• nuntius, messenger
• Chorus

Pelops, the son of Tantalus, had banished his sons for the murder of their half-brother, Chrysippus, with a curse upon them. Upon the death of Pelops, Atreus returned and took possession of his father’s throne. Thyestes, also, claimed the throne: he seduced his brother’s wife, Aërope, and stole by her assistance the magical, gold-fleeced ram from Atreus’ flocks, upon the possession of which the right to rule was said to rest. For this act he was banished by the king. But Atreus has long been meditating a more complete revenge upon his brother; and now in pretended friendship has recalled him from banishment, offering him a place beside himself upon the throne.[2]

An aspect of Thyestes that is not well understood is the existence of the Chorus, which, following Greek practice, appears after the first Act. This would explain why they are unaware of what happened with Tantalus and the Fury. Critics believe that this is due to the fact that Seneca expected the play to be acted out, which would explain the Chorus' ignorance throughout much of the play.[4] The second chorus is unfamiliar with what happened in Act II because they were not present on stage at that time. This is why they were unaware of Atreus' true plans to trick Thyestes and feed him his own children. It was not until Act IV that they were told of Atreus' crimes by the messenger. Some critics think that the contrast between what the Chorus says and what actually happens is confusing to the audience, which is why the Chorus is the least understood aspect of Senecan dramas.[4]

In 1560 Jasper Heywood, then a Fellow of All Souls College, Oxford, published a verse translation, which was republished in 1581 as part of Seneca, his tenne tragedies, translated into Englyſh. Watson Bradshaw composed a prose English translation in 1902. In 1917, Frank Justus Miller published another prose translation to accompany the original in the Loeb Classical Library. A new Loeb edition of Seneca's tragedies by John G. Fitch was published in 2002. Oxford University Press issued a new poetic translation of the play by Emily Wilson in 2010 as part of the title "Six Tragedies of Seneca." It generally corresponds to the Latin critical edition, "Seneca Tragoedia," edited by Otto Zwierlein (Clarendon Press, 1986).

Shakespeare's tragedy Titus Andronicus derives some of its plot elements from the story of Thyestes. In 1681, John Crowne wrote Thyestes, A Tragedy, based closely on Seneca's Thyestes, but with the incongruous addition of a love story. Prosper Jolyot Crebillon (1674-1762) wrote a tragedy "Atree et Thyeste" (1707), which is prominent in two tales of ratiocination by Edgar Allan Poe. In 1796, Ugo Foscolo (1778–1827) wrote a tragedy called Tieste that was represented first in Venice one year later. Caryl Churchill, a British dramatist, also wrote a rendition of Thyestes. Caryl's specific translation was performed at the Royal Court Theater Upstairs in London on June 7, 1994[5] In 2004, Jan van Vlijmen (1935–2004) completed his opera Thyeste. The libretto was a text in French by Hugo Claus, based on his 20th century play with the same title (in Dutch: Thyestes). Thyestes appears in Ford Ainsworth's one-act play, Persephone.

• Otto Zwierlein (ed.), Seneca Tragoedia (Oxford: Clarendon Press: Oxford Classical Texts: 1986)
• John G. Fitch'Tragedies, Volume II: Oedipus. Agamemnon. Thyestes. Hercules on Oeta. Octavia (Cambridge, MA: Harvard University Press: Loeb Classical Library: 2004)
• P. J. Davis, Seneca: Thyestes. Duckworth Companions to Greek and Roman Tragedy. London: Duckworth, 2003
• R. J. Tarrant, ed. Seneca's Thyestes. APA Textbook Series No. 11. Atlanta 1985