Thomas Cammaert

Thomas Cammaert is a Flemish actor. He is known for playing roles in many musicals and theater productions.

Thomas Cammaert
Cammaert (left) in 2015
OccupationActor

Cammaert appeared in the 17th season of the television show Wie is de Mol?.[1] He was the Mole of this season of the show.[1][2] In 2019, he was a contestant in the Dutch television show Dance Dance Dance.[3]

In 2022, he played the role of Peter in The Passion, a Dutch Passion Play held every Maundy Thursday since 2011.[4] In that same year, Cammaert and Dutch actor Soy Kroon played in the stage play Trompettist in Auschwitz, a play based on the true story of trumpet player Lex van Weren who survived his stay in the Auschwitz concentration camp during World War II.[5][6]

Cammaert appeared in the third season of the television show De Verraders.[7]

Filmography and musicals

Musicals

As contestant

References

  1. "Thomas Cammaert vindt bekendheid 'leuk om erbij te hebben'". NU.nl (in Dutch). 9 April 2017. Retrieved 24 March 2023.
  2. "Sanne Wallis de Vries winnaar Wie is de Mol? 2017". NU.nl (in Dutch). 11 March 2017. Retrieved 25 March 2023.
  3. "Acteur Thomas Cammaert eerste naam Dance Dance Dance". NU.nl (in Dutch). 11 January 2019. Retrieved 24 March 2023.
  4. "KRO-NCRV gaat vervolg op The Passion maken op Hemelvaartsdag". NU.nl (in Dutch). 5 April 2022. Retrieved 24 March 2023.
  5. Jonk, Erik (3 April 2022). "Perfectionist Soy Kroon van The Passion en Costa!! tot zwaar stuk over Auschwitz" [Perfectionist Soy Kroon from The Passion and Costa!! to heavy piece about Auschwitz]. Metronieuws (in Dutch). Retrieved 9 April 2022.
  6. "Soy Kroon en Thomas Cammaert spelen in theaterstuk over Auschwitz" [Soy Kroon and Thomas Cammaert play in theater about Auschwitz]. AD.nl (in Dutch). 10 November 2021. Retrieved 19 May 2022.
  7. "Ook Jan Slagter, Herman den Blijker en Pernille La Lau in De Verraders" [Also Jan Slagter, Herman den Blijker and Pernille La Lau in De Verraders]. AD (in Dutch). 17 February 2023. Retrieved 6 March 2023.
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