Es ist genug

"Es ist genug" ("It is enough") is a German Lutheran hymn, with text by Franz Joachim Burmeister, written in 1662.[1] The melody, Zahn No. 7173,[2] was written by Johann Rudolph Ahle who collaborated with the poet. It begins with a sequence of three consecutive rising whole tone intervals.

"Es ist genug"
Lutheran hymn
Beginning of Bach's setting of "Es ist genug" as the closing chorale of Cantata 60
EnglishIt is enough
CatalogueZahn 7173
Written1662 (1662)
Textby Franz Joachim Burmeister
LanguageGerman
Based on1 Kings 19:4
Melodyby Johann Rudolph Ahle
Composed1662
Published1659 (1659)

The hymn's last stanza was used by Johann Sebastian Bach as the closing chorale of his cantata O Ewigkeit, du Donnerwort, BWV 60. His setting has been quoted in music, notably in Alban Berg's Violin Concerto.[3][4]

History

Franz Joachim Burmeister wrote "Es ist genug" in 1662. The topic is a yearning for death. It is inspired by the sentiment the prophet Elijah expresses in the First Book of Kings: "It is enough; now, O Lord, take away my life; for I am not better than my fathers" (1 Kings 19:4).[5] All seven stanzas begin and end with the line "Es ist genug".[1] It was printed in 1844 in the hymnal Gesangbuch zum gottesdienstlichen Gebrauche in den Stadtkirchen zu Leipzig (Hymnal for Use in the Service of the Town Churches of Leipzig), in the section "Vorbereitung auf den Tod" ("Of the preparation for death").[6]

Melody and settings

The melody, also from 1662, is by Johann Rudolph Ahle, who collaborated with Burmeister on several hymns.[1] He was church musician at Divi Blasii in Mühlhausen, a position Bach later also held.[7] The tune begins with an unusual motif of three upward whole tone intervals, the first half of a whole tone scale and also the first three notes of the diatonic Lydian mode.[8][3][4][9] The interval from the first to the fourth note is a tritone, sometimes called diabolus in musica (devil in music).[7] Alfred Dürr writes that the opening "might have been felt outrageous"[7] at the time of its composition, "only justified as a musical figure depicting the soul's crossing over from life into death".[7]

{ #(set-global-staff-size 14) \new PianoStaff << \new Staff << \new Voice \relative c' { \stemUp \clef treble \key f \major \time 4/4 f2 g4 a b2 r4 b c4 g g bes! a2. } \new Voice \relative c' { \stemDown c2 c4 bes8 a e'2 s4 e e4. f8 e d e c f2. } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key f \major \time 4/4 a2 g4 d' d2 r4 gis, a8 b c4 c c c2. } \new Voice \relative c { \stemDown f2 e4 fis gis2 s4 e a8 g!16 f e8 d c bes! a g! f2. } >> >> }
"Es ist genug" by J. S. Bach, the closing chorale from BWV 60

Bach used the hymn's last stanza to conclude his cantata O Ewigkeit, du Donnerwort, BWV 60, and it has often been quoted, notably in Alban Berg's Violin Concerto.[7][10] Berg wrote variations on the chorale in the concerto's last movement. It was his last finished work.[3] Otto Klemperer wrote in the newspaper Wiener Tag on 21 October 1936: "The second movement begins with the J. S. Bach chorale 'Es ist genug': 'It is enough! Lord, if it please Thee, my Jesus, come! World, good night. I go to the heavenly house, with a heart full of joy. My sorrows remain below.' The variations on this chorale, the sounds that emanate from the violin, that bring into being a completely new world for the instrument, the way in which at the conclusion the music seems to span the cosmos, from the lowest depths to the sublime heights".[4]

References
  1. "Es ist genug, so nimm, Herr, meinen Geist". hymnary.org. Retrieved 2 November 2017.
  2. Zahn, Johannes (1891). Die Melodien der deutschen evangelischen Kirchenlieder (in German). Vol. IV. Gütersloh: Bertelsmann. pp. 315ff.
  3. Dümlin, Albrecht (19 April 2016). "Alban Bergs Violinkonzert / Die Uraufführung wird zum Requiem" (in German). Deutschlandfunk. Retrieved 2 November 2017.
  4. Glass, Herbert. "Violin Concerto – About the piece". LA Phil. Archived from the original on 2017-11-07. Retrieved 2 November 2017.
  5. "Es ist genug!". Sammlung christlicher Lieder für evangelische Gemeinen zur öffentlichen und stillen Erbauung. Graß. 1835. Retrieved 2 November 2017.
  6. Es ist genug! So nimm, Herr, meinen Geist. 1844. pp. 413–414. {{cite book}}: |work= ignored (help)
  7. Dürr, Alfred; Jones, Richard D. P. (2005). The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Oxford University Press. ISBN 978-0-19-816707-5.
  8. BWV 60.5 bach-chorales.com
  9. "Bach's chorale 'Es ist genug, so nimm, Herr' (Breitkopf und Hartel, No. 216) ought probably to be considered a Lydian choral": William Renwick, "Bach and the 'Old' Musicology", Music Analysis 16, no. 2 (July 1997): 255–269. Citation on 263.
  10. Violin Concerto (Berg, Alban): Scores at the International Music Score Library Project
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