Wow/Grape Jam

Wow has a more heavily produced sound than the first Moby Grape album. String and horn arrangements were added to many of the songs by producer David Rubinson. Recording started in Los Angeles in late 1967, but most of the album was recorded in New York City in late 1967 and early 1968.

"Murder in My Heart for the Judge" is a blues rock tune written by drummer Don Stevenson that was later recorded by other rock musicians such as Lee Michaels, Three Dog Night and Chrissie Hynde. "Bitter Wind", written and sung by Bob Mosley, has remained one of the group's most popular songs. The acoustic version here contains an ending that includes harsh wind noises and backward vocals. Other stand-out tracks include Jerry Miller's rocking shuffle "Can't Be So Bad", Skip Spence's darkly comedic roots rocker "Motorcycle Irene" and Peter Lewis's lush ballad "He". The album also includes an electrified re-arranged version of "Naked, If I Want To", which was on the first album as an acoustic track. "Just Like Gene Autry: A Foxtrot" is the most unusual song on the album, a 1930s style tune written and sung by Spence. It was given a spoken introduction from Arthur Godfrey and cut onto the LP record at 78 RPM with added scratchy sound effects to give it an authentic period effect.

"He" contains one of the great lines of the psychedelic era: "He ... was shattered when he saw / how everything's exactly as it seems."

Grape Jam has been criticized for its rather loose and mostly improvised performances which contrast sharply with the heavily produced material on Wow. However Grape Jam is also notable in that it features guest appearances on piano by Al Kooper and Mike Bloomfield. This studio album was recorded in New York City in January and February 1968. Skip Spence plays guitar on "Never" and piano on "Boysenberry Jam".[3] Peter Lewis does not appear on this album. "The Lake" is a strange combination of poetry submitted by a fan (Michael Hayworth, the winner of a KFRC San Francisco songwriting contest) and avant-garde psychedelic Musique concrète sound effects somewhat like side four of Freak Out! or "Revolution 9". The opening track "Never" is the best known song and has often been cited as the source for Led Zeppelin's song "Since I've Been Loving You", the opening lyrics, bluesy arrangement and some melodic elements are virtually identical.[4] The album was the inspiration for a number of other studio "jam" albums during the late 1960s and early 1970s. Later examples of this trend included Al Kooper's Super Session and the 3rd LP of George Harrison's All Things Must Pass.

Professional ratings

Review scores
Source	Rating
Allmusic	[5]
Robert Christgau	B+[6]
Rolling Stone (1968)	negative[7]
Rolling Stone (2007)	(Wow) (Grape Jam)[8]

In a retrospective review for Rolling Stone magazine, music critic Robert Christgau felt that the album suffered from "Pepper-itis" because of how worthy songs such as "Can't Be So Bad" and "Murder in My Heart for the Judge" were diminished by superfluous effects such as horns, strings, stereo separations, and musique concrète.[8] Christgau went further on Grape Jam, referring to it as "hippie self-indulgence" and "wooden groove instrumentals".[8] Rob Hughes of Louder Sound, meanwhile, has referred to Wow as "a disjointed affair," but "hardly a disaster," highlighting "Bitter Wind," the "creepily-hypnotic Rose Colored Eyes," the "funked-up Murder In My Heart For The Judge" and "Spence’s clap of dirty thunder, Motorcycle Irene" as "classic Grape".[9] A retrospective review of Wow by Mark Deming of AllMusic is mostly positive, arguing that it is "a far more ambitious album" than the band’s debut, that it "has plenty of strengths despite the excess gingerbread" and that while it lacks the "rev-it-up spirit" of the debut, the "guitar work is just as impressive and richly layered, and the group's harmonies and songwriting chops are still in solid shape." Deming praises the "tough, funky blues" of "Murder in My Heart for the Judge" and the "horn-driven boogie" of "Can't Be So Bad" and refers to "Bitter Wind", "He," and "Rose Colored Eyes" as "lovely folk-rock tunes with shimmering harmonies."[10] His colleague, Matthew Greenwald, calls "Bitter Wind" "a beautifully written ballad" and "one of Bob Mosley's finest early period compositions",[11] also praising the songs "He",[12] "Rose Colored Eyes"[13] and "Miller’s Blues"[14] and calling "Murder In My Heart For The Judge" “a fabulously hilarious story of being dressed down in a court by a judge while paying parking tickets.”[15]

The first CD of Wow/Grape Jam was a single disc edition on the San Francisco Sound label, owned by Moby Grape's former manager Matthew Katz. It has edited versions of "Bitter Wind" and "Marmalade," while also omits "Just Like Gene Autry: A Foxtrot" and "The Lake" entirely. This edition has been criticized for its mediocre sound quality and poor packaging. The group has never been properly compensated for this CD release.

Many of the songs from Wow also appear on the 2 CD collection Vintage: The Very Best of Moby Grape released in 1993. This collection includes "Foxtrot" and the complete acoustic version of "Bitter Wind". It also includes a few Wow out-takes, notably an alternate earlier version of "Bitter Wind" in a completely different rock arrangement.

The complete version of Wow was first released on CD in Japan in 1997. A newly remastered version was released by Sundazed Records on October 9, 2007 featuring a number of bonus tracks, most of which were previously unreleased. At the same time Sundazed also released separately the CD debut of Grape Jam in its entirety, with three previously unreleased bonus tracks.

Both Wow and Grape Jam were taken out of print on November 3, 2007, along with Moby Grape for reasons that were not officially specified. It has been widely circulated on the Moby Grape mailing list that Katz, whom the band has been in legal battles with since the late 1960s, threatened to file a lawsuit against Sundazed claiming ownership of the albums' artwork.

Artwork of the Wow album (design and illustration) was done by Bob Cato. Cato proposed a surreal image without any input from the band. Cato was influenced by various Victorian woodcuts. According to Peter Lewis the title was left off the cover because "What was in the box was more important than the box."[16] It was nominated for the Grammy Award for Best Recording Package in 1969.

• Peter Lewis - rhythm guitar, vocals
• Jerry Miller - lead guitar, vocals
• Bob Mosley - bass, vocals
• Skip Spence - rhythm guitar, vocals
• Don Stevenson - drums, vocals
• Lou Waxman and his orchestra - backing track for "Just Like Gene Autry: a Foxtrot".