Wagner Moura

Moura took acting classes in his teens, and started working in professional theater in 1996. Later, he graduated in journalism at the Federal University of Bahia. He had a small PR company that worked for other local actors and theatre companies but the business soon went bankrupt. In the early 2000s, he was a reporter for an interview program on TV Bahia – an affiliate of Rede Globo – and covered high society parties talking to businessmen and celebrities.[6]

During this time Moura continued going to auditions because he aspired to become an actor. He found some success with the play A Máquina. Receiving critical and public acclaim, the show left Bahia and went on the road to Pernambuco, São Paulo and Rio de Janeiro where it continued to succeed. The hit boosted the careers of Moura and his colleagues, now-successful Brazilian actors Lázaro Ramos and Vladimir Brichta.

In cinema, he started with the shorts Pop Killer, by Victor Mascarenhas, and Rádio Gogó, by José Araripe Jr. His first feature was Woman on Top, by the Venezuelan director Fina Torres, in which he had a small participation with Ramos, whom he helped with the tests in English, since Ramos did not speak the language.

With the resumption of Brazilian cinema opening up to new faces, he got roles in several productions with important names, such as Behind the Sun, by Walter Salles; The Three Marias, by Aluizio Abranches; God Is Brazilian, by Cacá Diegues; Nina, by Heitor Dhalia; The Man of the Year, by José Henrique Fonseca; The Middle of the World, by Vicente Amorim. In Recife, during the filming of God Is Brazilian, Moura was reading the book Carandiru Station by Drauzio Varella when he found out about the auditions for the film Carandiru. Because he was busy with the recordings and unable to appear in the face-to-face auditions in another state, he asked the person in charge of the making of to help him record a tape that would be sent to the production. The material was very dark, and it was only possible to hear the actor reading excerpts from the book. Some time later Héctor Babenco would call him for a meeting in São Paulo, curious to meet the owner of the voice. The actor ended up joining the cast as the prisoner, dealer and drug addict Zico.[7][8]

He debuted on television after famous Brazilian actor and Mouras's costar in God Is Brazilian, Antônio Fagundes invited him for a small role in the popular series Carga Pesada on Rede Globo. Then came the series Sexo Frágil, which entered the network's Friday night schedule after its success as a sketch on the TV show Fantástico.

The play Dilúvio em Tempos de Seca was shown in Rio de Janeiro, São Paulo and ended its season at the Curitiba Theater Festival at Teatro Guaíra for an audience of more than four thousand people in the two days it was presented. With the end of the work, the actor would turn to television and cinema.

He debuted in telenovelas at A Lua Me Disse by Miguel Falabella, starring heartthrob Gustavo, a contrast to the other characters he had played before.[9] He then amended the telenovela with the limited series JK, the biography of the Brazil's former president Juscelino Kubitschek, playing the title character in his youth.[10]

In 2007, he was scheduled to play businessman Olavo Novaes, villain of the telenovela Paraíso Tropical, wrote by prestigious Brazilian screenwriters Gilberto Braga and Ricardo Linhares.[11] Braga initially thought about having Selton Mello on the role, who turned it down due to scheduling conflicts, and director Dennis Carvalho, who had worked with Moura on JK, nominated him for the role. Olavo and his lover, prostitute Bebel, played by Camila Pitanga, became the bigest highlights of the show.[12] It was the duo of actor's idea to intensify the affection relationship between two characters, as it seemed interesting for the plot.[13] The result was a popular appeal for the villains to become officially a couple and have more screen time together, which happened. Both Moura and Pitanga were acclaimed and highly awarded for their roles.

At the same time, the film Elite Squad, in which he played the role of police officer Captain Nascimento, began to have wide repercussions. The film initially would have the aspiring Mathias as the protagonist of the film, but during editing it was realized that showing Nascimento's point of view would set the tone and energy that the production was looking for. From there, the synopsis was changed, the production was reassembled and Moura had to hastily record the narration. The film broke all box office records, won awards in Brazil and Europe, including the Berlin's Golden Bear, and generated controversy and debates about piracy, police harassment and urban violence.[14]

With both works, he became one of the most popular actors in his country, immensely recognized by the public and critics as one of the great names of his generation of actors and chosen by Vogue Brazil as "Man of the Year" in 2007.[15]

In 2008, after the end of the telenovela, he returned to the theater after years without stepping on stage, with the play Hamlet by William Shakespeare - which in the words of the actor, was an old dream for being his favorite play since adolescence - in the role of protagonist and producer. The theatrical process was recorded by his wife, Sandra, and became a documentary. Hamlet was also a success with the public and acclaimed by the specialized press.[16]

He was in three more short films: Desejo, Ópera do Mallandro and Blackout, awarded at the Festival de Gramado; in the films Ó Paí, Ó, Saneamento Básico, A Máquina and Romance. In addition, he resumed the band he formed in 1992 with friends, Sua Mãe, performed on some TV programs and released a CD.

In 2010, he came back as Nascimento, in the sequel to Elite Squad. Elite Squad: The Enemy Within repeated the success of the first version and for ten years held the highest-grossing title in the country's history.[17]

In 2012, he was the guest vocalist for the "MTV live tribute to Legião Urbana" held in São Paulo and broadcast live by MTV Brasil itself. Wagner Moura didn't hide his satisfaction, as he stated in several interviews that he was a big fan of the band.[18]

In 2011 he was honored at the Braskem Theater Award,[19] and in 2013 at the Gramado Festival.[20]

Also in 2013, he was elected Man of the Year by GQ Brazil in the cinema category.[21]

The film Elysium marked his Hollywood debut, alongside Matt Damon, Jodie Foster and Alice Braga (who was nominated by Moura for the film), playing Spider. Moura got the role after his agents show his work in Elite Squad 2 for the movie producers [22]

In 2014, he stars in Futuro Beach by Karim Aïnouz, once again at the Berlin International Film Festival, as a lifeguard from Recife who goes to Germany after falling in love with a tourist. The film received homophobic reactions from part of the audiences for its depiction of a romance between two men, which included nudity and sex scenes. In the same year, Rio, I Love You was released, in which Moura plays a parachutist who talks about Christ the Redeemer in the short film by José Padilha.

As a director, he worked on the music video for the song "Te Amo" from the album Bicicletas, Bolos e Outras Alegrias, by singer Vanessa da Mata.

In April 2015, Moura was confirmed to play one of the "seven men" in the movie The Magnificent Seven, a remake of the 1960 Western classic alongside names like Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Haley Bennett and Luke Grimes, scheduled to premiere in 2017, but had to decline the invitation due to filming the series Narcos, in which he was the protagonist.[23] For the same reason, he could not star in the Brazilian feature Bingo: The King of the Mornings.[24]

Moura in 2015

In August of the same year, Narcos debuted on Netflix, with Moura playing Pablo Escobar. The performance was praised by critics and the series was very well accepted by the public. Narcos earned him a Golden Globe nomination for best actor in a TV series in 2016, becoming the first Brazilian in 14 years to achieve recognition.[25]

In 2018 he was announced in the new production of Brian De Palma, but the project was paused.[26] In September 2019, he released the film Wasp Network, also from Netflix and directed by Olivier Assayas, in competition at the Venice Film Festival.

In 2020, he signed with WME and was part of the official jury of the Sundance Film Festival, voting in the international fiction category. Also at Sundance, he launched the Netflix drama Sergio, about Brazilian diplomat Sérgio Vieira de Mello, in which he is both the protagonist and producer.

In 2021, he joined the Academy of Motion Picture Arts and Sciences in Hollywood.[27]

In November of the same year, the third season of Narcos: Mexico was released, in which he directs two episodes. In the same period, he managed to release his first film as a director, Marighella, in Brazilian cinemas. Marighella officially premiered in 2019 at the Berlin International Film Festival within the official out-of-competition show, and received good reviews.[28] At the Grande Prêmio do Cinema Brasileiro 2022 (Brazilian Film Grand Prix), the film was the biggest champion with eight awards, including Best Film, Best First Director and Best Adapted Screenplay for Moura

During interviews, he announced that he signed a contract with Disney+ to produce a series about Maria Bonita, and will be in the next productions by Kleber Mendonça Filho and Karim Aïnouz.[29] in addition, he will be in the animation Arca de Noé by Sergio Machado and Walter Salles, inspired by Tom Jobim and Vinicius de Moraes.

In 2022, he starred in the Apple TV+ series Shining Girls with Elisabeth Moss, in the role of journalist Dan Velásquez,[30] joined the cast of Civil War, a film by Oscar-nominated director and screenwriter Alex Garland with production by A24,[31] and starred in Puss in Boots: The Last Wish, with Antonio Banderas, Salma Hayek, Olivia Colman and Florence Pugh, voicing the wolf who is revealed to be the physical incarnation of Death.[32] He starred, alongside Ryan Gosling, Chris Evans, Ana de Armas, Regé-Jean Page, Billy Bob Thornton and others in the feature The Gray Man, considered the most expensive in the history of Netflix, as the eccentric Laszlo Sosa. In the role, Moura lost twenty kilos and was praised by the Russo brothers, who called him "an incredible actor, one of the most talented in the world".[33]

Later, it was announced on the Amazon Prime Video series Mr and Mrs Smith.[34]