Volk ans Gewehr

The song, which was characterized by a hammering march rhythm, was first heard at a rally in the Berlin Sportpalast on 8 January 1932 by about 150 Sturmabteilung (SA) people of Standard 7 and performed publicly by the Fuhsel Chapel. In the following years, it became one of the most played National Socialist songs.

Pardun's song was one of the most famous mass songs of the Nazi era; in the 1930s, it was mainly used as an SA marching song. It was also a compulsory song for the Reichsarbeitsdienst. During World War II, it was used as a military song - not least because it was included in the soldier's song book Morgen marschieren wir (Tomorrow we march). The song was used as the interval signal of Reichssender Berlin. In 1944, the song was again opted for use by the Volkssturm. A Swedish translation of the song, Folk i gevär, was additionally used as an anthem by the Nationalsocialistiska Arbetarepartiet.[3]

The decisive bars of the song were used shortly after the Nazi seizure of power by the Berlin radio station. Lectures at German universities or student council meetings also started with the song after 1933.[4] Thus, people were constantly reminded of this song. The historian Jutta Sywottek describes this as a subtle educational tool of the National Socialists for propaganda and preparation for war.[5][6]

At the Nuremberg trials of the major German war criminals, this song was used as evidence.

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The text contains allusions to numerous cornerstones of Nazi ideology, such as the demand for the creation of living space in the east (“Do you see the dawn in the east”), sharp anti-Jewish sentiment (“Germany awake and death to the Jews”) and the invocation of the entire people to aid the war effort ("People to arms, people to arms!"), as well as the popular workers' song Brothers, to the sun, to freedom, for example in the first line.

The slogan People to arms goes back to a poem from 1820 ("Freedom, your tree is rotting/everyone on the begging stick/soon bites into the hunger grave/people's rifle"). The melody has a minor character, fifth and fourth structures, as well as echoes of church modes of the 19th century song type. The song was "exposed to the accusation of being un-German, Russian or Bolshevik". Above all, the power of the chorus line gives the battle song its effect.

The performance of this song in public is prohibited in Germany according to Section 86a of the Criminal Code. In Austria, comparable provisions apply due to Section 3 of the Prohibition Act of 1947.