Veteran (JPEGMafia album)

Most of Veteran was recorded while JPEGMafia was living in Baltimore and was mixed and mastered when he moved to Los Angeles in mid 2017.[11] He recorded around 120 songs and set aside 19 for the album.[12][13] The album was originally intended to be released on 22 October 2017, his 28th birthday.[14] JPEGMafia attributed the album's aggressive and chaotic nature to "other shit" he experienced in Baltimore, and was able to fully understand it when he became level-headed in Los Angeles.[11]

JPEGMafia calls Veteran an exercise in editing, in that there were a lot of moments he took out and some that almost didn't make it, and that he "reeled it back" more on Veteran compared to earlier records.[15] "Libtard Anthem" originally featured JPEGMafia doing a verse, but removed himself from the song in favor for Freaky's guest verse because he felt that "he summed it up perfectly".[16] "Dayum" was originally much longer, consisting of 3 different beats that he made, before being edited down to 1 minute 26 seconds because it was "not needed".[17] "I Cannot Fucking Wait Until Morrisey Dies" was also much longer, with "an intro and a whole other part" before being whittled down to 1 minute 27 seconds.[12]

Matthew Moyer of Orlando Weekly labeled Veteran as the most freeform hip-hop album ever, even more so than the works of Death Grips and clipping.[18] The instrumentals are an amalgamation of noise and glitch styles in the vein of Tigerbeat6 and Mille Plateaux, as well as punk rap, noise rap, trap, and "space-age R&B".[lower-alpha 1] JPEGMafia's vocal performance is mostly abrasive (in a manner David Turner compared to MC Ride) but ranges from aggressive to calm to crooning.[lower-alpha 2] These alterations happen abruptly all within "Thug Tears", beginning with the rapper singing, then rapping in staccato notes before rapping smoothly and singing again.[23] Turner notes the "goofy production keeps the record from same navel-gazing mythologizing".[22]

Veteran continues JPEGMafia's trend of referencing elements of popular culture, political and social issues, which he considers a presentation of a internet-dominated era.[18] In fact, critics described the album's "dissonance", "lithe sexuality", rage, and "jaded indifference" as an "incisive, contradictory, sometimes sarcastic" manifesto on the "jarring" state of the United States' social climate, specifically the "monstrous, Twitter-shit spirit of 2018", by a man mentally on the edge.[lower-alpha 3] Analyzed Paul A. Thompson of Pitchfork, the rapper borrows the evocative language of artists like MC Ren, Ice Cube, and Eazy-E, and brings in the irony and bad-faith argumentation of usual internet discussion.[23] Topics include political unrest, feminism, hipsterism ("Real Nega"), the flaws of liberalism ("Libtard Anthem"), and gentrification ("Whole Foods", "Williamsburg").[lower-alpha 4] The lyrics reference video games, anime, Rudy Giuliani, Tomi Lahren, WWE, MAGA, and The X-Files.[lower-alpha 5] Individuals and institutions lambasted on the record include online critics, publications such as Dead End Hip Hop and Pitchfork, the alt-right, Whole Foods Market, neoliberals, Morrissey, SoundCloud rappers, Bill Maher, and Kellyanne Conway.[lower-alpha 6]

Michael Cyrs wrote, JPEGMafia exudes "a modern grace without attempting to care about everything all the time"; this is best evidenced on "My Thoughts on NeoGAF Dying", where JPEGMafia repeatedly states "I don't care" over a hazy instrumental, presenting his disinterest in any scandal covered in the news.[26] On "Rock N Roll Is Dead", the rapper, in expressing his distrust of the mainstream press, threatens to "put hands on a blogger" and "make 'em beg for his life".[22] He also shows himself as unafraid to confront the threat of fascism on "Real Nega": "Alt-right want war, well that's fine then."[22] On "Williamsburg", JPEGMafia condemns the gentrification of his hometown of Brooklyn over a beat with a sound reflecting the cold and empty feeling of the economic trend; he argues that he is "selling art to these yuppies" and makes fun of the wealthy's penchant for overpriced coffee and Phoenix Suns shirts.[19][23]

Veteran refers to his four years in the United States Air Force and his life experience in the southern part of the country.[23] Multiple cover artworks were done for Veteran, one of which is the rapper's Louisiana driver's license, which references the food stamp cover for Ol' Dirty Bastard's Return to the 36 Chambers: The Dirty Version (1995).[23]

Although JPEGMafia had been rapping and producing beats since he was 15, Veteran was his breakthrough album.[19] It was met with widespread acclaim from critics.[lower-alpha 7] Thompson, in his 7.7/10 review for Pitchfork, praised the album as "a remarkable exercise in sound and texture", reasoning that it "takes white-hot riffs and the most distasteful parts of our national politics, chops them up, and somehow scatters them perfectly into place". He felt the record's best moments "makes the frayed edges of each element part of the atmosphere, a mess of distortion that works percussively and melodically". He also highlighted the moments of soul music sampling, describing it as placing the sampling of New York rap "in a late-2010s internet wasteland".[23]

All tracks written and produced by JPEGMafia. Except “Real Nega” which was produced by Chef Warren.

Notes

• On the Bandcamp and Vinyl releases, "Panic Emoji" is listed as "😱".
• The streaming versions of the album has the features uncredited, while the Bandcamp & SoundCloud versions credits them.
• "Real Nega" contains a sample of "Goin' Down" by Ol' Dirty Bastard.
• "Williamsburg" contains a sample of "BUTTERFLY EFFECT" by Travis Scott.