U R the Best Thing

In 1992, British Lennox Herald described "U R the Best Thing" as a "house track with hypnotic song and certain club smash."[4] Paul Mathur from Melody Maker wrote, "This sounds like nobody's business, has voices to turn nightingales green and according to the press release is, "as hard and stunning as a barren stepmother's slap". As metaphors go, that one is pretty Himalayan."[5] Mixmag declared it as a "heart-stopping, piano pounding epic."

A reviewer from Music Week called it "excellent", adding that it "mates well-crafted lyrics with some of this year's most essential samples and breaks".[6] James Hamilton from the Record Mirror Dance Update stated that the track is "featuring some soaring support by D'borah Asher but made most exciting by its rippling vibes breaks, husky pop singer Peter Cunnah and DJ Al McKenzie's thumping and surging jangly house bounder".[7]

In 1993, Larry Flick from Billboard wrote, "The element that sets this record apart from the pack of wolves vying for recognition is that there is a real song tucked beneath the barrage of studio tricks and house beats. Here is one that doesn't lose any of its appeal once you stop twirling; the melody and lyrics stay with long after daylight. Props to the group's masterminds, Peter Cunnah and M Mackenzie, for going the extra mile and giving us something to feel and whistle to."[8] Dave Sholin from the Gavin Report felt that "the pair blends a house sound with a just a taste of alternative."[9] In his weekly UK chart commentary, James Masterton said, "More dance crossover only it is hard to describe it as such this time, with such a strong pop chorus and vocal. This one may well emulate the current success of Robin S. and climb slowly and gradually into the 10."[10] Paul Mathur from Melody Maker wrote that "the original of this was always guaranteed to send any end-of-night dancefloor into such a frenzy". He added, "One to fall in love to."[11]

Andy Beevers from Music Week gave the song five out of five, complimenting the "superb new Morales mixes which have been getting a great dancefloor reaction".[12] Roger Morton from NME stated, "No doubt this one, which falls somewhere between Inner City and The Tyrrel Corporation, with its marshmallow groove and flyaway female vocal, will also have both suits and longhairs piling onto the polished bit of the ballroom. There's a million remixes, of which Sasha's is the jumpiest. This is as undeniable as a waxed Porsche."[13] James Hamilton from the Record Mirror Dance Update described it as a "wriggling jangly canterer".[14] Tim Southwell from Smash Hits gave the '93 version three out of five, noting that it "brings together flutes, piano and a drumbeat that shuffles along, creating a wobbly wah-wah effect." He also highlighted its "impressive and powerful" backing singer.[15]

In 1994, Scottish Dundee Courier named "U R the Best Thing" a "standout" track from the album.[16] Ian Gittens from Melody Maker stated, "D:Ream are the best E-shaped pop band to emerge from the dance explosion to date."[17] A reviewer from Music & Media wrote, "Yep, it's them again with their umpteenth rerelease. Remixed by Paul Oakenfold and Steve Osborne, it's another step up the stairs to stardom for the pop dance duo."[18] The magazine's Maria Jimenez constated that the track's "longevity is assisted by this wide spectrum of new remixes".[19] Alan Jones from Music Week rated the remix four out of five, naming it "a bankable follow up" to their number one hit, "Things Can Only Get Better".[20] John Kilgo from The Network Forty commented, "Looking for a flavorful uptempo dance track? Look no further than this techno jammer that has scored the #1 position on the dance charts."[21] Paul Moody from NME commented, "Peter Cunnah has come up with something here that will assail you in supermarkets, unnerve you when it bursts from car stereos and scare the charts rigid. Love it from the off and your life will be a whole lot easier."[22]

In an retrospective review, Pop Rescue noted the "big" vocals from D’Borah Asher and the house piano, adding, "This song does feel somewhat more mellow though, giving Peter plenty of space to show off his vocals in the verse."[23] Tim Jeffery from the Record Mirror Dance Update said, "These new Perfecto mixes keep the attractive flute part while adding strings and a distictive [sic] piano sound to make the song an anthem once again. Stylish, commercial and probably a hit second time around."[24] Another editor, James Hamilton, deemed it an "attractive huskily crooned throbbing 122.9bpm" Perfecto remix.[25] Adam Higginbotham from Select described it as a "perfect feelgood pop-dance record" and felt it "left no one in any doubt about where they were coming from."[26] Pete Stanton from Smash Hits gave it four out of five, writing, "It's as good now as it was then with its anthem-like chorus and plinkety pianos. This is even better than "Things Can Only Get Better"."[27] Darren Ressler from Vibe viewed it as a "buoyant" smash.[28]