Tom Lake

Three daughters, who return to their family's Northern Michigan orchard in the spring of 2020, learn about their mother's relationship with famous actor Peter Duke, who she shared the stage with at a theatre company named Tom Lake.

The novel debuted at number one on The New York Times fiction best-seller list for the week ending August 5, 2023.[2]

On the review aggregator website Book Marks, which assigns individual ratings to book reviews from mainstream literary critics, the novel received a cumulative "rave" rating based on 21 reviews: 16 "rave" reviews, 4 "positive" reviews, and 1 "mixed" review.[3]

Kirkus Reviews gave the novel a starred review, writing, "These braided strands culminate in a denouement at once deeply sad and tenderly life-affirming. Poignant and reflective, cementing Patchett's stature as one of our finest novelists."[4] The novel was also well received at Publishers Weekly and noted in its review that, "As Patchett's slow-burn narrative gathers dramatic steam, she blends past and present with dexterity and aplomb, as the daughters come to learn more of the truth about Lara’s Duke stories, causing them to reshape their understanding of their mother. Patchett is at the top of her game."[5]

Benjamin Markovits of The Daily Telegraph gave the novel 4 out of 5 stars, comparing its qualities to that of Thornton Wilder's play Our Town, which features in Patchett's novel.[6] Grace Linden of the Los Angeles Review of Books agreed, writing, "Our Town, a play about loss and the inability to appreciate life as it happens, is the perfect foil for Patchett’s story."[7]

Katy Waldman of The New Yorker wrote, "The ingredients have been assembled for a wistful meditation on mothers and daughters learning to handle the seasons of their lives [...] But the novel's alchemical transformation of pain into peace feels, at times, overstated [...] As Tom Lake goes on, the determined positivity begins to feel slightly menacing, or at least constrictive."[8] Alice O'Keefe of The Times echoed the latter criticism, writing that the novel "seems to almost wilfully ignore the darker side of life. You’ll happily while away an afternoon with it, if you like your fiction as sticky-sweet as cherry pie."[9]