Three Fantasiestücke, Op. 111

Three Fantasiestücke for piano, Op. 111, were written in 1851 by Robert Schumann.

Three Fantasiestücke, Op. 111
by Robert Schumann
Robert Schumann, lithograph by Josef Kriehuber (1839)
GenrePiano work
ComposedSeptember 1851
PerformedClara Schumann
Duration10–12 minutes
Movements3

History

Title

Three Fantasiestücke for piano, Op. 111, composed in 1851, is one of four works by Schumann entitled Fantasiestücke. The other three are:

  • Fantasiestücke, Op. 12 (1837), eight pieces for solo piano, also based on Hoffmann's Fantasiestücke in Callots Manier
  • Fantasiestücke, Op. 73 (1849), three pieces for clarinet and piano (ad.lib violin or cello)
  • Phantasiestücke, Op. 88 (1842), for piano, violin and cello in four movements[1]

The title was inspired by the collection of letters and writings about music published in 1814–1815, Fantasiestücke in Callots Manier by E. T. A. Hoffmann, one of Schumann's favourite authors. The composer greatly appreciated the 17th-century engraver's sense of fantasy.[2]

Three Fantasiestücke , Op. 111 (8 pages PDF)

Composition

Schumann composed the Op. 111 in 1851, a few months after his appointment as Generalmusikdirektor of the Düsseldorf Orchestra.[3] In September, Clara Schumann wrote in her diary: "Robert has composed three piano pieces of a grave and passionate character which I like very much."[4]

Inspiration

In these three pieces, Schumann recaptures the "passionate tone that was characteristic of the Fantasiestücke, Op. 12, composed fourteen years earlier in 1837.[5]

They reveal "the composer's ardour, impetuosity and inner youth, followed by a contemplative and peaceful atmosphere".[6] He is said to have written them as a tribute to Beethoven's Opus 111, the Piano Sonata No. 32, because of his predilection for this work.[6]

Details

Duration

Schumann gave precise indications concerning the tempo, but each pianist adapts it according to his temperament. As a result, the total duration of the performance of the three pieces is variable, between 10 and 12 minutes.

Short description

The two pianists James Friskin and Irwin Freundlich present the Three Fantasiestücke for piano, Op. 111 as follows:[7] "These short pieces were intended to be played in sequence; but this does not seem absolutely essential."[7]

1. Sehr rasch, mit leidenschaftlichem Vortrag [Very quickly, with passionate expression] ( Molto vivace et appassionatamente) in C minor

This has a fine passionate sweep and displays much of Schumann's old power and inspiration; it is technically fairly taxing.[7]
Duration: 2–3:45 minutes

2. Ziemlich langsam (Quite slow) (Piuttosto lento), in A-flat major

Lyrically beautiful and technically simple.[7]
Duration: 4:45 / 5:35 minutes

3. Kräftig und sehr markirt [Powerful and very marked] (Con forza, assai marcato), in C minor

An energetic marchlike tune, with contrasting middle section and coda featuring graceful arabesques.[7]
Duration: 3:15 / 3:45 minutes

Selected recordings
  • Claudio Arrau, Edition Schumann, compilation (7 CDs), 1991, opus 111 : CD 6-Track 2, Philips Classics Records 432308–2, Germany ..
  • Maria Grinberg, The Art of Maria Grinbert, recordings from 1946 to 1976 (34 CDs), 2019 (opus 111: CD20), Scribendum SC814EAN 5060028048144.
  • Andreas Haefliger, Schumann :Plusieurs pièces pour piano, 1988 (Schumann, several pieces for piano, 1988), Sony Classical 8869774024.
  • Vladimir Horowitz, The Unreleased Live Recordings, 1966-1983 , Sony Classical 88843054582.
  • Antonín Kubálek, Piano music of Robert Schumann ( several pieces including opus 111), 1988, Dorian DOR-90116.
  • Kun-Woo Paik, Schumann, 2020, Deutsche Grammophon UPC 00028948551460.
  • Éric Le Sage, Schumann project: The Complete Piano Solo Music (opus 111: CD 6 tracks 10-12), 2012, Alpha, EAN 3760014198137.

See also

References
  1. Phantasiestücke, Op. 88 (Schumann): Scores at the International Music Score Library Project
  2. Tranchefort 1987, p. 721.
  3. According to Harold C. Schonberg, his conducting experience started well, but did not last, as Schumann was not very comfortable conducting an orchestra; see Harold C. Schonberg (1967). The Great Conductors. New York: Simon and Schuster. pp. 126–127. Retrieved 9 June 2022.
  4. Schumann & Schumann 2019, p. 342.
  5. Abdel Rahman El Bacha (25 February 2020). "Schumann: Three Fantasiestücke for piano op 111". France Musique (recording at the Festival de La Roque-d'Anthéron on 24 July 2019) (in French). Retrieved 9 June 2022.
  6. Abdel Rahman El Bacha. "Abdel Rahman El Bacha, 24-07-2019. L'excellence au bout du clavier" [Excellence at the end of the keyboard] (Notes for Festival de La Roque-d'Anthéron on 24 July 2019) (in French). Retrieved 9 June 2022.
  7. Friskin & Freundlich 1973, p. 175.

Sources

Further reading
  • J. Peter Burkholder; Claude V. Palisca (2006). Norton Anthology of Western Music, Vol. 2: Classic to Twentieth Century (5th ed.). New York, London: W. W. Norton. ISBN 9780393925623.
  • David Ewen (1965). The complete Book of Classical Music. Prentice Hall. p. 946. ISBN 978-0131560420.
  • Eric Frederick Jensen (2001). Schumann. Oxford: Oxford University Press. p. 408. ISBN 9780195346060. Retrieved 9 June 2022.
  • Brigitte François-Sappey (2003). Robert Schumann (in French). Paris: Éditions Fayard. p. 154. ISBN 9782213617305.

Some performances of Robert Schumann's Three Fantasiestücke Op.111:

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