The Whole Truth (1958 film)
The Whole Truth is a 1958 British-American thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley.[2] It was based on the 1955 play of the same title by Philip Mackie.
The Whole Truth | |
---|---|
Directed by | John Guillermin |
Written by | Jonathan Latimer |
Based on | play The Whole Truth by Philip Mackie |
Produced by | Jack Clayton |
Starring | Stewart Granger Donna Reed George Sanders Gianna Maria Canale |
Cinematography | Wilkie Cooper |
Edited by | Gerry Hambling |
Music by | Mischa Spoliansky |
Production company | |
Distributed by | Columbia Pictures |
Release dates |
|
Running time | 84 minutes |
Countries | United Kingdom United States |
Language | English |
Box office | 392,806 admissions (France)[1] |
It was made at Walton Studios with some brief location shooting in France. The film's sets were designed by the art director Anthony Masters.
Plot
While making a film on the French Riviera, the producer, Max Poulton, has been having an affair with his star, Gina Bertini. A married man, Max does not want to lose his wife Carol, but the hot-tempered Gina threatens to tell all.
Max comes home with a blood stain on his shirt cuff. A visit follows from an Inspector Carliss of Scotland Yard, who says Gina's body has just been found, stabbed to death.
Rushing to the house where he and Gina used to secretly meet, Max gathers up possessions he's left behind. A neighbour spots his car. Upon returning home, to a party Carol is hosting, Max is astounded to find Gina alive and well among the guests.
Confused, he drives her home, leaves her in the car briefly, then returns to find her lifeless body, stabbed. This time, a local police official, Inspector Simon, comes to call. The only conclusion Max can draw is that Carliss is somehow trying to frame him.
His suspicions are correct. Carliss is not a Scotland Yard inspector at all but Gina's jealous husband. He has arranged things to make Max appear guilty, and Simon, having the neighbour's eyewitness description of seeing Max's car, has little choice but to place Max under arrest.
When it looks as though Carliss intends to harm Carol as well, Max escapes from jail. He manipulates Carliss into stealing his own car, and when the police give chase to the wrong man, Carliss, in a panic, drives off a cliff to his death. Max's innocence becomes apparent to the police.
Cast
- Stewart Granger as Max Poulton
- Donna Reed as Carol Poulton
- George Sanders as Carliss
- Gianna Maria Canale as Gina Bertini
- Michael Shillo as Inspector Simon
- Richard Molinas as Gilbert
- Peter Dyneley as Willy Reichel
- John Van Eyssen as Archer
- Philip Vickers as Jack Leslie
- Jimmy Thompson as Assistant
- Hy Hazell as American Woman
Original TV play
Philip Mackie's 90-minute play debuted on television, airing on the BBC in July 1955. The TV play was screened again in 1956.[3] Stephen Harrison directed.
Cast
- Ellen Blueth as Deenie
- Michael Brill as Hugh Carliss
Stage play
It was then turned into a stage play which was presented by Henry Sherek in London in October 1955 starring Leslie Philips.[4]
Reviewing it Kenneth Tynan said the first two acts were "the tautest puzzle play since Dial M for Murder" but did not like the ending.[5]
Original cast
- Ernest Clark as the director
- Leslie Phillips as the murderer
- Sarah Lawson as the director's wife
Production
Development
The US rights and film rights were bought by Gilbert Miller in January 1956.[6]
The film was made by Romulus Productions. Stewart Granger had just finished his contract with MGM and signed a two-picture deal with Romulus, of which The Whole Truth was to be the first; the second was to be The Night Comers from a novel by Eric Ambler and co-starring Jean Simmons.[7][8] (This film was never made).
Jeanne Crain was originally announced as the female lead.[9] However Donna Reed ended up playing it. George Sanders joined the cast in July 1957.[10]
Shooting
Filming started in London on 16 September 1957.[10]
Romulus later announced they offered Stewart Granger a six-picture contract worth $1.5 million,[11] however, he made no more films for that company.
Teddy Darvas, sound editor, recalled that Granger "behaved exceedingly badly to Jackie Clayton on that film" by demanding large amounts of money to do ADR. " I think the problem is that he is not a really good actor," said Darvas. "I think the better the actor the bigger the star, the nicer and easier they are to work with."[12]
Reception
Filmink praised the "brilliant first half".[13]
References
- Box office information for Stewart Granger films in France at Box Office Story
- "WHOLE TRUTH, The". Monthly Film Bulletin. Vol. 25, no. 288. London. 1 January 1958. p. 106.
- Our, R. C. (5 March 1956). "SUCCESSFUL PLAY REPEATED". The Manchester Guardian.
- Review of London production of play at Variety
- Tynan, K. (16 October 1955). "Music while you work". The Observer.
- S. Z. (10 January 1956). "MILLER TWIN BILL PLAY BE A SINGLE". New York Times. ProQuest 113596657.
- "MOVIELAND EVENTS". Los Angeles Times. 17 October 1956. ProQuest 166981939.
- "MOPPING UP BEGUN ON BATTLE MOVIE". New York Times. 14 August 1957. ProQuest 114176715.
- "Drama". Los Angeles Times. 21 May 1956.
- Schallert, Edwin (2 July 1957). "Cornel Wilde Readies Hungary Saga; George Sanders Stars Abroad". Los Angeles Times. p. B7.
- Schallert, E. (5 November 1957). British want Howard Keel. Los Angeles Times
- "Interview with Teddy Darvas". British Entertainment History project. 1991–1992.
- Vagg, Stephen (17 November 2020). "John Guillermin: Action Man". Filmink.
External links
- The Whole Truth at IMDb
- The Whole Truth at the TCM Movie Database
- The Whole Truth at Letterbox DVD
- The Whole Truth at BFI
- Review of film at Variety
- Complete copy of the play in Plays of the Year Volume 13. 1955. p. 11–120.