Taylor Swift (album)

Taylor Swift developed an early interest in the performing arts.[1][2] After watching a documentary about country singer Faith Hill, Swift felt sure she needed to move to Nashville, Tennessee—widely regarded as the home of country music[3][4]—to pursue a career as a country singer.[5] At age eleven, Swift traveled to Nashville with her mother to pitch demo tapes of karaoke covers to record labels for a contract.[6][7] She was rejected because record labels believed country music's middle-aged demographic would not listen to music by a teenage girl, which Swift firmly disbelieved.[8][9]

Returning to her home town in Pennsylvania, Swift realized she had to distinguish herself from other aspiring country singers.[8] To this end, at age 12, she started writing songs herself, and learned to play the guitar with the help of a computer repairman who had fixed her family's computer on one occasion.[9] Swift's love for country music alienated her from her peers.[10] Her performance of "The Star-Spangled Banner" at the 2003 US Open caught the attention of music manager Dan Dymtrow, who helped 13-year-old Swift get an artist development deal with RCA Records in Nashville.[11] To assist Swift's artistic endeavors, her father transferred his job to Nashville, and her family relocated to Hendersonville, a city close to Nashville, in 2004.[12][13]

Among Swift's inspirations were 1990s female country musicians—Shania Twain, the Chicks, Faith Hill, and LeAnn Rimes.[14] She signed with the Sony/ATV Tree publishing house at age 14 to become a professional songwriter, the youngest signee in its history.[15] After the signing, Swift commuted from Hendersonville to Nashville every afternoon to practice with experienced Music Row songwriters.[16] Liz Rose became an important collaborator and formed a lasting working relationship with Swift in her future career.[17] Swift had productive sessions with Rose because she respected Swift's vision and did not want to put her in the "Nashville cookie-cutter songwriting mold".[18] Rose spoke highly of Swift's songwriting abilities: "Basically, I was just her editor...She had such a clear vision of what she was trying to say. And she'd come in with the most incredible hooks."[19]

After one year on RCA's development deal, Swift was held off an official record deal; she felt the label was not confident in her self-written material.[20][21] Swift parted ways with RCA: "I figured if they didn't believe in me then, they weren't ever going to believe in me."[11] She recalled in 2009 in The Daily Telegraph: "I genuinely felt that I was running out of time. I wanted to capture these years of my life on an album while they still represented what I was going through."[22] At an industry showcase at Nashville's Bluebird Café in 2005, Swift caught the attention of Scott Borchetta, a DreamWorks Records executive who was preparing to form an independent record label, Big Machine Records. She had first met Borchetta in 2004.[23] Swift became one of Big Machine's first signings, and her father purchased a three-percent stake in the company.[24]

Of the standard edition's eleven songs, Swift is the sole writer of three, and a co-writer of eight. Rose shares the writing credit on seven. Robert Ellis Orrall and Angelo Petraglia co-wrote "A Place in This World", and Brian Maher co-wrote "Mary's Song (Oh My My My)".[25] After experimenting with different producers, Swift persuaded Big Machine to recruit Nathan Chapman, who had produced her demo album in a "little shed" behind the Sony/ATV offices.[7][26] Big Machine was skeptical about hiring Chapman because he had never produced a commercially released studio album, but ultimately agreed because Swift felt they had the "right chemistry".[7] Before approaching Chapman, Swift conceptualized how her songs should sound: "I know exactly where I want the hook to be and ... what instruments I want to use."[27] Chapman was confident in Swift's abilities, saying that she "knows what she wants to say with her music".[27] He has sole production credits on all songs but one, "The Outside", on which he is credited as an additional producer, and Orrall as the main producer.[7] Recording took place during a four-month period near the end of 2005.[7] When the recording and production wrapped, Swift had finished her first high school year.[28]

Swift opening for Brad Paisley in 2007. To promote her first album, Swift opened tours for other country musicians in 2007–2008.[53]

Taylor Swift was released on October 24, 2006, through Big Machine Records.[54] Swift was involved in the album packaging, designing doodle graphics herself.[25] She included hidden messages with hints at the subjects of her songs in the lyrics printed in the liner notes, inspired by the Beatles' hiding secret messages in their records.[55] She executed the same technique on her subsequent albums.[31][56] Swift said the messages could be interpreted by tracking the capital letters in the order they appear in the lyrics printed in the liner notes.[7] In addition to the eleven-track standard edition, a 15-track deluxe edition contains three new original songs—"I'm Only Me When I'm with You", "Invisible", and "A Perfectly Good Heart", and an alternate version of "Teardrops on My Guitar".[57] An "enhanced version", which includes the music videos for "Teardrops on My Guitar" and "Tim McGraw", was released on March 18, 2008.[58]

The album was preceded by the lead single "Tim McGraw", which was released on June 19, 2006.[59] The single peaked at number 40 on the Billboard Hot 100 and number six on the Hot Country Songs chart, marking Swift's debut appearance on both charts.[60][61] It was certified double platinum by the Recording Industry Association of America (RIAA).[62] Swift promoted the album performing on televised programs including Good Morning America,[63] The Megan Mullally Show,[63] America's Got Talent,[64] Total Request Live,[65] the CMT Music Awards,[66] and the Academy of Country Music Awards.[67] To maintain her presence on country radio, Swift embarked on a radio tour during a six-month run in 2006.[7] Swift also promoted the album by performing as an opening act for other country artists' concert tours. She opened for Rascal Flatts from October 19 to November 3, 2006.[63] Throughout 2007, she opened for George Strait,[68] Brad Paisley,[69] and Tim McGraw and Faith Hill's joint tour, Soul2Soul II Tour.[70]

In addition to traditional radio promotion, Swift extensively used her Myspace profile to communicate with her audiences, sharing her daily blogs and song information. Her online marketing strategy boosted the album's popularity among teenagers and young adults.[21] Swift and Big Machine decided to release "Our Song" as a single because of the positive feedback it received on Myspace.[21] Throughout 2007 and 2008, four more singles supported Taylor Swift: "Teardrops on My Guitar", "Our Song", "Picture to Burn", and "Should've Said No", all of which peaked within the top forty of the Hot 100 and the top ten of the Hot Country Songs chart.[71] "Teardrops on My Guitar" peaked at number two on the Hot Country Songs chart and had a crossover release to pop radio; it peaked at number seven on the Mainstream Top 40 (Pop Songs) chart, and number 13 on the Hot 100.[72][73] "Our Song" and "Should've Said No" reached number one on the Hot Country Songs chart.[71] With "Our Song", Swift became the youngest person to single-handedly write and sing a Hot Country Songs number one.[74] All singles were certified platinum or more by the RIAA, with "Teardrops on My Guitar" (3× Platinum) and "Our Song" (4× Platinum) selling over three million copies each.[62][75]

From August 2019 to January 2020, Big Machine released 4,000 copies of each of the singles from Taylor Swift on vinyl for the 13th anniversary of the album. This was met with immediate backlash in light of the purchase of the masters of Taylor Swift's first six studio albums.[76][77][78][79]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	67/100[80]
Review scores
Source	Rating
AllMusic	[81]
Robert Christgau	[82]
Country Weekly	[83]
The Palm Beach Post	A[45]
Pitchfork	6.7/10[37]
The Philadelphia Inquirer	[84]
PopMatters	6/10[85]
Rolling Stone	[50]

Taylor Swift received generally positive reviews from critics.[86] Though some deemed the lyrical themes unsophisticated and lacking depth, most critics praised Swift's songwriting for using familiar techniques in ways that sounded original and novel.[87] On Metacritic, which assigns an aggregated score out of 100 to reviews from publications, the album earned a score of 67, based on five reviews.[80]

In a review for Country Weekly, Chris Neal deemed Swift a success compared to previous aspiring teenage country singers because of her "honesty, intelligence and idealism".[83] Reviewers were impressed by Swift's maturity while retaining a sense of youthful innocence in her lyrics, including Ken Rosenbaum of The Toledo Blade,[88] Nick Cristiano of The Philadelphia Inquirer,[84] Jeff Tamarkin of AllMusic,[81] and Rolling Stone.[50] In a review for The Palm Beach Post, James Fontaine felt Swift's honest depiction of her teenage experience made the album compelling, and lauded the "musical maturity" for effectively communicating the sentiments.[45] The Morning Call's Keith Groller said that the album was not groundbreaking but could appeal to a wide-ranging audience with its adolescent earnestness.[89]

Critics commented on the album's pop sensibility—Neal and Rolling Stone found it appealing to a mainstream audience.[50][83] Tamarkin commented that Swift's "considerably strong voice" straddled the precarious boundary between country and pop, and criticized producer Chapman for applying "a gloss that not all [songs] really require".[81] In the Chicago Tribune, Chrissie Dickinson described Taylor Swift as "a slick package, pleasant enough but devoid of anything resembling gritty traction".[46] In a mixed review for PopMatters, Roger Holland complimented the production quality of certain tracks, but deemed the album overall a misstep for Swift's true appeal: "It's to be hoped that when she finds both her place and her full grown voice, she's able to find an accommodation between the country tradition and her very obvious pop sensibilities."[85] Robert Christgau rated the album a "cut" score (), and selected "Tim McGraw" and "Picture to Burn" as highlights.[82][note 2]

Taylor Swift helped Swift earn a nomination for New Female Vocalist of the Year at the 2007 Academy of Country Music Awards, a Horizon Award at the 2007 Country Music Association Awards, and a nomination for the Grammy Award for Best New Artist at the 50th Annual Grammy Awards (2008).[54][91] The album itself was nominated for Album of the Year at the 2008 Academy of Country Music Awards.[92]

Retrospective reviews have remained favorable toward Swift's early songwriting. Maura Johnston from Pitchfork described the album as an honest record about teenage perspectives, which set Swift apart from the manufactured albums that "weighed down former teen sensations".[37] Jonathan Bradley from Billboard lauded how Swift captured immediate emotions and feelings with "details... so sharp at so small a scale".[32] In July 2022, Rolling Stone ranked Taylor Swift at number 32 on its list of the "100 Best Debut Albums of All Time".[93]

Taylor Swift was a sleeper success in the United States.[16][94] It debuted at number 19 on the Billboard 200 chart dated November 11, 2006, with first-week sales of 40,000 copies.[95] Because albums often drop in sales after their initial release, Swift did not expect her album to remain long on the chart: "I would be incredibly lucky to see this album certified Gold."[16] Contrary to her expectations, Taylor Swift kept selling at a fairly consistent pace.[16] By November 2007, the album had sold over a million copies.[96] It reached its highest sales week on the Billboard 200 chart dated January 5, 2008, when it sold 187,000 copies and charted at number eight.[97]

The album reached its peak at number five on the chart dated January 19, 2008, in its 63rd week of charting.[98] Spending 157 weeks on the Billboard 200 by October 2009, Taylor Swift marked the longest stay on the chart by any album released in the 2000s decade.[99] It has spent a total of 280 weeks on the chart as of August 2023.[100] On Top Country Albums, Taylor Swift peaked at number one for 24 non-consecutive weeks.[101] By October 2020, the album had sold 5.75 million pure copies in the United States.[102] It was certified seven times Platinum by the Recording Industry Association of America (RIAA) for earning over seven million album-equivalent units in the nation.[103]

In Canada, Taylor Swift peaked at number 14 on the Canadian Albums Chart[104] and was certified Platinum by Music Canada (MC).[105] The album peaked at number 33 on the Australian Albums Chart in March 2010,[106] and was certified Platinum by the Australian Recording Industry Association (ARIA).[107] In the United Kingdom, it peaked at number 81 on the Albums Chart[108] and was certified Gold by the British Phonographic Industry (BPI) for sales of more than 100,000 copies.[109] The album had sold 198,000 units in the United Kingdom by October 2022.[110] It appeared on albums charts in New Zealand (peaking at number 38),[111] Japan (53),[112] Ireland (59),[113] and Scotland (34).[114]

Taylor Swift was released in a time when female country artists were gaining momentum in popularity.[37][50] Nashville industry experts nonetheless disapproved of Swift's debut as a teenager[12][18] because they considered the album's adolescent themes inappropriate for country music's middle-aged key demographic.[71][115] Jim Malec of American Songwriter observed that contrary to industry expectations,Taylor Swift's success on country radio, particularly with the track "Our Song", established Swift as one of the few teenage female artists to be equally successful with male counterparts in a format dominated by men.[71]

Though critics questioned the album's country-music categorization,[116] Rolling Stone remarked that following the Dixie Chicks' 2003 controversy, which left "a huge space opened up in the heart of the country audience", Swift "has completely filled it ... with a sound that's not just rock-informed but teen-poppy too".[50] Jon Caramanica of The New York Times observed that, although the country-pop crossover sound was facilitated by previous successful singers, Swift was the first country artist to embrace the status of a pop star.[72] Taylor Swift made her the first female solo artist in country music to write or co-write every song on a platinum-certified debut album.[74][117] Its production laid the groundwork to Swift's subsequent country-pop discography, whose chart success straddled the perceived boundary between the two genres.[116][118][119]

Music journalists attributed the album's success to Swift's songwriting and online marketing strategy.[12] While online promotion was familiar to pop and hip hop artists, she was the first country artist to promote her songs on social media services like Myspace;[71][72] she also relied on social media to promote her subsequent releases, which brought her a loyal fan base.[115][120] Her social media presence ushered in a younger audience consisted of mostly teenage girls who listened to country music—a previously unheard demographic.[12] The autobiographical narratives on Taylor Swift defined Swift's songwriting over the next decade,[31][32] which Billboard noted to inspire a new generation of aspiring singer-songwriters.[115] Consequence stated Taylor Swift was the blueprint for songs focused on unrequited love and suffering, paving the way for "future teenie boppers" such as Conan Gray's "Heather" (2020) and Olivia Rodrigo's "Drivers License" (2021).[121] Rolling Stone opined, "if Taylor Swift retired right after dropping her debut album, she'd still be remembered as a legend today [...] Taylor debuted with complete mastery of a genre she was also completely transforming."[93] According to Entertainment Weekly, the commercial success of her debut helped the infant Big Machine go on to sign Garth Brooks and Jewel.[122]

All tracks are produced by Nathan Chapman except where noted.

Credits adapted from the album's liner notes[25]

• Taylor Swift at Discogs (list of releases)