Tanling ruqun

Tanling ruqun (Chinese: 坦领襦裙; pinyin: Tǎnlǐng rúqún; lit. 'Flat (or open-hearted) collar jacket skirt'), also known as Tan collar ruqun and U-collar ruqun,[1] is a type of Hanfu which was developed under the influence of Hufu (most likely influenced by Qiuci);[2] it is a form a kind of ruqun which typically consists of three parts, featuring a low-cut[3]:93–94 low-cut U-shaped collar upper inner garment with long sleeves, a U-shaped collar banbi upper outer garment with short sleeves, a long high-waisted skirt.[4][2][5] It can also be adorned with a shawl, called pipo (Chinese: 披帛).[6][5] It was a popular form of clothing attire in the Sui and Tang dynasty.[2] In the 21st century, the Tanling ruqun re-appeared as a result of the Hanfu movement.[6] The 21st century Tanling ruqun was developed by reproducing the original patterns of the historical tanling ruqun while being aligned with modern aesthetics.[7]

Tanling ruqun
韋貴妃墓雙螺髻女侍圖
Maid wearing tanling ruqun and pipo, mural from the tomb of Wei Guifei (韋貴妃), Tang dynasty
Chinese name
Chinese坦领襦裙
Literal meaningFlat (or open-hearted) collar jacket skirt
English name
EnglishTan collar ruqun/ U-collar ruqun

Terminology

The term tanling ruqun is composed of the terms tanling and ruqun. Tanling (Chinese: 坦领; pinyin: Tǎnlǐng) refers to the U-shaped (Chinese: ; pinyin: Tǎn; lit. 'flat collar/ open-hearted') collar (Chinese: ; pinyin: Lǐng; lit. 'Collar') of the upper garment, typically specifically referring to the U-shaped banbi which is worn as an outer upper garment.[2][8] The term ruqun refers to the traditional two piece attire of the ancient Han Chinese consisting of a skirt and an upper garment called ru.[8]

Construction and design

The tanling ruqun is mainly composed three parts: a long wrap skirt, a U-shaped collar inner shirt with long sleeves, and a tanling banbi (a U-shaped short sleeves outer jacket).[4]

Unearthed artefacts dating in the Tang dynasty, such as sculptures and paintings show that the long-sleeves, low-cut inner shirt could be tucked under the long (high-waisted[3]:93[9]:85) skirts.[10]:291The skirts could be embellished with stripe patterns of two colours or be found in monochrome colours.[4][10]:291[9]:87 The banbi falls above the waist[10]:291or were waist-length,[4] and they could be embellished with embroidered borders at the wrist.[10]:291 The banbi could also be tucked under or worn over the long skirt.[4][3]:93–94 The tanling ruqun can also be worn together with a shawl, called pipo (Chinese: 披帛), around the arms or the shoulders of its wearer;[9]:85–86 they could also wear it together with variety of hats.[10]:291In the Tang dynasty, hats of foreign origins or influence, such as the mili, weimao and humao, were worn when horseback riding.[10]:291

History

Female attendant wearing a tanling blouse and skirt, Sui dynasty

The late sixth century, for example in the Sui dynasty, was marked the arrival of new style of women's Hanfu.[12]:25 The new style of clothing had high waisted skirt almost similar to the Empire silhouette and the upper garments had low décolletage.[12]:25 The Sui dynasty women already liked wearing banbi over their long-sleeved clothing.[13] Tanling garments, including the tanling banbi, was already popular in the court of the early Sui dynasty, the predecessor of the Tang dynasty.[14][1] The Tang dynasty continued the clothing style of its predecessor, and women continued to wear high-waisted skirt, low-cut upper garments and long skirts.[12]:25[15]:184

Women of Qiuci wearing U-shaped collar banbi (middle), Kizil caves.

In the early Tang dynasty up to the late 8th century,[4] banbi were also popular among women, including noble and common women.[16] According to the New Book of Tang, "banbi, skirt, and ru are common clothes for maids served at the Eastern Palace".[16] In the 7th century, palace women could wear banbi over a plain shirt and a high-waisted, A-line skirts which could be monochrome or striped.[4] In the Tang dynasty, new styles of Tanling banbi appeared and became extremely popular.[14] Some shapes of banbi (such as the tanling banbi) worn in the early Tang appears to have been mainly influenced by the banbi worn in Qiuci.[16] Figures wearing banbi and striped skirt holding a shawl (pipo) and wearing low cut upper garments appear on the murals of Kizil Grottoes in Xinjiang; the shape and matching garments customs were similar to the early Tang dynasty's women clothing attire.[16] In the first decade of the 8th century, skirts in monochrome colours became more popular than stripped skirts.[9]:85 By the mid-Tang dynasty around the mid-8th century, upper garments with low décolletage lost popularity and women started to cover themselves with shawl; there were also new ideals of beauty favouring extremely plum and voluptuous women over the youthful slenderness of the Sui and the early Tang dynasties.[12]:25

Other types of ruqun

See also

References

  1. "The Most Classic Hanfu of All Time - 2022". www.newhanfu.com. 2020-12-11. Retrieved 2022-05-17.
  2. "Ancient Chinese Fashion: Historical Prototype of Hanfu Style". www.newhanfu.com. 2020-10-14. Retrieved 2022-05-17.
  3. Chen, Bu Yun (2013). Dressing for the Times: Fashion in Tang Dynasty China (618-907) (Thesis). Columbia University. doi:10.7916/d8kk9b6d.
  4. Chen, BuYun (2017-01-02). "Material Girls: Silk and Self-Fashioning in Tang China (618–907)". Fashion Theory. 21 (1): 5–33. doi:10.1080/1362704X.2016.1138679. ISSN 1362-704X. S2CID 155949571.
  5. "Amazed! Hanfu T-shirts were Available in the Tang Dynasty? - 2022". www.newhanfu.com. 2019-08-03. Retrieved 2022-05-17.
  6. "How to Choose a Slim Hanfu? - 2022". www.newhanfu.com. 2020-03-17. Retrieved 2022-05-17.
  7. Dong, Jingsi (2020). "중국 전통 복식의 패턴 해체를 통한 한푸 디자인 개발" [Development of Hanfu Design by Pattern Deconstruction on Traditional Chinese Clothing]. 이화여자대학교 대학원.
  8. 王金妍. "Hanfu: China's traditional Han-style clothing". www.chinastory.cn. Retrieved 2022-05-17.
  9. Chen, Buyun (2019). Empire of style : silk and fashion in Tang China. Seattle. ISBN 978-0-295-74531-2. OCLC 1101879641.{{cite book}}: CS1 maint: location missing publisher (link)
  10. China : dawn of a golden age, 200-750 AD. James C. Y. Watt, Prudence Oliver Harper, Metropolitan Museum of Art. New York: Metropolitan Museum of Art. 2004. ISBN 1-58839-126-4. OCLC 55846475.{{cite book}}: CS1 maint: others (link)
  11. China : dawn of a golden age, 200-750 AD. James C. Y. Watt, Prudence Oliver Harper, Metropolitan Museum of Art. New York: Metropolitan Museum of Art. 2004. ISBN 1-58839-126-4. OCLC 55846475.{{cite book}}: CS1 maint: others (link)
  12. Steele, Valerie (1999). China chic : East meets West. John S. Major. New Haven: Yale University Press. ISBN 0-300-07930-3. OCLC 40135301.
  13. Zang, Yingchun (2003). Zhongguo chuan tong fu shi [中国传统服饰] [Chinese traditional costumes and ornaments]. 李竹润., 王德华., 顾映晨. (Di 1 ban ed.). Beijing: Wu zhou chuan bo chu ban she. ISBN 7-5085-0279-5. OCLC 55895164.
  14. "What are the styles of Tang Hanfu?These four kinds of Hanfu were extremely popular in the Sui and Tang Dynasties". iNews. 2022.
  15. Introduction to Chinese culture : cultural history, arts, festivals and rituals. Guobin Xu, Yanhui Chen, Lianhua Xu, Kaiju Chen, Xiyuan Xiong, Wenquan Wu. Singapore. 2018. ISBN 978-981-10-8156-9. OCLC 1030303372.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  16. Zhao, Qiwang; Lyu, Qianyun (2020). "Western Cultural Factors in Robes of Wei, Jin, Southern and Northern Dynasties as Well as Sui and Tang Dynasties" (PDF). 2020 3rd International Conference on Arts, Linguistics, Literature and Humanities: 141–147. doi:10.25236/icallh.2020.025 (inactive 1 August 2023).{{cite journal}}: CS1 maint: DOI inactive as of August 2023 (link)
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