Swamp Legend

Swamp Legend ("Sumpflegende") is an oil-on-cardboard painting by Swiss German painter Paul Klee, from 1919. It has been in the Städtische Galerie im Lenbachhaus, in Munich, since 1982, but its ownership was disputed due to its provenance. The painting was one of the works considered by the National Socialists as “degenerate art” and was confiscated from the Landesmuseum Hannover, in Hanover, in 1937. However, it was not owned by the museum, but was there on a loan from the art historian Sophie Lissitzky-Küppers. In July 2017 it became known that her heirs had reached an agreement with the city of Munich abouts its ownership.[1][2]

Swamp Legend
ArtistPaul Klee
Year1919
TypeOil on cardboard
Dimensions47 cm × 41 cm (19 in × 16 in)
LocationStädtische Galerie im Lenbachhaus, Munich

Description

The painting belongs to a series of "cosmic landscapes" that Klee created in a large number between 1917 and 1919, where its expressed a symbolic conception of nature. In abstract color spaces, dominated by sulphurous yellow and contrasted with violet, the objects arrange themselves in a naïve way. In the dreamlike scenery, the human figure itself becomes a piece of nature. As Klee wrote in his Diaries: “Earlier (even as a child) the landscape was very clear to me. A scenery for moods of the soul. Dangerous times begin now, when nature wants to swallow me, I am nothing anymore, but I have peace.”[3]

Provenance

The painting was purchased shortly after its completion by Paul Küppers, the director of the Hannoverscher Künstlerverein, and his wife Sophie, later Lissitzky-Küppers, directly from the artist's studio in Munich. In 1926, Sophie Lissitzky-Küppers loaned the painting to the Hanover Provincial Museum, along with 15 other modernist works. On July 5, 1937, it was confiscated there by the National Socialist Art Commission as part of the campaign against “Degenerate Art”. From July 19, 1937, it was presented in the eponymous abusive exhibition on the so-called "Dada Wall".[4]

In 1941, one of Hitler's official art dealers Hildebrand Gurlitt[5] bought the picture from the German Reich for 500 Swiss francs. In 1962 it was auctioned at the Lempertz auction house in Cologne, despite a reference to its origin and the assumption that it was still owned by Sophie Lissitzky-Küppers, and acquired by the Swiss collector Ernst Beyeler.[6] He sold it to the Rosengart Gallery in Lucerne, where it was from 1973 to 1982. It was then acquired for DM 700,000 by the Gabriele Münter and Johannes Eichner Foundation and the city of Munich, which loaned it to the Städtische Galerie im Lenbachhaus.[7]

In 1992, Jen Lissitzky, the son of Sophie Lissitzky-Küppers, filed a lawsuit demanding restitution at the Munich District Court. The lawsuit was dismissed because of the statute of limitations. The principles of lifting the statute of limitations according to the Washington Declaration, to which the public museums in Germany have committed themselves, do not apply in this case, since the Lenbachhaus is a private foundation.[8] At the end of March 2012, the heirs filed another lawsuit against the city of Munich for the picture to be handed over, on the grounds that there were new documents as evidence.[9]

In July 2017 it became known that the heirs had reached an agreement with the city of Munich. Accordingly, the heirs should be paid compensation and the painting will remain in the Lenbachhaus. The price was not mentioned.[10][11]

See also

References
  1. Swamp Legend, Lenbachhaus (German)
  2. Melissa Müller, "Sophie Lissitzky-Küppers (1891–1978)", Hannover / Munich, in Melissa Müller, Monika Tatzkow, Verlorene Bilder, verlorene Leben. Jüdische Sammler und was aus ihren Kunstwerken wurde, Elisabeth Sandmann Verlag, Munich, 2009 (German)
  3. Werner Hofmann, Paul Klee. 50 Werke aus 50 Jahren, herausgegeben von der Hamburger Kunsthalle anlässlich der gleichnamigen Ausstellung, Hans Christians Verlag, Hamburg, 1990, p. 80 (German)
  4. Melissa Müller, "Sophie Lissitzky-Küppers (1891–1978)", Hannover / Munich, in Melissa Müller, Monika Tatzkow, Verlorene Bilder, verlorene Leben. Jüdische Sammler und was aus ihren Kunstwerken wurde, Elisabeth Sandmann Verlag, Munich, 2009 (German)
  5. Ronald, Susan (2015). Hitler's art thief : Hildebrand Gurlitt, the Nazis, and the looting of Europe's treasures (First ed.). New York. ISBN 978-1-250-06109-6. OCLC 914417714.{{cite book}}: CS1 maint: location missing publisher (link)
  6. Melissa Müller, Sophie Lissitzky-Küppers (1891–1978), Hannover / Munich (German)
  7. Swamp Legend, Lenbachhaus (German)
  8. Gunnar Schnabel, Monika Tatzkow, Nazi Looted Art. Handbuch Kunstrestitution weltweit, Berlin, Proprietas-Verlag, 2007, p. 289 (German)
  9. Ingeborg Prior, Die geraubten Bilder. Die abenteuerliche Geschichte der Sophie Lissitzky-Küppers und ihrer Kunstsammlung, Kiepenheuer & Witsch, Cologne, 2002 (German)
  10. "Sumpflegende" von Paul Klee: Schlusskapitel einer unendlichen Geschichte, Tagesspiegel, 26 July 2017 (German)
  11. Magazine, Smithsonian; Panko, Ben. "Legal Fight Over Nazi-Looted Painting Ends After 26 Years". Smithsonian Magazine. Retrieved 2023-01-31. Eighty years after it was seized by the Nazis as an example of "degenerate art," the decades-long legal battle over a German modernist painting has reached a settlement, reports Catherine Hickley of the New York Times. The 26-year-long legal fight by the descendants of art historian Sophie Lissitzky-Küppers is reportedly Germany's longest ever relating to Nazi-looted art.
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