Stone dogs in the Leizhou Peninsula
The Leizhou stone dogs are historical canine sculptures from the Leizhou Peninsula. They blend the locally-held tradition of totem worship with different ethnic cultures.[1] In the past, the Leizhou Peninsula was an inhospitable land with relatively few inhabitants. Due the difficulty of bearing and raising children while living in such harsh conditions, the original inhabitants worshipped dogs, which could easily give birth to their offspring.[1] Numerous stone dogs are widely distributed at village entrances, roads, and gates. The Stone Dogs are an important part of the local cultural history, and have many meanings and shapes. They are roughly carved, and have turned grayish from long term exposure to the elements. They are considered a highlight of the peninsula's culture.
The Stone Dogs attract many tourists from both within China and abroad. The stone dog is a form of art and culture largely exclusive to the Leizhou Peninsula, rarely seen elsewhere within China or the world.[2]
Distribution
There is no distinct rule in the distribution of stone dogs. Most of them are scattered in the coastal areas of the Leizhou Peninsula, especially in Zhanjiang City, Xuwen County, Haikang County, Lanjiang City, Suixi County and many other small rural villages' entrances, corners, gates, ponds and the entrances of the houses and temples. They are famous in Chentown, Angle Tail Town, Longmen Town, QinDou Town, Lianjiang City, Hengshan Town, GoodDong Town, and Shuixi Jiang Hong Town because stone dogs of these cities are more completely preserved. The stone dogs in different regions come in different shapes, representing the evolution of the region. The discovery sites are historical, and may date back to the Qing dynasty. According to the unofficial statistics Leizhou Peninsula has over a million stone dogs. The Leizhou Museum has collected nearly 500 stone dogs from the countryside, village corners, buried underground, or the villagers.[3]
History
Origin
Stone dogs are a product of the historic culture and natural environment in Leizhou Peninsula.[4] The folk religions play the most important role, especially totemism and the worship of the Immortal Thunder. The cultures of the Zhou and Han dynasty, Taoism culture, Buddhist culture and geomancy also contribute to the rich historic meanings of stone dogs. Leizhou Peninsula is one of the most famous minefields in the world. The worship of the Immortal Thunder became a regional origin of the superstition of Stone Dogs in Leizhou. Li, Lao, Yao, Tong, Miao, and Lin peoples have all historically inhabited the Leizhou Peninsula. Those peoples had their own totems, such as Lin worships the raccoon dog and Miao regarded cats as their totem. Over time the local peoples gradually mixed together and were influenced one another. Their previous mascots and totems had been changed or integrated with each other. Eventually they reached a consensus on regarding the dog as their mascot in Leizhou Peninsula. From then on the worship of dogs become the origin of Stone Dogs culture.[4]
Connotation
Originally, aborigines in Leizhou Peninsula thought dogs had abundant fertility, especially the ability to give birth to male dogs. In ancient times Chinese people focused on the fertility not of the land, but of the people farming it. Many of Stone dogs in the Leizhou Peninsula have gigantic penises as a symbol of blessings for the villagers’ fertility. Stone dogs were also considered auspicious animals. It was believed that they could bring rain to the farms. The people believed rainwater was charity from God, so the rain-praying ceremony would be held at a fixed time, especially during a drought. It originates from a legend that a thousand years ago, a severe drought hit Leizhou Peninsula and a wizard told people all the sufferings resulted from the mischief of the Immortal Sun. Only the heavenly dog could make the powerful bark to scare off the Immortal Sun. In Chinese myths, there is a story about a heavenly dog eating the sun and bringing rain to the people. Stone dogs were also regarded as an angel, who is able to suppress evil and gave a blessing of peace. There is a fear of thunder and storms because excessive rain will rot the rice crops. In Chinese, Lei means thunder, and Zhou means peninsula. Leizhou Peninsula is beside the Qiongzhou Strait, which sees high levels of lightning activity. Historically, Leizhou was a wild land that was full of brownish miasma. The local residents had to dwell in the harsh conditions. Consequently, wherever people thought there was a demon, they placed stone dogs to help protect them; thus at the gate or before temples and tombs, at every entrance to village lay stone dogs with surly, brutal-looking and wild-eyed expressions. Today, the Stone Dogs in the Leizhou Peninsula are an important part of the local history, and help promote the peninsula to tourists.[5]
Characteristics
Features
Leizhou stone dogs are carved from basalt. The biggest stone dog is about 130 centimetres (51 in) high, and the smallest one is only about 10 centimetres (3.9 in) high. The features of the dogs vary depending on the time and place they were carved. The carving methods are unknown, but the style is plain with good workmanship. Based on the type, stone dogs can be roughly classified into three groups:
- From the Spring and Autumn period to Hingham dynasties, most stone dogs were simple, rough, uninhibited and featured as images that their heads are up to the sky like the wolves.
- Then from Tang to Song dynasties, the main features are boldness and strength, the coordination of stereo and strength in this period, especially the engraving of the penis as a prayer for fertility.
- In the late Qing dynasty, by means of the anthropomorphic form and the skillfully perfect shape, the stone dogs stand for the blessing for social stability and outstanding talent poets’ folkway of primitive simplicity.
There are various decorations that were carved on the stone dogs:
- Yun-lei (cloud & thunder): the ancient Leizhou ancestors worship and deify thunder. The stone dogs with different Yun-lei patterns are the cultural inheritance. Yun-lei stone dogs have a wide range in Leizhou Peninsula, appearing in almost every town.
- Lotus: The lotus is holy to buddhists, so the Leizhou stone dogs carved lotus petals lines reflect the Leizhou ancestors' belief in stone dog as unusual things in the world. It is lofty, sanctity, no desire for fame and fortune, a representation of a selfless dedication and precious spirit. People want to express the homage to their dogs.
- Phoenix: Phoenix bird is symbol of the Goddess, and is the mascot of the Chinese nation. People worship the pregnant women or animals, which evidently show their desire to have many descendants.
- Some stone dog pedal on a drum to show the significance of the supernatural power of stone dog.
- Some stone dogs hold grains in the mouth as the symbol of harvest.
- Some stone dogs have copper necklaces representing lots of fortune.
Types
Polymorphic Stone Dog: Leizhou Peninsula in the past was a multi-ethnic gathering of regional culture. The various tribal totems were carved on the stone dogs. Without advanced tools, there were few features of facial expressions, only concise lines on the rough bodies. These kind of stone dogs are preserved now in the museums.
Anthropomorphized Stone Dog: The people sanctify the stone dog to be a god and more humanized. This kind of stone dog has a stone face with exaggerated human facial features, especially the nose, mouth, eyes, eyebrow bone and so on.
Lionlike Stone Dog: These stone dogs have many of the features of lions. This type has a round head, sunken eyes, and rich facial expression like a lion's. In ancient times, Leizhou City was China's most southern political, military, economic, cultural place of Maritime Silk Road.[6] Beginning in the Han dynasty the foreign trade was very prosperous. Foreign culture, along with business, spread around Leizhou, especially Buddhist culture. According to Buddhism, the lion is the king of all animals. Stone dogs in Leizhou Peninsula have the characteristics of the lions, which was influenced by Buddhist culture to make the stone dog the king of all animals in Leizhou.
References
- Lin Taozhu (2010). Leizhou Stone Dog Culture. Beijing: Chinese Literature and History Press. [雷州石狗文化[专著]/林涛著. 2010.9]
- Situ Shangji (2014). Overview of Leizhou Culture. Guangzhou: Guangdong People's Publishing House, 2014.3[雷州文化概论[专著]/司徒尚纪著;岭南文库编辑委员会, 广东中华民族文化促进会合编.—广州:广东人民出版社,2014.3]
- Ju Yunshi. The essence and shape of Leizhou Stone Dog. Art Research Periodical.[雷州石狗雕刻的文化特质与造型方法/巨云和,文化遗产周刊]
- The Carving Art of Stone Dog in the Peninsula of Leizhou. Superfluous Things Periodical,2008,8 [雷州半岛的石狗雕刻艺术/陈波,长物志总第172期.]
- Zhu Jianzheng.(2012). Leizhou Peninsula of Guangdong Marine Economy Development Research. Beijing: Economic Science Press.雷州半岛暨广东海洋经济发展研究[专著]/朱坚真,吕彩霞主编;朱坚真[等]编著.—北京:经济科学出版社,2012.08]
- Wang Binghua (2010). Two archaeological issues of the silk road: the silk road: deploitation, transformation and contribution - from the perspective of Xinjiang archaeology; a study on the Juluzi Storehouse site. Hong Kong: Hong Kong University RaoZong Academic Library.絲路考古兩題[专著]:壹、從新疆考古看"絲綢之路"的開拓、變化、奉獻;貳、居盧訾倉故址研究.王炳華著.—香港:香港大學饒宗頣學術館,2010.12]