Spy Hard

"Weird Al" Yankovic sings the title song and directed the title sequence. It is a parody of title sequences from the James Bond films designed by Maurice Binder, specifically 1965's Thunderball, complete with multiple coloured backgrounds, silhouetted figures, women dancing with guns, and "wavy" text. Additionally, an urban legend states that during the recording of the theme to Thunderball, Tom Jones held the song's final note long enough to pass out. Yankovic holds it so long that his head explodes. Originally, Yankovic had planned to loop the note to the required length, but in the studio, he discovered he was able to hold the note long enough that no looping was required.[2] The sequence was later included on "Weird Al" Yankovic: The Ultimate Video Collection, although, for legal reasons, all credits and titles had to be taken out, excluding that of the film and of Yankovic himself.

In his memoir "Hollywood War Stories", director/co-writer Rick Friedberg recounts the film's troubled production history. According to Friedberg, Disney regularly requested changes to the script in an effort to appeal to as wide as audience as possible, particularly children; this resulted in significant set-pieces and many of the film's more sophisticated gags being cut. Near the end of production, with the film one day behind schedule, Friedberg reveals the studio removed him as director and hired a replacement to reshoot scenes and add completely new ones written from scratch. Now unofficially working in a consultant capacity, Friedberg was sent the dailies from the reshoots, which he said were "all terrible". Spy Hard was subsequently edited without Friedberg's involvement. Determined to trim the film to a lean, 80-minute runtime, Disney made extensive cuts, leading to rampant continuity errors, confusing plot twists, and uneven tone throughout the final product.

During a 2017 interview on "Trainwreck'd Society", when asked about Spy Hard, Friedberg commented, "Disney so eviscerated it, I can't even watch it".

The film opened at #3 with $10,448,420 behind Mission: Impossible's opening weekend and Twister's third. It eventually grossed $26,960,191 at the box office.[1]

On Rotten Tomatoes, the film holds an approval rating of 7% based on 41 reviews, and an average rating of 3.6/10. The site's critics consensus states: "Leslie Nielsen's comic gifts are undisputed, but Spy Hard's lazy script and slapdash direction fail to take advantage of them."[3] On Metacritic, the film has a weighted average score of 25 out of 100, based on 13 critics, indicating "generally unfavorable reviews".[4] Audiences surveyed by CinemaScore gave the film a grade of "C+" on an A+ to F scale.[5]

James Berardinelli of ReelViews wrote: "Director Rick Friedberg [...] has crafted a dreadfully unfunny comedy that takes Naked Gun-like sketches and rehashes them without a whit of style or energy. ... For movie-after-movie, Leslie Nielsen has milked this same personality, and it's starting to wear very thin. As affable as the actor is, there's just nothing left in this caricature. However, while Spy Hard might have worked better with, say, Roger Moore in the title role (his 007 was a parody towards the end, anyway), Nielsen's performance is only a small part of a massively-flawed production. Hard is the operative word here, because, even at just eighty-one minutes, this movie is unbelievably difficult to sit through."[6]

Stephen Holden of The New York Times wrote: "Spy Hard is never funnier than during its opening credit sequence in which "Weird Al" Yankovic bellows his parody of the brassy theme song from Goldfinger, while obese cartoon silhouettes swim across the screen. ... Instead of building sustained comic set pieces, it takes a machine-gun approach to humor. Without looking at where it's aiming, it opens fire and sprays comic bullets in all directions, trusting that a few will hit the bull's-eye. A few do, but many more don't. ... Around the halfway point, Spy Hard begins to run out of ideas and becomes a series of crude, rambunctious parodies of other films. ... When Spy Hard abruptly ends after only 81 minutes, you sense that it has used up every last round of available ammunition. It was simply exhausted and couldn't move another inch."[7]

Mick LaSalle of San Francisco Chronicle wrote: "It's done in the style of the Zucker-Abrahams-Zucker Naked Gun series, but although the style is there, the jokes aren't. Spy Hard relies on silly slapstick, takeoffs of recent films and the shock effect of celebrity cameos. But all that exertion doesn't add up to more than a handful of laughs. ... The story is too weak to work even as a clothesline for gags. Spy Hard eschews a coherent story and instead just strings together movie takeoffs. ... Nielsen, with his expert deadpan and sense of comic timing, creates the illusion of humor – for about 15 minutes. Thanks to him, what could have been an unbearable experience becomes merely empty. Still, he can't work miracles, and nothing short of a miracle could have made Spy Hard worth seeing."[8]

Stephen Hunter of The Baltimore Sun gave the film a negative review, writing that the film is "more of a parody of a parody than a parody" and in particular criticizing director Rick Friedberg, asking, "[w]as this poor guy ever funny?"[9]

Marcia Gay Harden wasn't a fan of the film itself as well:

Ugh. I hated doing that movie. [Laughs.] It was, I thought, going to be an opportunity to have a lot of fun, but it was just chaos and, uh, not so much fun. And not so funny. I mean, Leslie [Nielsen] was great, but it was really his show, and it was just… very chaotic. Behind schedule, over budget. People mention her to me, but I've never really seen the movie. All I know is that she was supposed to be sexy, and I don't know if she even was.

— Marcia Gay Harden[10]