Spelljammer: Adventures in Space

The standard edition has cover art by three different artists – Astral Adventurer's Guide cover art is by Bruce Brenneise, Boo's Astral Menagerie cover art is by Justin Gerard, and Light of Xaryxis cover art is by Ekaterina Burmak.[1][12] The standard Dungeon Master's Screen features a Wildspace scene with art by Julian Koch.[12] An alternate art edition, with cover art of all three books by Hydro74, was released for sale in local hobby and game shops.[12][19] The alternate Dungeon Master's Screen features an Astral Sea scene with art by Jedd Chevrier. The contents of the two editions are otherwise identical.[12] Spelljammer: Adventures in Space was also released as a digital product through the following Wizards of the Coast licensees: D&D Beyond, Fantasy Grounds, and Roll20.[1]

Beadle & Grimm, another Wizards of the Coast licensee, is scheduled to release a special edition titled Spelljammer: Adventures in Space – Platinum Edition in October 2022.[20] It will include the three sourcebooks as softcovers, an additional booklet of adventure encounters, pre-generated characters, game cards (for encounters, ships, magic items and spells), various maps and miniatures, physical props, and other handouts.[21][22] Beadle & Grimm will also release a Silver Edition at a lower price point; this edition will include fewer items than the Platinum Edition.[22][23][24]

On September 2, 2022, Wizards of the Coast issued an apology for offensive material included in Spelljammer: Adventures in Space. This content was removed from digital editions and will be removed from future print editions; errata was also released.[25][26][27] Charlie Hall, for Polygon, wrote that this "apology is in reference to a race called the hadozee [...]. The primatelike creatures were called out for their association with in-fiction slavery, as well as problematic themes and images that together serve to reinforce racism against Black people".[28]

Following this apology, Christopher Perkins – Wizards' game design architect – announced a new inclusion review process for the Dungeons & Dragons studio in November 2022.[29][30][31] This process will now require "every word, illustration, and map" to be reviewed at several steps in development "by multiple outside cultural consultants prior to publication".[32] The previous process only included cultural consultants at the discretion of the product lead for a project. All products being reprinted will also go through this new review process and be updated as needed.[33][30][32]

As part of their Icons of the Realm line, Wizards of the Coast licensee WizKids released 47 pre-painted miniatures that correspond with the Spelljammer setting.[34][35] They also released two gargantuan figures – an astral dreadnought and Prince Xeleth (a character from Light of Xaryxis) on top of an adult solar dragon.[36]

Spelljammer Academy is an introductory adventure module released on D&D Beyond. It acts as a prequel and teaser for Spelljammer: Adventures in Space.[37][38][39] The module is designed to take player characters from 1st level to 5th level; 5th level is the starting level for Light of Xaryxis.[40][39] Spelljammer Academy was released in four parts from July 2022 to August 2022.[41][40] It was a free promotion which could only be claimed by D&D Beyond users, however, it was also a time-limited promotion and could not be claimed after August 16, 2022.[39]

Wizards of the Coast released a soundtrack, titled Spelljams, for Spelljammer: Adventures in Space digitally on August 16, 2022;[42][43][44] "each song on Spelljams corresponds with a chapter in the" adventure module Light of Xaryxis.[45] Four different themed physical two-disk LP vinyl records are also scheduled for release.[46][47]

The Decemberists guitarist Chris Funk, who plays Dungeons & Dragons with some of his band mates, had previously contacted Wizards of the Coast as someone interested in the musical aspect of Dungeons & Dragons.[48] This led to Perkins reaching out to Funk to produce the album.[42][43][44] On the development of the album, Funk said

Chris Perkins and I started coming up with the idea that [we would pick select] bands to write a song inspired by each chapter from the [game] module. We gave the bands a Cliff Notes version of each chapter. They were like: ‘Is this for a video game or a commercial?' We said: ‘No, you are just using the [Spelljammer chapters] world as a song prompt.' Everybody was like, top to bottom: 'This is the most fun I've had writing a song in a long time.'[48]

Charlie Hall, for Polygon, wrote that "even if you don't pick up or play the campaign, there's something excellent in here for everyone who loves music. The album opens with a moody synth track from Magic Sword, transitions into a theremin-and-thrash-metal song from Osees, before Reggie Watts channels David Hasselhoff doing a William Shatner impression in 'Space Is A Place'".[42] Eric Diaz, for Nerdist, on the Flash Gordon (1980) inspiration for the boxed set commented that "yes, the one with the awesome theme song by Queen. Spelljammer is an over-the-top space opera where the players have to fight to save their home planet from an evil Elven Empire that wishes to destroy it. Just like the Queen score was crucial to Flash Gordon, the Spelljammer: Adventures in Space soundtrack is just as crucial to the game".[44]

Eris Currier-Mead, for CBR, wrote that the 2nd Edition Hadozee were "a people without an origin. Their society didn't place heavy value on history, so their cultural memory focused only on their current existence as sailors, whether that be of the stars or the sea. They were described as giving little consideration to ethics and morals and looking forward to their shipboard tasks and chores"; however, Spelljammer: Adventures in Space changed their origin "to now have a definitive backstory" with a wizard's experiments turning them a sellable intelligent army.[49] Currier-Mead commented that "fans argued that a race of sapient apes who were granted intelligence by an outsider who enslaved them, experimented on them and intended to sell them hits too many racist notes. [...] Even the elevating to sapience by an outside force has been compared by fans to many racist myths, as well as the white and colonial savior archetypes".[49]

Charlie Hall, for Polygon, highlighted an offensive passage on the Hadozee player race, "a spacefaring mammal that looks like a primate," which "fans on social media have been pointing out the parallels to the Black experience, and the history of slavery in the United States and abroad [...]. Critics have also found images in the book that hearken back to racist minstrel shows".[50] Hall stated that Hadozee were brought into the original Spelljammer setting from TSR's Star Frontiers (1982); when digging into the older published content, "things really go off the rails, with additional background information about the hadozee evoking many other racist stereotypes of Black people".[50] Hall highlighted that Wizards of the Coast had previously taken steps towards more inclusivity and had altered parts of 5th Edition to reduce racial stereotypes.[50][51] He wrote that "following those progressive actions, many fans, as well as other tabletop game designers, have been vocal in their criticism of Wizards' choice to reintroduce the hadozee in this way".[50]

Chase Carter, for Dicebreaker, highlighted the minstrel show nature of the Hadozee artwork and stated that "the original text provided an origin for the Hadozee that begins with a wizard magically uplifting them to sapience in order to sell them as warrior slaves".[52] Carter wrote that "some of those who called out the racist Hadozee depiction asked why no cultural consultants were hired to consult on a setting with explicit slavery and plenty of allusions to real-world colonial time periods (none of the Spelljammer books list consultants in their credits). Others postulated that either no sensitivity readers were brought on to the project, or else Wizards of the Coast chose to ignore them. Such processes might be addressed in the 'thorough internal review' Wizards cited in its apology, but heavy scepticism is understandable given the company's apparent inaction over the last two years".[52]