Simon Nicol

Born in Muswell Hill, North London, England,[2] Nicol was the son of a general practitioner, who died in 1964. He began to play guitar at the age of 11 and left school at 15. In 1966 he was asked to join local band the Ethnic Shuffle Orchestra by bass guitarist Ashley Hutchings, and soon left his job at a local cinema to play full-time. They rehearsed above his father's old surgery in Fairport House, which gave its name to the band he and Hutchings formed with Richard Thompson and Shaun Frater as Fairport Convention in 1967.[3]

As Thompson emerged as the lead guitarist, Nicol moved towards rhythm duties and occasional backing vocals. After some line-up changes the band enjoyed a degree of commercial success in their early years, with three albums and appearing on Britain's most popular music programme Top of the Pops in 1969 with the single "Si Tu Dois Partir", which reached number 21 in the UK Charts.[4] Nicol contributed his first composition to the band for their second album What We Did on Our Holidays, the short instrumental "End of a Holiday".[5] Besides contributing rhythm guitar and backing vocals to this album, Nicol also played the autoharp on some songs.[6][7] He was injured in the accident that killed drummer Martin Lamble on 12 May 1969, but when he and the band recovered they recorded what is usually considered their masterpiece and the most important single album in British folk rock, Liege and Lief (1969), which is credited as the key recording in the creation of the British folk rock genre and which helped institute a major surge of interest in British folk music.[8]

Almost immediately after the release of the album, Hutchings and vocalist Sandy Denny left the band, who were then joined full-time by Dave Swarbrick on fiddle and by bassist Dave Pegg.[9] While Swarbrick, with his knowledge of traditional music, emerged as the leading figure in the band, Nicol had to shoulder a larger share of the vocal duties on the next album Full House (1970).[10] When Thompson left soon after, Nicol also had to take over lead guitar duties. Although never entirely happy with this role, it was generally thought at the time that he acquitted himself well.[11] He also demonstrated that he was a multi-instrumentalist playing bass guitar, viola and dulcimer.[12] He began song writing on the next two albums Angel Delight and "Babbacombe" Lee (both 1971). "Breakfast in Mayfair" on the latter was his first solo song composition with the band, and one of the tracks that made it onto the History of Fairport Convention compilation album (1972). He also took over some of the production duties on Babbacombe Lee, but his efforts were not well received by the band, and this, together with unhappiness with having to fill Thompson's shoes, led him to decide to move on and in 1971 he left the band, the last of the original members to do so.[13]

Just about the time that Nicol left Fairport Convention, Hutchings had also quit Steeleye Span and began to work on the first incarnation of the Albion Country Band to provide backing for his then wife Shirley Collins. Nicol joined the long list of musicians, including former Fairport members Richard Thompson and Dave Mattacks, to contribute to No Roses (1971), often considered one of the most important British folk rock albums.[14] In 1972 Simon Nicol was part of the by now reduced six-piece-line up of the Albion Country Band featuring vocalists Royston Wood and Steve Ashley, Sue Draheim on fiddle, Ashley Hutchings on bass guitar and Dave Mattacks on drums. This band played a session for BBC Radio 1[15] and contributed one lengthy song to Steve Ashley's debut album.[16]

Along with Dave Mattacks, Ashley Hutchings, singer Royston Wood, singer and multi-instrumentalist Steve Ashley and American fiddler Sue Draheim Nicol then teamed up with Richard Thompson and Linda Peters (later Linda Thompson) to form the trio Hokey Pokey in 1973. In 1974 this trio expanded into the band Sour Grapes that was assembled to tour in support of the Thompsons' I Want to See the Bright Lights Tonight album. Later that year Nicol played on and co-produced the Thompsons' Hokey Pokey album.[17]

In 1973 he played on what is often considered one of the seminal folk/jazz albums of all time, John Martyn's Solid Air.[18] When Hutchings tried to reform the Albion Band for an album in 1973, Nicol joined again, but the resulting work, Battle of the Field, was not released until 1976.[19] Nicol took part in some of sessions for Hutchings' next project the Etchingham Steam Band, but never formally joined the group. Instead, he added electric guitar and occasional drums to Hutchings' and accordionist John Kirkpatrick's project The Compleat Dancing Master which collects excerpts of English literature and both acoustic and electrified traditional dance music.[20] In 1974–1975 he played guitar on Cat Stevens' Numbers (1975) and also formed a band with Chris Spedding, Pat Donaldson and Gerry Conway. However, this 'supergroup' proved abortive before any recordings were made.[21] Nicol also produced the album Rough Diamonds (1975) for the highly regarded Jack the Lad, and began to play with Swarbrick and Pegg in a low key trio, Three Desperate Mortgages, which toured student venues across Britain.[22]

In 1976 Nicol also was the main guitarist on Ashley Hutchings' second Morris dance revival project, Son of Morris On.[23] This album also featured Morris tunes Nicol had already played with the Albion Country Band in 1972.

Nicol came back to work with Fairport as a sound engineer on what was originally a solo project for Swarbrick, Gottle O' Geer (1976). He played some guitar along with contributions from members of Fairport Convention and it was eventually released as a Fairport album to complete contractual obligations. Enjoying being with a band again, Nicol rejoined, but the times were inauspicious as Gottle O’ Geer was not highly regarded.[24] Along with much of Fairport in this period he played on Julie Covington's eponymous album (1977) including the surprise hit single "Only Women Bleed", which reached number twelve in the UK Singles Chart in 1978.[25] In 1977 Nicol joined Hutchings' reformed Albion Dance Band for the album The Prospect Before Us and in 1978 as The Albion Band they produced arguably the finest album of the group's history, Rise Up Like the Sun (1978).[26] In contrast the next two Fairport albums, The Bonny Bunch of Roses (1977) and Tipplers Tales (1978), although well produced and played, and generally thought to have benefited from Nicol's growing guitar technique and confidence in singing, sold so poorly that the record label Vertigo paid the band off. They eventually decided to disband and played a final concert at Cropredy in Oxfordshire on 4 August 1979.[27]

Simon Nicol (left) with Dave Swarbrick at the 1981 Essex Festival

As the members of the group went their separate ways, Nicol returned to the Albion Band to record two albums in 1983. He toured and recorded with Richard and Linda Thompson from 1979 to 1982 and then with Richard Thompson in 1983 and 1984.[17] He also formed an acoustic duo with Dave Swarbrick, with whom he recorded three albums.[28] Nicol also continued to take part in annual reunions with Fairport, at what was by now the Cropredy Festival, to growing crowds.[29] The Angel Delight Fairport lineup of Nicol, Swarbrick, Pegg, and Mattacks played a number of gigs in the UK in the early 80s, then toured extensively in the UK and the US in 1984 and 1985.[30] In 1985 Nicol joined in the recording of the Fairport album Gladys' Leap, on which, as well as playing guitar, he shared production credits, contributed the song "Wat Tyler", arranged traditional tunes and acted as lead singer for the first time. The album was well received, and led to the reformation of the band a year later.[31]

The period 1986–97 was perhaps the busiest in Nicol's career. With Swarbrick absent he finally became the front man for the new Fairport. Most commentators have tended to feel that his developing baritone voice was more than adequate for the task and his vocals on songs like "The Hiring Fair" have been particularly praised.[32] Although Fairport embarked on regular recording and touring, Nicol produced two solo albums in this period: Before Your Time (1987) and Consonant Please Carol (1992). Between 1991 and 1996 he played on three albums by Richard Thompson. From 1993 he rejoined the Albion Band in a new acoustic line-up and with them recorded three highly regarded albums, the first of which, Acousticity (1993), he produced, touring extensively in Europe and America. He also continued to undertake work with a wide variety of artists, including a tour with Art Garfunkel in 1988 and playing on albums by Beverley Craven and Beth Nielsen Chapman. In 1990 he released a video of Singing Games for Children with his wife Sylvia.[33]

In 1997, Nicol left the Albion Band and began to focus more directly on Fairport Convention, but able to share vocal duties with Chris Leslie and taking over some of the responsibility for organising the Cropredy Festival from 2005.[34] He regularly rejoins the now suspended Albion Band for their Albion Christmas tours and continues to record with Fairport and other artists.[35]

In 2009, Nicol reunited with original Fairport Convention vocalist Judy Dyble, playing on two tracks on her album Talking with Strangers. In the same year he performed in Alan Simon's rock opera Anne de Bretagne, playing the role of King Edward IV of England.