Secrets of a Successful Marriage

After Homer realizes he is dim-witted, Marge suggests that he take an adult education course at the annex center. Once there, Homer changes his mind and decides to become a teacher. He agrees to teach a class about tips for a successful marriage. At first he is confident of his teaching abilities, but he is frightened on the first day of class and is unable to help his students with their relationship problems. As the class prepares to leave, Homer mentions his conversation with Marge in bed and the class, eager to hear gossip, decides to stay when Homer begins telling them personal secrets about Marge.

After hearing Homer's students mention her personal secrets, Marge confronts Homer, who promises to stop, but Homer continues to reveal information about Marge to his class. To impress his pupils, Homer invites them to his house to observe the family having dinner, but when Moe brings up one of the secrets Homer told the class, a furious Marge chases the students away and kicks Homer out of the house, no longer able to trust him.

Homeless, Homer stays in Bart's treehouse. Marge tries to reassure Bart and Lisa that she and Homer love them, despite their current separation, but Lisa and Bart worry their parents will get divorced. Wanting to mend his relationship with his wife, Homer returns to the house with flowers for Marge, but sadly gives in after seeing a bouquet brought for Marge by Moe. As he turns to leave, Homer says he can only offer her one thing: complete and utter dependency. Homer wins her over by saying he loves her and needs her to love him because he cannot afford to ever lose her trust again. The family is glad that Homer has returned.

David Mirkin was the episode's executive producer.

The episode was written by Greg Daniels and directed by Carlos Baeza. It was the second script Daniels wrote for the show. He thought the staff had previously done many episodes where Homer "wasn't good at anything", so he tried to figure out something Homer was really good at, and he came up with the idea of Homer being a good husband.[1] While Bart had been the star of the show during the early years, by Season 5, the focus had shifted to Homer. Writer/showrunner Al Jean stated that because Homer is an adult character, he has more depth to him and thus storyline possibilities. Showrunner David Mirkin commented: "Bart, to write him accurately as a child, he can only have so much depth at a certain age. With Homer, we try to explore all levels of adulthood. There are just more places to go. Writing Homer properly is the trick, he's our main rock of the whole series. Homer's IQ is fairly flexible, he won't necessarily understand how to open a door at some point, but he can name the Supreme Court justices. Finding that balance is key to making the show work and making it surprising and making it believable and emotionally grounded."[2] Mirkin was very fond of the fact that Homer and Marge have the biggest fight they have ever had on the show in the episode, and he thought it was a "really great" exploration of their marriage. He noticed that because Homer is thrown out of the house, the audience really worry about their relationship. Mirkin had been asked many times why Marge and Homer are still together, to which he replied that all people stay together even if they argue, "there's some sort of connection".[3]

Homer sings the end of the theme song to Family Ties while talking to an administrator at the annex center. Smithers's recollection of his marriage parodies the two plays Cat on a Hot Tin Roof and A Streetcar Named Desire, both written by American playwright Tennessee Williams.[4] Homer's bedroom rant to Marge is a parody mishmash of four popular films: ...And Justice for All (1979), A Few Good Men (1992), Patton (1970), and Chinatown (1974). He says: "Look Marge, you don't know what it's like. I'm the one out there every day putting his ass on the line. And I'm not out of order! You're out of order. The whole freaking system is out of order. You want the truth? You want the truth?! You can't handle the truth! 'Cause when you reach over and put your hand into a pile of goo that was your best friend's face, you'll know what to do! Forget it, Marge, it's Chinatown," all of which are lines from those films.[5]

In a reference to Tennessee Williams's most famous plays, Smithers is shown in a flashback to have split up with his wife because he devoted too much time to his boss Mr. Burns, causing his sexual orientation to come into question.

It was revealed in a flashback in the episode that Smithers was briefly married to a woman, but the two split up when he devoted too much time to his boss Mr. Burns. Smithers's relationship with Mr. Burns has long been a running joke on The Simpsons. His sexual orientation has often come into question, with some fans claiming he is a "Burns-sexual" and only attracted to his boss, while others maintain that he is, without a doubt, gay.[6][7] Matthew Henry wrote in the book Leaving Springfield that this episode is "perhaps the best" example of an attempt to portray an actual gay lifestyle on the show. Henry added that the flashback is a "wonderfully rendered parody of scenes from two of Tennessee Williams's most famous plays, Cat on a Hot Tin Roof and A Streetcar Named Desire. To fully appreciate it, one must know something of not only the two plays cited but also of Williams himself, of his own struggles with both heterosexual and homosexual desires and the way in which these struggles were incorporated into his art. The creators of The Simpsons offer what I think is a perfect parallel for the relationship between Smithers and Mr. Burns by combining Williams's two most notable male characters and their defining characteristics: the suppressed homosexual desire of Brick and desperate dependence of Stanley."[8]

In their book Education in Popular Culture, Alma Harris, Roy Fisher, Ann Harris, and Christine Jarvis analyzes the adult education aspects of this episode that portrays adult learners as "stupid and lazy". The show initially makes it seem like adult education tutors have a relatively high status in society. "However," the authors added, "Homer's pride is undercut for the audience by the awareness of how he came to be appointed and by the subsequent representation of the adult education center".[9]

Bibliography

Wikiquote has quotations related to "Secrets of a Successful Marriage".

• "Secrets of a Successful Marriage episode capsule". The Simpsons Archive.
• "Secrets of a Successful Marriage" at IMDb