Runaway Train (film)

Akira Kurosawa read an article in a 1963 Life magazine by Warren Young about a runaway train. He thought it would make a good film and contacted Joseph E. Levine about doing an international co-production. In June 1966, Kurosawa announced he would make Runaway Train for Joseph E. Levine's Embassy Pictures. The budget was to be $5.6 million. The script was written by Kurosawa, Hideo Oguni and Ryuzo Kikushima, about two escaped convicts who hide on board a stationary train, only for it to roll away, gradually picking up tremendous speed. Sidney Carroll was hired to adapt Kurosawa's script into English. The film would be shot along tracks between Syracuse and Rochester in New York over 16 weeks in October 1966. Tetsuo Aoyagi would produce and the film would be shot in 70 mm.[6][7]

Plans to shoot were cancelled at the last minute, only to be scheduled and cancelled yet again.[8] In April 1967 the project had been "indefinitely postponed" and Kurosawa signed to make Tora! Tora! Tora!.[9][10]

In 1982 the Nippon Herald company, which owned Kurosawa's script, asked Francis Ford Coppola to recommend a director. Coppola and his producer, Tom Luddy, suggested Andrei Konchalovsky. The director succeeded in raising finance from Cannon Films.

"The design is still Kurosawa's", said Andrei Konchalovsky. "The concentration of energy and passion, the existential point of view, and the image of the train as something – perhaps civilization – out of control.... Manny, the character played by Voight, feels, 'Win or lose, what's the difference?' That's not very familiar to the Western mind. We tend to love winners, and we don't like losers."[11]

Konchalovsky knew Jon Voight, who had helped get the director his visa to work in the US in 1979 (Voight wanted Konchalovsky to direct Rhinestone Heights which was ultimately never made.)[12]

Karen Allen was announced for the female lead.[13] The part ended up being played by Rebecca De Mornay, who said "It's my first real action-oriented picture. There are scenes where I'm walking across the top of a train – things like that. I really wanted to do something that called for a lot of physical acting, where I'm acting not as much with words as with my body."[14]

The Alaska Railroad decided that their name and logo would not be shown. Several scenes referred to the railroad as "A&E Northern." The filming took place near Portage Glacier, Whittier, and Grandview.

Principal photography began spring of 1985, at the Butte, Anaconda, & Pacific Roundhouse in Anaconda, Montana. During filming, the crew realized they didn't have any real snow, due to warm temperatures (a false spring) in the area. They used Christmas tree flock for fake snow, and they had to keep it from melting on the tracks at the west yard. Cannon Films had to cut short its stay in Anaconda, and they moved onto Deer Lodge, Montana, to film the prison scenes at the Old Montana State Prison. Approximately 200 extras were hired to play prisoners in the scenes. They spent a week filming several scenes at the prison. Finally the second unit team went to Whittier, Alaska, to film on the Alaska Railroad tracks. The Bridge sequence was filmed on the Seneca Bridge on Placer Creek, about 5 miles (8 km) from Whittier. The scene where Jordan makes the switch on the tracks was filmed at Portage, Alaska. The cast and crew went to the Pan-Pacific Auditorium in Los Angeles, to film the interior of the train scenes and the prisoners' escape scene.[15]

The runaway train's lineup in the movie consisted of four Alaska Railroad locomotives, all built by EMD: GP40-2 #3010, F7 #1500, and #1801 and #1810, both GP7s. The latter two locomotives had previously been rebuilt by ARR with low short hoods as opposed to a GP7's original high short hood, but were fitted with mock-up high hoods made of plywood for the film, branded with fictional numbers 531 and 812, respectively. Because #1801's cab had been reconstructed prior to filming, the '531' prosthetic hood stood slightly higher than the normal hood height of a GP7 in order to fit over the locomotive's number-board.

The locomotives used in the film have gone their separate ways:

• ARR GP40-2 #3010 is still active on the Alaska Railroad, painted in the new corporate scheme.[16]
• ARR F7 #1500 was retired from service in 1992, and is now at the Museum of Alaska Transportation and Industry Museum in Wasilla, Alaska, as can be seen on the front page of their website MuseumOfAlaska.org.[17][18]
• ARR GP7 #1810 was sold to the Oregon Pacific Railroad and operated as OP #1810. In 2008, the unit was sold to the Cimarron Valley Railroad and is now permanently coupled to former OP Slug #1010.[19]
• ARR GP7 #1801 was sold to a locomotive leasing company in Kansas City, Missouri, then sold to the Missouri Central Railroad and operated as MOC #1800. The locomotive subsequently appeared in another motion picture, Under Siege 2: Dark Territory, in 1995. MOC became the Central Midland Railroad in 2002. As Central Midland had their own leased power, MOC 1800 was returned to Midwest Locomotive In Kansas City. Shortly after, it was then sold the Respondek Rail Corp of Granite City, Illinois, and is now used on Respondek's Port Harbor Railroad subsidiary. The unit's identification is RRC #1800. As of 2015, the locomotive has been stored, out of service, needing wheel work. A return to service on the Port Harbor Railroad is unlikely, as there is talk about sending the unit to another Respondek Operation.[20]
• The train that was hit by the runaway was led by MRS-1 #1605. This unit had been retired in 1984, one year before filming started. The unit has since been cut up for scrap.
• Sequences set at the rail yard, shot on the Butte, Anaconda and Pacific Railway in Anaconda, Montana, used local locomotives from the BA&P fleet along with former Northern Pacific EMD F9 #7012A, leased from the Mount Rainier Scenic Railroad. The two GP7s and the F9 were fitted with plywood boxes to duplicate the distinctive 'winterization hatches' carried on their Alaskan counterparts.
• BA&P EMD GP38-2 #109, the BA&P locomotive used in the yard scenes as the lead-engine in place of ARR #3010, was subsequently sold to the Alaska Railroad and remains in service there as #2002, along with sister unit #2001 (ex-BA&P #108).

Richard (Rick) Holley was killed prior to start of principal photography when the helicopter he was piloting hit power lines while scouting for shoot locations in Alaska. The film is dedicated to him during the closing credits.

Runaway Train had its premiere in New York City on November 15, 1985, followed by its limited release in 965 theatres on December 6, 1985. It made $2,601,480 on that weekend. It was released nationwide on January 17, 1986, and was well received by critics, but failed to find an audience. It opened in 8th place its premiere weekend, and failed to make back its production cost. The film also had a premiere in Anaconda, Montana at the Washoe Theater on March 20, 1986. Invitations for the premiere were sent to people from the department of Commerce, Rarus Railroad and Cannon Films personnel, as well as Jon Voight, Eric Roberts and Rebecca De Mornay. However, none of the actors could attend. The film made $7,936,012 worldwide.

Runaway Train received generally positive reviews, and has an 83% approval rating on Rotten Tomatoes based on 36 reviews, and an average rating of 7.3/10.The website's critical consensus states, "Charging forward with the momentum of a locomotive, Runaway Train makes great use of its adrenaline-fueled premise and star presences of Jon Voight and Eric Roberts".[21] On Metacritic, the film has a weighted average score of 67 out of 100, based on 11 critics, indicating "generally favorable reviews".[22] Janet Maslin, writing for The New York Times, felt that much of the film was absurd but that Jon Voight's performance was excellent, and she credits the film for "crude energy and bravado".[23] In 2010, movie critic Michael Phillips said on his show At the Movies that it was the most under-rated movie of the 1980s. Roger Ebert awarded the film four out of four stars.[24] Ebert wrote the opening prison scenes were well-made but routine, while the film's genius showed in the train sequences with "stunning" action scenes and the contrast between Roberts' "wild man" persona and Voight's "intelligent" convict; DeMornay's "role as an outsider gives them an audience and a mirror."[25]

In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films.[26] Runaway Train was listed at 64th place out of 100 on this list.[27]

The film was entered into the 1986 Cannes Film Festival.[28]