Panda! Go, Panda!

The plot follows Mimiko (ミミ子), a bright little girl left alone when her grandmother leaves on a trip to her grandfather's memorial service in Nagasaki. Making a few stops at some local stores, Mimiko comes home to her house in a bamboo grove and finds a baby panda named Panny (Pan-Chan) sleeping on the back doorstep. She quickly makes friends with the little panda, and invites him in for a drink. His father, PapaPanda, soon comes to visit, and they decide to become a family after PapaPanda offers to be Mimiko's father (Mimiko never had any parents). Mimiko also chose to be the mother to Panny (Pan-Chan), making the concept of a family very strange... The three adjust to life together during their first night together, while Mimiko writes the first of many letters to her grandma (who she promised to write to every day).

The next day, Mimiko goes to school, reluctantly allowing Panny to tag along (even though she told him to stay home). In a close call, Panny ends up getting all of Mimiko's school (save for Mimiko) chasing after him. The next day, Mimiko gets an unexpected visit from a local policeman, who came to check on her. Expectedly, he freaks out after seeing PapaPanda. He goes to notify the local zoo staff, who invites the zookeeper (who lost PapaPanda and Panny after they broke out of the zoo). The zookeeper demands the safe return of his pandas, so he joins the police and zoo staff in the search.

Meanwhile, Mimiko and her family go out on a walk and, after scaring off some local bullies, they inadvertently lose Panny after he rolls down a hill. Mimiko and PapaPanda go searching for him, eventually gaining help from local police and the zookeeper in the search. They find Panny floating on a piece of wood, heading towards an open floodgate and hurry to save him. The handle, however, has rusted, leaving Panny in a dangerous situation. Mimiko comes very close to falling into dangerous waters after she jumps down to save Panny from death, but PapaPanda saves both of them by closing the floodgate. Mimiko, alongside Panny, PapaPanda, the zookeeper and the local police, cheer their success. PapaPanda, alongside Panny, return to work at the zoo, under the condition that they can leave after the visitors have left to spend time with Mimiko.

In 1971, Takahata, Miyazaki and Kotabe left the Toei Animation studio to join their fellow animator and mentor Otsuka at the A Productions studio, in hopes of creating an animated series based on Astrid Lindgren's Pippi Longstocking. After extensive pre-production work, the trio travelled to Sweden to seek permission from Lindgren; their request was flatly refused.

Rejected, Takahata and Miyazaki joined Otsuka on the Lupin III Part I TV series as the "A-Pro directors team." After Lupin's cancellation in 1972, the team revisited the Pippi Longstocking project, and reworked many of its ideas and story elements into the theatrical short film, Panda Kopanda. The movie, as well as its followup, Rainy Day Circus, played as the opening short to Toho's Godzilla movies, where it was warmly received by audiences.

Animator Yoshifumi Kondo, who also worked on Lupin the 3rd, served as a key animator on the two panda films, most notably a scene in Rainy Day Circus where Mimi and the pandas ride a bed across a flooded river. Kondo would play a valuable role in many later Takahata and Miyazaki films, including Anne of Green Gables, Grave of the Fireflies, and Whisper of the Heart.

The Panda Kopanda films, like all the works of Isao Takahata and Hayao Miyazaki, contain a number of "riffs," or direct shots referenced in other films.

Panda Kopanda:

The pandas of Panda! Go, Panda! are considered by some to be precursors of the Totoros,[2][3] sharing many design and animation similarities, especially the Papa Panda character. Mimiko, the little girl, can be seen as a prototype of Totoro's Mei and Satsuki.

Mimiko's red ponytails are directly inspired by Pippi Longstocking. Miyazaki would pay tribute again in his films Laputa: Castle in the Sky, Porco Rosso and Yadosagashi (House Hunting).

Mimiko's handstands are referenced many times in Heidi, Girl of the Alps; 3000 Leagues in Search of Mother; and Future Boy Conan.

Baby Panda's leap onto Papa Panda's chest is directly referenced in My Neighbor Totoro. Papa Panda himself bears a strong resemblance to Totoro.

A shot of a policeman riding his bicycle past a truck is directly referenced in the opening scene of My Neighbor Totoro (Satsuki quips, "I thought it was a policeman").

A shot of Mimiko running around her house is referenced in My Neighbor Totoro as Satsuki and Mei run around their house.

Papa Panda's enormous water splash into the lake is referenced in Lupin III: Castle of Cagliostro.

A pan shot of a crowd at the zoo includes cameos of Lupin and Jigen, as well as members of the production staff. Hayao Miyazaki can be seen in glasses carrying one of his sons on his shoulder.

The final shot of Mimiko and the pandas walking into the sunset references the final shot in The Great Adventure of Horus, Prince of the Sun.

Rainy Day Circus:

Scenes of a flooded town appear again in Ponyo on a Cliff by the Sea.

A shot of Baby Panda climbing a roof directly references a shot from Toei's 1969 animated movie, Puss in Boots.

A shot of outstretched hands chasing Baby Panda is referenced in Nausicaa of the Valley of the Wind.

Trains continuing to run through flash floods are referenced in Spirited Away.

In North America, Panda Kopanda was available on DVD, under the title, "Panda! Go Panda!", courtesy of Pioneer Entertainment, later Discotek Media. The latter company released both movies on Blu-ray in 2016 and will be re-released in 2022 by its current licensee, GKIDS. In Japan, the movie is available as a standalone DVD and Blu-ray on Studio Ghibli's Ghibli Ga Ippai label, and included in the 2015 Blu-ray box set, The Collected Works of Director Isao Takahata. English subtitles are included in the Japanese releases.

• Panda! Go, Panda! (anime) at Anime News Network's encyclopedia
• Panda! Go, Panda! at IMDb
• Panda! Go, Panda! at Nausicaa.net
• Animerica review