Marry Me (St. Vincent album)

St. Vincent started working on Marry Me before she joined The Polyphonic Spree, and finished it while touring with them. Sufjan Stevens heard it and asked St. Vincent to be in his band and open for him; after a show in London opening for Stevens, Beggars Banquet Records offered St. Vincent a record contract and published the record.[8]

She recorded most of the album's track in her bedroom in Texas. "Half the record" is composed of material that had not been played live prior to the album's recording sessions.[9]

At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received a rating of 78, based on 20 reviews, indicating "generally favorable reviews".[10] Critics often praised the ambitious orchestral production of the album,[11][12] while others found it overstuffed.[13]

Giving the album a rating of 8.0 out of 10, Pitchfork compared the album to the works of art rock legends David Bowie and Kate Bush and complimented its unique brand of sonic experimentation, nothing that the album "takes the more challenging route of twisting already twisted structures and unusual instrumentation to make them sound perfectly natural and, most importantly, easy to listen to as she overdubs her thrillingly sui generis vision into vibrant life".[12] Marisa Brown of AllMusic, praising the album's inclusion of disparate elements, called it "one of the better indie pop albums that's come around for a long time"[14] Comparing Annie Clark's "knack for grandiose orchestrations" to that of former bandmate Sufjan Stevens, Vladimir Wormwood of PopMatters notes that she "tempers these more restlessly than Sufjan. Her lyricism is more opaque and sinister and also belies a twisted sense of humor."[15]

In a retrospective assessment of the record for its 10th anniversary, Margaret Farrell of Stereogum commended its ability to question love and marriage as a social institution. She concluded that "Marry Me made it obvious that [Clark] would have a prosperous career exposing listeners to new points of view and cunning soundscapes".[16] Similarly, Joe Marvilli of Spectrum Culture considers that Marry Me foreshadows the acclaim of Clark's subsequent releases, asserting that "her debut may not have the same impact or cohesiveness of latter albums, but it’s a wonderful example of an artist just starting out and carrying themselves with a confidence that will take them far."[17] The album ranked 25 in Consequence of Sound's retrospective "Top 50 albums of 2007", with Lior Phillips describing the album as "playful" and noting that "[Clark's] gift for twisting and subverting, both musically and lyrically, was apparent even on this first record".[18]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	78/100[19]
Review scores
Source	Rating
AllMusic	[20]
The A.V. Club	A[21]
BBC Collective	[22]
No Ripcord	8/10[23]
Pitchfork	8.0/10[24]
Rockfeedback	[25]
Slant Magazine	[26]
This Is Fake DIY	[27]
Yahoo Music UK	9/10[28]

Musicians

Production

Marry Me at MusicBrainz (list of releases)