Manticore (2022 film)
Manticore (Spanish: Mantícora) is 2022 psychological drama thriller film directed and written by Carlos Vermut which stars Nacho Sánchez and Zoe Stein.
Manticore | |
---|---|
Spanish | Mantícora |
Directed by | Carlos Vermut |
Written by | Carlos Vermut |
Starring | |
Cinematography | Alana Mejía González |
Edited by | Emma Tusell |
Music by | Damián Schwartz |
Production companies |
|
Distributed by | BTeam Pictures |
Release dates |
|
Countries |
|
Language | Spanish |
Blending mumblecore and tragedy characteristics as well as dealing with the protagonist's hamartia,[1] the plot follows the romantic relationship of a video game designer (Sánchez) with an art history student (Stein), whom with the former thinks to have at last a chance for happiness and for placating his recently awakened dark impulses.
Manticore world premiered at the 2022 Toronto International Film Festival. It scooped 4 nominations to the 37th Goya Awards (Director, Original Screenplay, Leading Actor, and New Actress).
Plot
Living alone in an apartment in the centre of Madrid, Julián is a successful video game designer who creates monsters for a living with assistance from VR tools. A fire in the apartment next-door upends him. A kid (Cristian) is trapped inside and is thereby saved by Julián. After receiving light medical attention, Julián befriends Cristian. They talk about what Cristian wants to be when he grows up. Despite his musical hobby, Cristian wants to become a gardener. Julián tells him that he wanted to be a tiger when he was little. Back in his apartment, Julián cannot fall asleep, and has a panic attack. The physician prescribes him anxiolytics and recommends him to talk to others. Julián has a bad sex experience with a girl he meets in a bar. He develops further interest in Cristian's physical features and, upon human NPC templates obtained from the company he works for and a hand-drawn sketch of the boy, Julián begins to reproduce Cristian on VR, getting aroused by the result of his work. At a party held for one of his work colleagues (Sandra), Julián meets Diana, a boyish girl studying a degree on art history by distance learning, and whom with he starts a slow-burn relationship after meeting again near the Filmoteca. Julián removes any trace of his work on Cristian and commits to Diana. Diana came to Madrid from Barcelona to take care of her father in the wake of the latter suffering a stroke. Upon sexually opening to Julián in the new apartment Julián has rented in the outskirts of Madrid, Diana gets the news concerning the sudden death of her father. Julián visits the funeral home to console Diana. Unwilling to engage to her mother, Diana travels to her father's seaside hometown in Catalonia together with Julián. Julián has another panic attack there and is soothed by Diana.
Julián is summoned to a company meeting. He is disclosed that, pursuant to his contract with the company, the management had a register of all works developed with the company's tools, thus having the power to know about the full extent of Julián's virtual portfolio. Julián tries to communicate to Diana by phone. Diana ghosts him. Set on talking to her, Julián takes Japanese food to Diana's home. Julián tells her that he has never harmed anybody. He is rejected by Diana, who dismisses him as a disgusting being upon knowing about the boy and tells him to leave. Julián leaves and cries. An altered and anxious Julián arrives at his former apartment building and communicates with Cristian via the gate intercom. Aware of the fact that Cristian's mother is out and the boy is home alone, he manages to get into Cristian's apartment. He prepares him a colacao, pouring drugs in one of the mugs. They drink and Julián requests him to play a musical piece. Cristian falls asleep and Julián takes him to his bedroom. Torn about his next step, Julián sees a Cristian's drawing on the wall displaying a tiger with a human head, named 'Julián'. Julián gets out of the bedroom, opens the living room's window and attempts suicide by defenestration. Julián wakes up in a hospital room. The physician tells him that he has suffered severe spinal cord damage and endured several surgical procedures. Julián is also told that Diana has been with him during the time he was unconscious. The film ends with Diana entering her apartment and taking care of a paralysed Julián, addressing him in Catalan.
Cast
Production
The screenplay was penned by Carlos Vermut.[5] The project was motivated as an adaptation of classic werewolf films, upon the premise that they originally sought to depict "humans managing forbidden sexual desires", with the fiction thereby approaching the theme of pedophilia as a curse, likewise portraying ways about how a pedophile may try to "cheat" on that forbidden impulse with proxies (such as VR or a substitutive target being a child look-alike) in current-day society.[6] Vermut told that the original idea for the film came from the story of a lesbian friend somewhat resembling Justin Bieber who felt used in a relationship because she found out that the aforementioned look-alike was the reason for which her partner was with her.[7] Vermut stated that "I think it is my film with the highest levels of discomfort. I like to confront the things that scare me through film. And I guess looking Julián in the eye is a way of dealing with it".[8]
The film makes references to Francisco de Goya's Black Paintings as well as to Alfonso Ponce de León, somewhat alluding to the tragedy awaiting for the protagonist.[9]
Alana Mejía González took over cinematography duties for the first time in a feature film.[10] The film was produced by Aquí y Allí Films, Bteam Prods, Magnética Films, Punto Nemo AIE,[11] Estonia's 34t Cinema,[12] with the participation of TV3, RTVE, and Movistar Plus+.[13][14] Filming began on 27 May 2021 in Madrid.[15][16] It was also shot in locations of the Great Penedès, Catalonia.[17] Shooting had already wrapped in July 2021.[10]
Release
The film was slated to make its world premiere at the 47th Toronto International Film Festival on 13 September 2022,[18] screened within the 'Contemporary World Cinema' selection.[19][20] It will later have its US premiere at the Austin-based Fantastic Fest.[21] It also made it to the slate of the 66th BFI London Film Festival and the 55th Sitges Film Festival,[14][22] as well as the 35th Tokyo International Film Festival (for its Asian premiere).[4][23] Distributed by BTeam Pictures,[15] it was set for a 4 November 2022 theatrical release date in Spain,[24] and then re-scheduled to 9 December 2022.[25] Film Factory handles the international sales elsewhere.[14]
Reception
According to the review aggregation website Rotten Tomatoes, Manticore has a 100% approval rating based on 7 reviews from critics, with an average rating of 9.8/10.[26]
Shelagh Rowan-Legg of ScreenAnarchy deemed Manticore to be "brutal, unflinching, precise, and sensitive", cannot helping to be "equal parts horrified and mesmerized" with the story.[27]
Alfonso Rivera of Cineuropa pointed out that, possible objections by some viewers about an "amoral or scandalous" nature notwithstanding, the story manages to address the issue of "the need for affection that we all have", wondering if this is "the most brilliantly contrived and terrible love story in cinema today".[28]
Raquel Hernández Luján of HobbyConsolas rated the film with 75 out of 100 points ("good"), writing that Vermut delivers "a disconcerting film at times, suffocating at others, in which you never know what might happen and you are permanently on guard" as well as highlighting a "very intelligent" mise-en-scène that helps to "demonstrate that it is not necessary to be excessively explicit in order to enter into the most obsessive, deep and disconcerting corners of people".[29]
Manu Yáñez of Fotogramas rated the film 5 out of 5 stars, assessing that Vermut reneges on the aesthetic pirouettes and narrative twists present in his previous films, otherwise highlighting "the sobriety of the scenic and writing work".[30]
Daniel de Partearroyo of Cinemanía rated Manticore 5 out of 5 stars, describing the film as "a hair-raising character study grappling with taboo and horror at the blackness before one's own soul", as well as Vermut's "most polished and daring film to date".[31]
Quim Casas of El Periódico de Catalunya rated the film 4 out of 5 stars, describing it as "a complex and problematic film, because what it talks about is always problematic", as well as, more than simply unsettling, "[an] uncomfortable, restive, and discomfort- and uneasiness-inducing [viewing]".[32]
Luis Martínez of El Mundo rated the film 5 out of 5 stars, deeming it to be "a prodigious film with a structure that is as simple as it is dense" as well as the "consummation of a filmography now stripping itself of the juggling of [Vermut's] previous works".[33]
Wendy Ide of ScreenDaily underscored the film to be "a provocative and intelligently handled picture which explores the impact of isolation and social dislocation on a troubled soul".[4]
Top ten lists
The film appeared on a number of critics' top ten lists of the best films of 2022;
- 4th — El País (Eneko Ruiz Jiménez)[34]
- 6th — El Confidencial (Marta Medina del Valle)[34]
- 6th — Europa Press (Israel Arias)[34]
- 6th — Cinemanía (Daniel de Partearroyo)[34]
- 6th — TVG (Ángel Suanzes)[34]
- 8th — Antena 3 (Gonzalo del Prado)[34]
- 8th — Agencia EFE (Alicia García Arribas)[34]
- 10th — Fotogramas (Juan Silvestre)[34]
In addition, it also appeared on top ten lists of the best European films of 2022;
As well as in best Spanish films of 2022 top ten lists:
- 1st — El Cultural (Javier Yuste)[36]
- 2nd — El Cultural (Carlos Reviriego)[36]
- 2nd — Cadena SER (Pepa Blanes)[37]
- 2nd — El Cultural (Manu Yáñez)[36]
- 2nd — El Cultural (Juan Sardá)[36]
- 3rd — El Periódico de Catalunya (critics)[38]
- 3rd — El Confidencial (Marta Medina)[39]
- 3rd — Cadena SER ('El cine en la SER' critics)[37]
- 4th — Vanity Fair (Juan Sanguino & Paloma Rando)[40]
- 4th — Cadena SER (Jose M. Romero)[37]
- 5th — El Español ('Series&más' critics)[41]
- 6th — El Mundo (Luis Martínez)[42]
- 7th — ABC (Oti Rodríguez Marchante)[43]
- 9th — El Cultural (Carlos Heredero)[36]
Accolades
Year | Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|---|
2022 | 28th Forqué Awards | Best Film Actor | Nacho Sánchez | Nominated | [44][45] |
2023 | 15th Gaudí Awards | Best Non-Catalan Language Film | Nominated | [46] | |
Best New Performance | Zoe Stein | Nominated | |||
Best Cinematography | Alana Mejía González | Nominated | |||
Best Costume Design | Vinyet Escobar | Nominated | |||
10th Feroz Awards | Best Main Actor in a Film | Nacho Sánchez | Won | [47] | |
Best Film Poster | Carlos Vermut | Won | |||
Best Trailer | Miguel Ángel Trudu | Nominated | |||
78th CEC Medals | Best Director | Carlos Vermut | Nominated | [48][49] | |
Best Actor | Nacho Sánchez | Nominated | |||
Best New Actress | Zoe Stein | Nominated | |||
37th Goya Awards | Best Director | Carlos Vermut | Nominated | [50] | |
Best Original Screenplay | Carlos Vermut | Nominated | |||
Best Actor | Nacho Sánchez | Nominated | |||
Best New Actress | Zoe Stein | Nominated | |||
28th Toulouse Spanish Film Festival | Golden Violet | Won | [51] | ||
Best Actor | Nacho Sánchez | Won | |||
Best Cinematography | Alana Mejía González | Won |
See also
References
- Rebolledo, Matías G. (9 December 2022). ""Mantícora", la película más perturbadora del año: habla su protagonista, Nacho Sánchez". La Razón.
- "El monstruo anda suelto". Fotogramas. 74 (2134): 44. August 2021. ISSN 1889-9706.
- ""Pacifiction", "Historias para no contar" i Mantícora", al TIFF". TV3. 13 September 2022 – via Corporació Catalana de Mitjans Audiovisuals.
- Ide, Wendy (25 October 2022). "'Manticore': Tokyo Review". ScreenDaily.
- Boquerini (7 June 2021). "'Mantícora': Amor y monstruos en tiempos modernos". El Correo.
- "WIP. Abycine Lanza. Catálogo profesional. 21–24 Oct 2021" (PDF). Abycine. 2021. pp. 64–65. Retrieved 5 October 2022.
- "Carlos Vermut plantea el dilema de la pederastia virtual en la película 'Mantícora'". Heraldo de Aragón. 7 October 2022.
- García, Julián (7 October 2022). "'Mantícora': el hombre-monstruo de Carlos Vermut perturba en Sitges". El Periódico de Catalunya.
- Florenciano, Antonio (28 November 2022). "El FICC clausura su edición número 51 con los premiados y su anterior directora, Esther Baeza". eldiario.es.
- Pina, Begoña (31 July 2021). "'Mantícora', el sufrimiento de un hombre-monstruo". Público.
- "Cineuropa 36 Que marabillosa sensación. Santiago de Compostela - 4/20 novembro 2022" (PDF). Cineuropa. p. 54.
- "Mantícora". Catálogo de Cinespañol. ICAA. Retrieved 6 December 2022.
- "Las películas españolas 'Mantícora' y 'As Bestas' competirán en el Festival de Cine de Tokio". rtve.es. 21 September 2022.
- "'Mantícora': póster y fecha de estreno de la nueva película de Carlos Vermut". Cinemanía. 19 August 2022 – via 20minutos.es.
- Rivera, Alfonso (3 June 2021). "Carlos Vermut shooting Mantícora". Cineuropa.
- "Arranca el rodaje de "Mantícora", la nueva película de Carlos Vermut". Cadena COPE. 27 May 2021.
- "Nike, Coldplay o Liam Neeson escogen el Gran Penedès para sus rodajes". Via Empresa. 22 December 2021.
- "Jane Fonda estrena en Toronto "Movin On" con su eterna amiga Lily Tomlin". Infobae. 13 September 2022.
- González, David (17 August 2022). "Toronto announces TIFF Docs and Contemporary World Cinema titles". Cineuropa.
- Carey, Matthew (17 August 2022). "TIFF Announces Doc Lineup Including World Premiere Of 'In Her Hands' From EPs Hillary & Chelsea Clinton; World Cinema Slate Also Set". Deadline Hollywood.
- Zilko, Christian (16 August 2022). "Fantastic Fest Headlined by 'Bones and All,' 'Triangle of Sadness,' and a Park Chan-wook Tribute". IndieWire. Retrieved 17 August 2022.
- Tabbara, Mona (1 September 2022). "BFI London Film Festival 2022 unveils full line-up". ScreenDaily.
- Noh, Jean (21 September 2022). "Tokyo International Film Festival unveils line-up for first full-scale physical edition in three years". ScreenDaily.
- Ortiz, Braulio (15 August 2022). "El cine español que viene: tratado sobre la diversidad". Diario de Sevilla.
- Rosado, Ricardo (7 October 2022). "'Mantícora', de Carlos Vermut, hace enmudecer al curtido público de Sitges".
- "Manticore". RottenTomatoes. Retrieved 28 December 2022.
- Rowan-Legg, Shelagh (17 September 2022). "Toronto 2022: Manticore, The Brutality of Aching Loneliness". ScreenAnarchy.
- Rivera, Alfonso (16 September 2022). "Review: Manticore". Cineuropa.
- Hernández Luján, Raquel (9 October 2022). "Crítica de Mantícora, una inteligente, afilada y perturbadora película de Carlos Vermut". HobbyConsolas.
- Yáñez, Manu (8 December 2022). "Crítica de 'Mantícora', demonios en el vacío". Fotogramas.
- Partearroyo, Daniel de (28 November 2022). "Crítica de 'Mantícora'". Cinemanía – via 20minutos.es.
- Casas, Quim (7 December 2022). "'Mantícora': Carlos Vermut, siempre incómodo, perturbador". El Periódico de Catalunya.
- Martínez, Luis (7 December 2022). "Mantícora: la gran sorpresa oscura del cine español". Metrópoli – via El Mundo.
- Martos, David (1 January 2023). "Lista de los 109 periodistas votantes del Top Kinótico 2022: las películas y series del año". Kinótico – via Onda Cero.
- "Cineuropa's Best of 2022". Cineuropa. 21 December 2022.
- "Cine: las votaciones de nuestros críticos 2022". El Cultural. 20 December 2022 – via El Español.
- Blanes, P; Romero, J.; Castro, E. (23 December 2022). "Las 10 mejores películas españolas de 2022 en un año espectacular para nuestro cine". Cadena SER.
- "Las 10 mejores películas españolas de un 2022 para la historia". El Periódico de Catalunya. 19 December 2022.
- Medina, Marta (15 December 2022). "Las 10 mejores películas españolas de 2022: el año más bestia del siglo XXI". El Confidencial.
- Sanguino, Juan; Rando, Paloma (28 December 2022). "Las 10 mejores películas españolas de 2022". Vanity Fair.
- Mantilla, Daniel. "Las 10 mejores películas españolas de 2022". Series & Más – via El Español.
- Martínez, Luis (18 December 2022). "Las 10 mejores películas españolas de 2022". El Mundo.
- Rodríguez Marchante, Oti (27 December 2022). "Las diez mejores películas españolas de 2022, un año de cine sobresaliente". ABC.
- "Alcarràs', 'Cinco lobitos', 'As bestas' y 'Modelo 77', finalistas en los Premios Forqué". rtve.es. 7 November 2022.
- "'As bestas' triunfa en los Forqué y pone al rojo vivo la lucha por los Goya". rtve.es. 17 December 2022.
- "En directe | Premis Gaudí: "Alcarràs" i "Un año, una noche", les més nominades de la nit". 3/24. 22 January 2023.
- Gualda, Lucía (29 January 2023). "Premios Feroz, en directo: los premiados a mejor película, mejor serie y mejor actriz y actor protagonistas". Vanitatis – via El Confidencial.
- "'As bestas' y 'Cinco lobitos', las más nominadas a las Medallas CEC". Cine con Ñ. 15 December 2022.
- Sánchez Sequera, Marcos (7 February 2023). "'As bestas' brilla en los Premios del Círculo de Escritores Cinematográficos (CEC)". Audiovisual451.
- "Estos son los ganadores de los Premios Goya 2023: lista completa". El Periódico de Catalunya. 12 February 2023.
- Clodi, Nicole (14 October 2023). "Toulouse : « Creaturas », Violette d'Or du Festival Cinespaña". La Dépêche du Midi.