Malena Is a Name from a Tango
Malena Is a Name from a Tango (Spanish: Malena es un nombre de tango) is a 1996 drama film directed by Gerardo Herrero from a screenplay by Senel Paz based on the novel by Almudena Grandes. It stars Ariadna Gil.
| Malena Is a Name from a Tango | |
|---|---|
![]() Theatrical release poster  | |
| Spanish | Malena es un nombre de tango | 
| Directed by | Gerardo Herrero | 
| Screenplay by | Senel Paz | 
| Based on | Malena es un nombre de tango by Almudena Grandes  | 
| Produced by | 
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| Starring | 
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| Cinematography | Alfredo Mayo | 
| Edited by | Carmen Frías | 
| Music by | Antoine Duhamel | 
Production companies  | 
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| Distributed by | Alta Films | 
Release date  | 
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| Countries | 
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| Language | Spanish | 
Plot
    
The plot concerns about the romantic and sexual endeavours of Malena, a victimised and rebellious woman contrasting to her twin sister Reina (who always was the model girl in the family), and then about the mother-son relationship of Malena with her son. Malena was gifted however a talisman by her grandfather back when she was 10.[1][2]
Cast
    
- Ariadna Gil as Malena[3][4]
 - Marta Belaustegui as Reina[3]
 - Carlos López as Fernando[3]
 - Luis Fernando Alvés as Santiago[5]
 - Isabel Otero as Magda[3]
 - Dafne Fernández as Malena niña[6]
 - Rebeca Fernández[7]
 - Alicia Hermida as Paulina[3]
 - Alicia Agut[7]
 - Marina Saura[7]
 - Roman Luknár[7]
 - Miguel Palenzuela as abuelo[3]
 - Jesús Ruyman[7]
 - Susi Sánchez[7]
 - Juan Carlos Vellido[7]
 - Consuelo Trujillo[7]
 - Mariví Bilbao[7]
 
Production
    
An adaptation of the novel by Almudena Grandes, the screenplay was penned by Senel Paz. It is a Spanish-French-German co-production by Alta Films, Tornasol Films, Blue Dahlia Production, La Sept Cinema, and Road Movies Produktionen.[7][2] Shooting locations included the San Julián estate (La Hoya, Lorca), Mula, Águilas, and Madrid.[8]
Release
    
Distributed by Alta Films, the film was theatrically released in Spain on 12 April 1996.[7][4]
Reception
    
Jonathan Holland of Variety deemed the film to be a "well-intentioned, provocatively moralizing women's pic that ends up as second-rate melodrama".[2]
Luis Martínez of El País deemed that, efforts from a "magnetic" Ariadna Gil notwithstanding, the films "ends up as an uneven and quite chatty journey into the interiors of this disease called life".[9]
See also
    
    
References
    
- Cine y literatura española. Guía de largometrajes (PDF). Comunidad de Madrid. Consejería de Cultura y Deportes. 2005. p. 136.
 - Holland, Jonathan (19 August 1996). "Malena Is a Name from a Tango". Variety.
 - Cerón Gómez & Martínez González 1999, p. 110.
 - García, Rocío (11 April 1996). "La perfecta y la imperfecta". El País.
 - Cerón Gómez, Juan Francisco; Martínez González, Jesús (1999). Cien años de cine en Lorca. Secretariado de Publicaciones Universidad de Murcia; Primavera CInematográfica de Lorca. p. 110. ISBN 84-8371-069-2.
 - "A Dafne le gustan altos, morenos y con barbita". Divinity. 28 September 2011.
 - "Malena no es un nombre de tango". Adaptaciones de la literatura española en el cine español. Referencias y bibliografía. Biblioteca Virtual Miguel de Cervantes. Retrieved 14 November 2022.
 - Cerón Gómez & Martínez González 1999, p. 107.
 - Martínez, Luis (15 June 1999). "Malena es un nombre de tango". El País.
 
