Major Lance

Lance and Otis Leavill formed a group named the Floats in the mid-1950s but broke up before recording any material. Lance became a featured dancer on a local television show, Time for Teens,[20] and presenter Jim Lounsbury gave him a one-off record deal with Mercury Records. Mercury released his single "I Got a Girl", written and produced by Curtis Mayfield, in 1959; it was not successful. Lance worked at various jobs over the next few years.[17]

In 1962 he signed with Okeh Records on Mayfield's recommendation.[17] Lance was constantly showing up at the Okeh offices, offering to run errands for Carl Davis, telling him about the record he'd once made and how he and Curtis Mayfield were friends from their childhood.[13] His first single, "Delilah", was not successful,[13] but it established his partnership with the writing and arranging team of Mayfield, Carl Davis, and Johnny Pate, often with members of Mayfield's group, the Impressions, on backing vocals. Together they developed a distinctive, Latin-tinged sound which epitomised Chicago soul in contrast to music recorded elsewhere.[10][17]

The second Okeh single, "The Monkey Time" (also written by Curtis Mayfield), was Major Lance's first hit,[21] became a No. 2 Billboard R&B chart and No. 8 pop hit in 1963. "The Monkey Time" became Okeh's first hit single in 10 years.[22] "That was my introduction with working with Carl Davis," Pate said. "We had a ball, making some very great music."[23]

A succession of hits followed quickly, including "Hey Little Girl", "Um, Um, Um, Um, Um, Um" (his biggest hit, reaching No. 5 in the US pop chart and No. 40 in the UK, where it was his only chart success), "The Matador" (the only one not written by Mayfield), "Rhythm", "Sometimes I Wonder", "Come See", and "Ain't It a Shame".[24][25]

In 1965 Pate left Okeh, and Mayfield began to concentrate on working with his own group. Lance and Davis continued to work together; "Too Hot to Hold" was a minor hit, but they had diminishing success before Davis in turn left the company.[17]

During the 1960s, Lance toured the UK, where he was supported by Bluesology, a band including pianist Reggie Dwight, later known as Elton John.[10][26]

Over the next two years he worked with several producers, with only "Without a Doubt" becoming a minor hit in 1968. Soon afterwards Lance left Okeh and moved to Dakar Records, where he had the Top 40 R&B hit "Follow the Leader." He then moved to Mayfield's Curtom label, which resulted in his last two Top 40 R&B hits, "Stay Away from Me (I Love You Too Much)" and "Must Be Love Coming Down."[17] "Stay Away from Me" was also listed No. 4 in Jet Magazine's "Soul Brothers Top 20".[27] He left Curtom in 1971 and recorded briefly for the Volt and Columbia labels.

In 1972, he relocated to England so as to capitalize on the success of his older records among fans of Northern Soul music in dance clubs that played mostly rare and obscure American soul and R&B records. According to one writer, "[T]he Major's contribution was truly phenomenal and unforgettable... [He] was to become legendary as a UK club act, known to deliver 110% at every performance."[10] In 1972, while in England, he recorded an album, Major Lance's Greatest Hits Recorded Live at the Torch, at the Torch, a club in Stoke on Trent, which has been described as "perhaps the best Northern Soul album ever made."[10]

Lance returned to Atlanta in 1974 and recorded an updated disco version of "Um, Um, Um, Um, Um, Um" for Playboy Records.[28] He set up a new label, Osiris, with former Booker T and the MG's drummer Al Jackson, but again with little success,[10] and his career hit a downward spiral. He briefly recorded for Motown Records, releasing the last-ever single on its Soul Records subsidiary, "I Never Thought I'd Be Losing You," in 1978. He later found that his recordings had become popular on the beach music circuit in the Carolinas, where he continued to undertake live performances. He recorded a comeback album, The Major's Back, and several tracks for the Kat Family label.[10] His final performance was in June 1994 at the 11th Chicago Blues Festival.[2]

• The Monkey Time (Okeh, 1963)[19]
• Um, Um, Um, Um, Um, Um (Okeh, 1964)[19]
• Major's Greatest Hits (Okeh, 1965)
• The Rhythm of Major Lance (Okeh, 1968)[19]
• Major Lance's Greatest Hits Recorded Live at the Torch (Contempo, 1973)[19]
• Now Arriving (Soul, 1978)[19]
• The Major's Back (1983)[19]
• Live at Hinkley (1986)[19]
• The Very Best of Major Lance (Epic/Legacy EK 62243, 2000)
• Um, Um, Um, Um, Um, Um (Collectables 2003)[19]

* Billboard magazine did not publish an R&B chart during 1964; these chart positions are from Cashbox magazine.