Maara

Parvathy (Shraddha Srinath) a.k.a Paaru, is a restoration architect who comes to a small coastal village in Kerala for a project, while avoiding a marriage set-up back home. She finds a fairy-tale she had heard long ago as a child painted across the village. With the help of her friend, she ends up renting a house, filled messily with art and artefacts. She learns that it belongs to an artist named Maara (R. Madhavan) who is responsible for the paintings across the village. Maara is a free spirit and traveller who is often away visiting various places and returning as he pleases. When she starts cleaning up the place, she finds Maara's photo and a sketchbook. The sketches depict the previous New Year's Eve when a small-time thief (Alexander Babu) tried to rob Maara. In a turn-of-events, Maara joins the thief, and they both go on the rooftop of a home with a plan to rob the place. There, they see a woman about to shoot herself. The sketchbook ends there, and the story is left unfinished, which piques Paaru's curiosity about the rest of the story, and Maara as a person.

Intrigued, Paaru starts finding the people in Maara's sketches. Backtracking his steps, she meets an antique dealer, Usman bhai, a “pirate”, Chokku and learns about Selvi (Abhirami), a physically abused woman that Maara had known. Maara and Chokku had taken Selvi out to sea for her birthday where after having an evening that alleviated her sorrows, Selvi committed suicide. Maara then ensures that her daughter, Rani is enrolled into a school. When Paaru gets news that Rani has gone missing from her school, she traces her back to her father's lodge. Meanwhile, Maara, who has returned to the village, tracks Rani down to the lodge and rescues her from her abuser. Paaru gets a glimpse of Maara but just misses an encounter with him.

One day, she meets the thief depicted in the sketches and enquires about that day's events. He informs her that Maara stopped the woman from shooting herself, and followed her when she started to run away from him. They find the house and finally identify the woman as Doctor Kani (Sshivada). Paaru then tracks her to a mountain village and enquires about her story. Kani explains that when she performed her first independent operation as a paediatrician, a surgical error led to the death of a 10-year-old girl. Further slandered by the media, she was desperate and about to commit suicide on New Year's Eve when she was by chance, stopped by Maara. Maara then brings her to his mountain village, maintained by Vellaiya (Moulee), his foster father, and she has since been living there. Vellaiya, a retired postmaster and a hopeless romantic, has been searching for his teenage love Meenakshi for nearly fifty years. Vellaiya constantly tells the story of acting out a play to convey his love to Meenakshi, and eventually losing her when a storm flooded his home village.

When Vellaiya shows Paaru a photo of Meenakshi, she notices that she has on the same pendant of a conch as her aunt, Mary, who is a nurse at a convent. She brings her Aunt Mary to the village on Vellaiya's birthday, realising that the plot of his play is the fairy-tale she had heard as a child from Aunt Mary - a story of an immortal soldier who spends years looking for his beloved mystical fish. An emotional Velliya, who has spent all his adult life travelling from place to place in search of Meenakshi, thanks Paaru for fulfilling Velliya's wish. Paaru, who has chased one story after another in an attempt to find Maara, finally meets him in person. They introduce themselves and hold hands as they watch the sun set.

The film's music and background score were composed by Ghibran, with lyrics written by Thamarai. On 28 October 2020, Think Music India released the lyrical video of the first single "Yaar Azhaippadhu",[26] sung by Sid Sriram. The second single "Oru Arai Unathu", sung by Yazin Nizar and Sanah Moidutty was released on 20 November 2020.[27] The third single "Oh Azhage" sung by Benny Dayal, was released on 4 December 2020. The full album was released on 30 December 2020.[28]

Vipin Nair of Music Aloud reviewed "Maara isn’t an exact remake of Charlie, rather an adaptation with a few changes made to the original story. Perhaps the same reflects in the soundtrack as well – there aren’t a lot of songs in Maara that we equate to a song from Malayalam. Gopi Sundar's music was one of the key factors behind the immense success of Charlie; Ghibran therefore had big shoes to fill here, however, he shows a level of consistency that he has not done in quite a long time."[29]

The film was scheduled to release directly through Amazon Prime Video, skipping theatrical release, as a result of theatres being shut down due to the COVID-19 pandemic in India.[30] On 9 October 2020,[31] Amazon Prime announced the release date of 9 original films,[32] which included Maara scheduled for a release on 17 December 2020.[33][34] However, a new release date of 8 January 2021 was announced later.[35][36]

The film opened with mixed-to-positive response from critics. M. Suganth, editor-in-chief of The Times of India gave 3 out of 5 stars stating "The additional focus on this track results in an increased running time, and also takes the spotlight away from the Paru-Maara romance, leading to an ending that doesn’t leave you on a high that the initial moments promised."[37] Logesh Balachandran, writing for India Today, gave 3 out of 5 and stated "Though it's difficult to recreate the magic of the original film Charlie, Dhilip has managed to retain its essence and delivered a film that leaves a lasting impact."[38] Film critic Shubham Kulkarni, writing for the website Koimoi, gave 3 out of 5 stating "Maara is not for the ones who cannot have a bit suspension of disbelief. But if you have an imagination that can travel far, go for it. There are flaws and a lot of them, but there is a lot of hope too, let’s see at the greener side this time."[39]

S. Srivatsan of The Hindu stated "From an aesthetic point of view, ‘Maara’ directed by Dhilip Kumar is beautifully-shot and works somewhat better than the Malayalam film ‘Charlie’, although its rigidity comes close to spoiling the otherwise pleasant and charming film."[40] Behindwoods gave the film a rating of 2.75 out of 5 stating, "Maara is a feel-good emotional drama that is painted with a beautiful story."[41] Film critic Haricharan Pudipeddi, writing for Hindustan Times stated "Maara isn’t a frame-by-frame copy, but it retains the magic of Charlie."[42] Shubhra Gupta, editor-in-chief for The Indian Express, gave 3 out of 5 stating, "Madhavan is appropriately loose-limbed and dishy as he ambles through the film, spreading grizzled, warm charm."[43] Sudhir Srinivasan, gave 3 out of 5 stars for the film, in his review for Cinema Express, stating "This film that contains within it several smaller stories, like it were a book of fairytales, is an appeal to recognise the magicality of our world and its people."[44]

Ranjani Krishnakumar, writing for Firstpost, gave 2.5 out of 5 stars stating "If you aren’t instinctively drawn to the mystical world that Maara and Paru occupy, or even find it desirable, the film is a drag. If you’re a hopeless, dreamy romantic at heart, you might find your longing fulfilled."[45] Baradwaj Rangan of Film Companion stated "The beauty of this fable, based on Charlie, is how much of a love story it is, and yet how it’s not really the love story of the “hero” and the “heroine”."[46] Gautaman Baskaran of News18 gave 3 out of 5 and stated "A truly charismatic Madhavan and an unforgettable Srinath make Maara a great watch."[47] Sowmya Rajendran of The News Minute, gave 3.5 out of 5 stating "Madhavan as Maara, however, looks jaded, but Shraddha Srinath carries the film through with her charm."[48] Indiaglitz gave the film 2.75 out of 5 stating "A breezy, heartwarming entertainer with good performances."[49]

• Maara at IMDb