List of chord progressions
The following is a list of commonly used chord progressions in music.
| Code | |
|---|---|
| Major | Major | 
| Minor | Minor | 
| Atonal | Atonal | 
| Bitonal | Bitonal | 
| Ind. | Indeterminate | 
| PD | Phrygian dominant | 
| Mix. | Mixolydian | 
| Name | Image | Sound | # of chords | Quality | 
|---|---|---|---|---|
| 50s progression | ![]() I–vi–IV–V  | 4 | Major | |
| I–V–vi–IV | ![]() I–V–vi–IV chord progression in C  | 
4 | Major | |
| I–IV–♭VII–IV | ![]() I–IV–♭VII–IV.  | 3 | Mix. | |
| ii–V–I with tritone substitution (♭II7 instead of V7)  | ![]() ii–♭II  | 3 | Major | |
| ♭III+ as dominant substitute  | ![]() ii–♭III+–I  | 3 | Mix. | |
| viio7/V–V–I
 (common in ragtime)  | 
![]() viio7/V–V–I  | 3 | Major | |
| Andalusian cadence | ![]() iv–III–♭II–I  | 4 | PD | |
| Backdoor progression (front door is V7)  | ![]() ii–♭VII  | 3 | Major | |
| Bird changes | ![]() I viiø–III7 vi–II7 v–I7, IV7 iv–♭VII7 iii–VI7 ♭iii–♭VI7, ii V7 I–VI7 ii–V  | 20 | Major | |
| Chromatic descending 5–6 sequence  | ![]() I–V–♭VII–IV  | 4 | Mix. | |
| Circle progression | ![]() vi–ii–V–I  | 4 | Major | |
| Coltrane changes | Coltrane changes in C: I–V/♭VI ♭VI–V/III III–V I.  | 6 | Major | |
| Eight-bar blues | I–V–IV–IV–I–V–I–V  | 3 | Major | |
| Folia | ![]() i–V–i–♭VII–♭III–♭VII–i–V–i–V–i–♭VII–♭III–♭VII–i–V–i  | 4 | Minor | |
| ii–V–I progression | ![]() ii–V–I  | 3 | Major | |
| Irregular resolution
 (Type I: Two common tones, two note moves by half step motion)  | 
![]() V7–III7  | 2 | Major | |
| Montgomery–Ward bridge  | ![]() I–IV–ii–V  | 4 | Major | |
| Omnibus progression | Omnibus progression.  | ? | Major | |
| Pachelbel's Canon | I–V–vi–iii–IV–I–IV–V  | 5 | Major | |
| Passamezzo antico | ![]() i–VII–i–V–III–VII–i–V–i  | 4 | Minor | |
| Passamezzo moderno | I–IV–I–V–I–IV–I–V–I  | 3 | Major | |
| I–V–vi–IV progression | ![]() I–V–vi–IV  | 4 | Major | |
| Ragtime progression | III7–VI7–II7–V7  | 5 | Major | |
| Rhythm changes | ![]() V/V/V/V–V/V/V–V/V–V–I  | 15 | Major | |
| Romanesca | ![]() III–VII–i–V–III–VII–i–V–i  | 3 | Major | |
| Sixteen-bar blues | ![]() I–I–I–I–I–I–I–I–IV–IV–I–I–V–IV–I–I  | 3 | Major | |
| Stomp progression | ![]() IV7–#ivdim7–I7/5–I7–IV7–#ivdim7–I7/5–I7–IV7–#ivdim7–I7/5–V7/V/V–V7/V–V7–I7  | 6 | Major | |
| Twelve-bar blues | ![]() I–I–I–I–IV–IV–I–I–V–IV–I–I  | 3 | Major | |
| I−vi−ii−V | ![]() I–vi–ii–V  | 4 | Major | |
| ♭VII–V7 cadence | ![]() ♭VII–V  | 2–3 | Mix. | |
| V–IV–I turnaround | ![]() V–IV–I  | 3 | Major | |
| I–♭VII–♭VI–♭VII | ![]() I–♭VII–♭VI–♭VII  | 3 | Minor | |
| IV△7–V7–iii7–vi | ![]() IV△7–V7–iii7–vi in C  | 4 | Major | 
Further reading
    
- R., Ken (2012). DOG EAR Tritone Substitution for Jazz Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW.
 
See also
    
    
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