Kalanidhi Narayanan

Born Kalanidhi Ganapathi [7] in the Brahmin household of Sumitra and Ganapati, her mother was keen on getting her dance education, and this was supported by her father. Thus starting at the age of seven she trained intensively under various gurus, this included Kamakshi Ammal, daughter of Veena Dhanam, for Padams and Javalis and Manakkal Sivarajan for vocal lessons. Noted guru Kannappa Pillai, from Kanchipuram was her main teacher of nritta (dance), he was also teacher to Balasaraswati, while Chinnayya Naidu and Mylapore Gauri Ammal taught her Abhinaya (Art of expression). Later she was to add a new dimension to abhinaya herself.[2]

She made her stage-debut (Arangetram) at the age of 12 at the Senate House in Chennai, for the Madras Music Academy.[7][8] While still in her teens, she gave two notable recitals, one with Dhanamanikkam and another with Nattuvanar K. Ganesan, son of the Kandappa Pillai.[3]

She died in February 2016.[9]

She had a brief dance career in the 1940s, before she stepped out at the age of sixteen when her mother died and she was married into a conservative family. She returned to dance when in 1973, noted art-patron, Y. G. Doraiswamy, who had seen her performances as a teen, asked to instruct dancer Alarmel Valli in abhinaya, to which she agreed, encouraged by her sons who had by now grown up. This started the second phase of her career after a gap of 30 years at the age of 46. She also started to re-educate herself in dance, luckily her books from her younger days had survived, she started attending dance performances and Arangetram in the city, also enrolled in a course on dance theory on Bharatanatyam by Dr. Padma Subramaniam . Gradually more students started coming to her and in the coming decades she became "the most sought after teacher for abhinaya".[2][3]

On 7 December 2003, various dance teachers and her disciples, celebrated her 75th birthday at Luz Community Hall in Chennai, it was marked by a two-day seminar on abhinaya, where prominent gurus of Bharatanatyam participated. On the occasion, a set of 4 CDs on Padams was also released.[3][8]

Amongst her noted disciples are, Ramya Harishankar (USA), A.Lakshmanaswamy (India), Bragha Bessell (India), Hema Rajagopalan (India), Madhusri Sethuraman (USA), Subashree Narayanan (USA), Minal Prabhu (India), Priya Govind (India),[2] Sharmila Biswas,[10] Meenakshi Chitharanjan (abhinaya), Milana Severskaya (Russia)[11] to name a few.[12] She has taught numerous disciples over the years, many of whom have personalised her philosophies.

• Kalanidhi Narayanan and Padam revival in the modern Bharata Natyam dance practice, by Priya Srinivasan. University of California, Los Angeles, 1997.
• Kalanidhi Narayanan's Triveni: selected Telugu songs of Annamayya Kshetrayya Sarangapani. Abhinaya Sudha Trust, 2008.

• Janet O'Shea (2007). "Revival Era Dancers at Music Academy". At Home in the World: Bharata Natyam on the global stage. Wesleyan University Press. p. 1975. ISBN 978-0-8195-6837-3.

• An interview with Kalanidhi Narayanan