In the Bedroom

In the Mid-Coast town of Camden, Maine, Matt and Ruth Fowler enjoy a happy marriage and a good relationship with their son Frank, a recent college graduate who has come home for the summer. Frank has fallen in love with a divorced older woman with children, Natalie Strout; Ruth is openly concerned about Frank's relationship with Natalie, while Matt thinks it is only a fling.

Frank is about to begin graduate school for architecture, but is having second thoughts and considering staying in town to continue working as a fisherman and, more importantly, to be near Natalie and her kids. Natalie's ex-husband, Richard Strout, tries to find a way into his ex-wife and children's lives, going to increasingly violent lengths to get his intentions across to Natalie, including assaulting Frank. Frank resists Ruth's insistence he report Richard's violence to the police, but neither she nor Matt call them.

Frank rushes to Natalie's home one evening after receiving a frightened phone call from one of her children. He arrives to find the living room trashed, and Natalie in distress. She tells him Richard just left, and pleads with him not to call the police, but Richard, still enraged, returns almost immediately. Natalie takes the boys upstairs, and Frank insists through the locked front door that Richard leave. He feigns doing so, only to break in through the back door with a handgun; in the ensuing scuffle, Frank is shot in the face and killed.

Though equally devastated, Matt and Ruth grieve in different ways, with Matt putting on a brave face while Ruth becomes reclusive and quiet. Richard is set free on bail, paid by his well-to-do family, and both Matt and Ruth are forced to see him around town.

The couple retreat with friends Willis and Katie Grinnel to a secluded cottage for a weekend, but Ruth is distant; she rarely contributes to conversation, eyes Matt's drinking suspiciously, and sleeps most of the ride home. The next Saturday, Matt tells Ruth he's going into the office, but he instead goes to the convenience store where Natalie works. The two speak briefly, but Matt begins to become emotional, so he leaves. He goes fishing, and badly cuts his right index finger hauling lobster traps.

The tension between Matt and Ruth increases when their lawyer informs them that the lack of an eyewitness to Frank's shooting means Richard will instead be charged with accidental manslaughter, and will likely only serve five to ten years in prison. Ruth is openly distraught by this, Matt seems deflated. He and Willis spend the evening drinking and lamenting the injustice of the situation.

Natalie approaches Ruth at work and attempts to apologize, but Ruth slaps her before dismissively returning to her papers. Natalie leaves in tears. Later that same day, Ruth accidentally runs into Richard again while buying cigarettes.

When she returns home, an argument erupts between the couple in which each one confronts and emotionally savages the other; Matt lambastes Ruth for being an overbearing presence in Frank's youth, while Ruth in turn chastises Matt for showing little grief for their deceased son. A little girl knocks on the door, interrupting them, and Matt buys $10 worth of chocolate from her. He returns, measured now, and apologizes to Ruth, who apologizes in turn and, breaking down, tells Matt about seeing Natalie and Richard. The two embrace. With the air cleared, the couple is finally able to find common ground in their grief.

Matt then abducts Richard at gunpoint, saying he's arranged for Richard to jump bail and leave the state, so as to spare them the pain of seeing him in Camden. He forces Richard to "pack clothes for warm weather" and plants a train schedule in his apartment. He forces Richard to drive them out to the Grinnel cabin, where Willis is waiting with another vehicle. He begins to load Richard's belongings, but Matt hesitates - and then shoots Richard once in the shoulder and twice in the back, killing him. Willis is shocked, admonishing Matt for not following the plan. Matt responds simply that he couldn't wait. The two successfully bury Richard's body deep in the woods beyond the cabin, but are stuck unexpectedly at a bridge crossing on their return home. Willis laments that this cost them nearly an hour - meaning they arrive back in town just after sunrise at 4:00am instead of in darkness at 3:00am - and Matt apologizes.

Matt returns home and wraps his clothes in an old blanket, before washing himself in the downstairs sink. He returns to the bedroom upstairs to find Ruth awake and smoking in bed. She asks him, "Did you do it?" Matt appears troubled and unresponsive. He climbs into bed and then turns away from her. She asks if he's okay, and Matt haltingly describes a photo he saw in Richard's apartment of him with Natalie in a loving pose, but cannot explain why it affected him. Finally, Ruth gets up to make coffee. Matt rolls over onto his back and removes the band-aid from the finger he injured hauling traps - his trigger finger - to examine the healing wound underneath. Ruth calls from the kitchen, "Matt, do you want coffee?" but he doesn't answer.

• Sissy Spacek as Ruth Fowler
• Tom Wilkinson as Matt Fowler
• Nick Stahl as Frank Fowler
• Marisa Tomei as Natalie Strout
• William Mapother as Richard Strout
• Celia Weston as Katie Grinnel
• Karen Allen as Marla Keyes
• Deborah Derecktor as Janelle
• William Wise as Willis Grinnel
• Justin Ashforth as Tim Bryson
• Camden Munson as Jason Strout
• Frank T. Wells as Henry
• Kevin Chapman as Tim's Friend

In the Bedroom made its debut at the 2001 Sundance Film Festival. In a 2022 The New Yorker profile, Field recalled that when the film was acquired by Miramax Films, he was devastated, concerned his film would be heavily re-edited by Harvey Weinstein. Field called Tom Cruise, a personal friend, who advised him not to give Weinstein any pushback, allow him to extensively re-edit, wait until the film tested poorly, then remind Weinstein of how well the film was initially received at Sundance. Field followed Cruise's advice and it worked. [2][3]

Critic Dennis Lim wrote in Village Voice:

Todd Field's debut feature, In the Bedroom, alighted on the snowy peaks of Sundance last January as if from another universe. Here was a small miracle of patience and composure, so starkly removed from everything the festival had come to represent that it seemed almost to herald the overdue coming-of-age of American independent film.[4]

In the Bedroom was the first film to premiere at the Sundance Film Festival to receive an Academy Award nomination for Best Picture. It also received nominations for Best Actor, Best Actress, Best Supporting Actress, and Best Adapted screenplay, more nominations than any film to premiere at Sundance until Precious in 2009.[5]

The film was released on DVD in 2002 in a bare-bones edition containing no extras or director's commentary. When Field was asked by the New York Times why this was the case, he said, "Once a film is made available to the public, the right of interpretation belongs to the viewer. Unless it's something historical—like Citizen Kane or Raging Bull—it seems really silly to have that kind of thing."[40]

A 35mm safety print is housed in the permanent collection of the UCLA Film & Television Archive.[41]

During season four (episode eight, "Mergers and Acquisitions") of The Sopranos, Tony shows Carmela the new media center he has installed in the pool house, and she replies that she will pick up In the Bedroom for them to watch.[42]

• In the Bedroom at IMDb
• In the Bedroom at AllMovie
• In the Bedroom at Box Office Mojo
• In the Bedroom at Rotten Tomatoes
• In the Bedroom at Metacritic