I Inside the Old Year Dying

Harvey began sharing photographs of herself in the studio recording the album in February 2022.[10] In an April 2022 interview with The Observer, she confirmed that a new album would be released in 2023.[11] In June 2022, she announced that she had finished the album and intended to release it in mid-2023.[12] Throughout 2023, she teased the impending release of new music.[10]

In a statement with the album's announcement on 25 April 2023, Harvey said the album took "many years of work" and "was a difficult album to make" as it "took time to find its strongest form, but it has finally become all [she] hoped for it to be".[13] It was inspired by her epic poem "Orlam", and was partially improvised with producers Flood and John Parish, with Harvey describing the meaning as "searching, looking—the intensity of first love, and seeking meaning". She additionally called it "a resting space, a solace, a comfort, a balm—which feels timely for the times we're in".[14] Along with Harvey recording the album alongside Flood and Parish, the album is said to be "scattered with Biblical imagery and references to Shakespeare and Elvis Presley".[8]

British actors Colin Morgan and Ben Whishaw inspired both the book Orlam and the album. Their voices can be heard on several tracks. John Parish has also contributed his vocals.[15]

On 6 June 2023, Harvey announced a UK and European tour in support of the album, with 26 dates starting on 22 September in Dublin. Two concerts will be held in each city, to end with the last show on 31 October in Oslo.[16]

Harvey has also released an additional music video Lwonesome Tonight, made from the photo visuals by Steve Gullick from the recording process of the album.[17]

In an interview to Vulture magazine, Harvey confirmed that she will be touring United States in the fall of 2024.[18]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	8.2/10[19]
Metacritic	85/100[20]
Review scores
Source	Rating
AllMusic	[1]
Clash	8/10[21]
The Guardian	[22]
The Independent	[23]
Mojo	[24]
NME	[25]
Pitchfork	7.9/10[26]
The Skinny	[27]
Slant Magazine	[28]
Uncut	[29]

I Inside the Old Year Dying received a score of 85 out of 100 on review aggregator Metacritic based on 24 critics' reviews, indicating "universal acclaim".[20] Aggregator AnyDecentMusic? gave it 8.1 out of 10, based on their assessment of the critical consensus.[19]

The Guardian's Alexis Petridis named it his album of the week, describing it as "enigmatic and occasionally disturbing" as well as "a rough-edged LP full of potency and atmosphere", and concluding that "like the Dorset woods they describe, I Inside the Old Year Dying is eerily forbidding, but intoxicating, and easy to lose yourself in".[22] Mojo's Victoria Segal remarked that the album "holds itself at the biting point between old and new" and called it "a record [Harvey] was born to make",[24] while Uncut's Alistair MacKay noted it as "a singular thing".[29]

NME's Elizabeth Aubrey described the album as "elusive and mesmerising", and while "it takes a little time to immerse yourself in Harvey's world, [...] once there, you won't want to leave".[25] Tony Inglis of The Skinny called it Harvey's "most beguiling work yet" and felt she, Parish and Flood meld "indelible melodies and structures with a writerly form that intertwines modernism with ancient unknowns".[27] Sam Walker-Smart of Clash felt similarly, writing that Harvey "meshes the intimate and experimental to create something thrillingly unique. Pastoral and poetic, naturally, but with moments of unease and explosive outbursts".[27]

Reviewing the album for AllMusic, Heather Phares claimed it "a triumph in its own right" and declared, "I Inside the Old Year Dying's lively exploration is also a rekindling of something vital in Harvey's art in general. Though its whispers and shadows may not reveal everything, they're more than enough for a fascinating listening experience."[1] Charles Lyons-Burt provided a more reserved assessment for Slant Magazine; "this is an album that gives about as much as it asks in return, even if its medieval trappings and intentional obfuscation do risk letting listeners walk away feeling more bewildered than moved."[28] The Wire found there to be "a consistent low level sense of discomfort, or of familiar sounds or words taking on bizarro parallel forms" along with "sounds that can't easily be identified, or that sit in between recognisable timbres".[30]

Evan Rytlewski of Pitchfork described the album as a "hallucinatory dreamworld [made] out of folk instruments, primitive electronics, and warped field recordings", also writing that its "sinewy strangeness may come at the expense of the immediacy that was once Harvey's strong suit, but this is how PJ Harvey albums work now: You feel them without being able to explain them".[26] Helen Brown of The Independent stated that Harvey's "fans will be all in for this mucky pagan whirl" and felt that the closing track, "A Noiseless Noise", would be "a terrific set closer live".[23]

Musicians

• PJ Harvey – vocals, nylon string guitar, steel string guitar, electric guitar, baritone guitar, bass guitar, piano, Rhodes piano, bass clarinet, drawings, inner sleeve photography
• John Parish – drums, percussion, vocals, Rhodes piano, synth, variophon, trombone, acoustic and electric guitar, bass guitar, mixing, production
• Cecil – field recording samples, voice samples, bass keyboards, keyboards, synth, piano, loop creations, additional recording
• Flood – synth, field recording samples, effects, pedals, loop creations, sonic disturbance, mixing, production
• Ben Whishaw – backing vocals (tracks 8 & 10)
• Colin Morgan – backing vocals (tracks 9 & 11)

Production

• Rob Kirwan – mixing, additional production, recording
• Ed Farrell – assistant engineer
• Jacob Zinzan – 2nd assistant engineer
• Sumit Bothra – executive producer, management
• Oliver Baldwin – additional recording
• Jasdaface – lacquer cut by
• Sam Petts-Davies – Original Recordings Of Ben Whishaw and Colin Morgan
• ATC Management, Brian Message, Olivia Plunket – management
• Jason Mitchell – mastering at Loud Mastering
• Michelle Henning – art direction, design, front cover photography
• Todd Lynn – back cover portrait - dress by
• Kieran Tudor – back cover portrait - hair by
• Rob Crane – additional design and typesetting
• Steve Gullick – portrait & studio photograph
• Brian Whar – portrait & studio photography assisted by

• I Inside the Old Year Dying at Discogs (list of releases)