Godzilla vs. Megalon

The origins of Megalon can be traced back to 1969's All Monsters Attack, as the original working idea for the film's antagonist Gabara was initially envisioned as a giant mole cricket called Gebara.[4] The character was later reworked into Kaoru Mabuchi's 1971 treatment for Godzilla vs. the Space Monsters: Earth Defense Directive, a precursor to 1972's Godzilla vs. Gigan. The proposal called for Megalon to be paired with Gigan and King Ghidorah under the command of the hostile alien invader Miko, only to be defeated and driven off by the combined might of Godzilla, Anguirus, and a brand new monster called Majin Tuol. The next draft of the script, titled The Return of King Ghidorah!, retained the core villain cast of Gigan, King Ghidorah, and Megalon, but replaced Anguirus and Majin Tuol with Varan and Rodan. However, most of the proposed monsters were cut, leading to the final version of Godzilla vs. Gigan.[5]

Contrary to popular belief, there is no evidence Godzilla vs. Megalon was originally planned as a Jet Jaguar solo film, and no Japanese sources have surfaced which claim otherwise.[6] Rather, the creation of Jet Jaguar was the result of a contest Toho had for children in mid-to-late 1972. The winner of the contest was an elementary school student, who submitted the drawing of a robot called Red Arone. Red Arone was turned into a monster suit, but when the child was shown the suit, he became upset because the suit did not resemble his original design. The boy's original design was white but the costume was colored red, blue and yellow. Red Arone was used for publicity, but Toho had renamed the character Jet Jaguar and had special effects director Teruyoshi Nakano redesign the character, only keeping the colors from the Red Arone suit. The Red Arone suit had a different head and wings.[7][8][9]

According to Teruyoshi Nakano, Godzilla vs. Megalon was a replacement project for another film that was cancelled at the last minute,[8] and evidence suggests this cancelled film was Godzilla vs. Red Moon, slated for 1973.[10] As a result, the project was postponed during pre-production. Screenwriter Shinichi Sekizawa had no time to write out a full script, and instead thought out a general story. Director Jun Fukuda ultimately ended up writing the screenplay.[11]

The film had three early treatments, each written by Shinichi Sekizawa, one was titled Godzilla vs. The Megalon Brothers: The Undersea Kingdom's Annihilation Strategy which was completed in September 1972. The second was titled Insect Monster Megalon vs. Godzilla: Undersea Kingdom's Annihilation Strategy, which was turned in on September 5, 1972, and the third draft was submitted on September 7, 1972.[8] The production time totaled nearly six months from planning to finish.

According to Teruyoshi Nakano, the Godzilla suit used in this film (nicknamed "MegaroGoji" メガロゴジ ) was made in a week, making it the fastest Godzilla suit ever made to date. They did not have time to make the eyes work correctly, something they had more time to fix for Godzilla's five appearances on Toho's superhero TV series Zone Fighter (1973), which was produced around the same time.

The Megalon suit was one of the heaviest suits produced since the 1954 Godzilla suit, which made it even more difficult to raise the Megalon suit via wires in certain scenes up to the point where Nakano almost decided to scrap those scenes altogether. Since the film was shot in the winter, Katsuhiko Sasaki stated that director Jun Fukuda gave him and Yutaka Hayashi a shot of whiskey to warm them up.[8]

The Gigan suit is similar to the previous design, but the suit was made thinner, less bulky, the horn on the head was less pointed, and the buzzsaw didn't move, since it was made of static pieces. This suit also has different-sized back fins, a more circular visor, scales running up the back/sides of the neck and longer legs compared to the original version.

Teruyoshi Nakano recalls how the film was rushed and that it took three weeks to shoot, stating, "It went into productions without enough preparation. There was no time to ask Mr. Sekizawa to write the script, so Mr. Sekizawa kind of thought up the general story and director Fukuda wrote the screenplay. The screenplay was completed right before crank-in".[12] The film also heavily employs stock footage from previous films such as Mothra vs. Godzilla, Ghidorah the Three-Headed Monster (both from 1964), The War of the Gargantuas (1966), Ebirah, Horror of the Deep (1966), Destroy All Monsters (1968), Godzilla vs. Hedorah (1971), and Godzilla vs. Gigan (1972).[12]

In Japan, Godzilla vs. Megalon sold approximately 980,000 tickets. It was the first Godzilla film to sell less than one million admissions.[17] It earned ¥220 million in Japan distribution income (rentals).[18][19]

The film was a success in American theaters, earning $383,744 in its first three days in Texas and Louisiana alone.[20] The film grossed about $20 million worldwide.[2]

Godzilla vs. Megalon was released theatrically in America on May 9, 1976, though the San Francisco Chronicle indicates that it opened there in June, and The New York Times indicates that it opened in New York City on July 11. The New York Times film critic Vincent Canby, who a decade before had given a negative review to Ghidorah, the Three-Headed Monster, gave Godzilla vs. Megalon a generally positive review. In his review on July 12, 1976, Canby said, "Godzilla vs. Megalon completes the canonization of Godzilla...It's been a remarkable transformation of character - the dragon has become St. George...It's wildly preposterous, imaginative and funny (often intentionally). It demonstrates the rewards of friendship, between humans as well as monsters, and it is gentle."[21]

Godzilla vs. Megalon has attracted the ire of many Godzilla fans in the decades since its original release. The film contributed to the reputation of Godzilla films in the United States as cheap children's entertainment that should not be taken seriously.[22][23] It has been described as "incredibly, undeniably, mind-numbingly bad"[24] and one of the "poorer moments" in the history of kaiju films.[23]

Author Stephen Mark Rainey's critique of the film was strongly negative, published in Japanese Giants, issue four. 1977. Edited and published by Bradford G. Boyle.

In particular, the special effects of the film have been heavily criticized. One review described the Godzilla costume as appearing to be "crossed with Kermit the Frog"[23] and another sneeringly compared it to Godzilla vs. Gigan, stating that it did "everything wrong that Gigan did, and then some." However, most of the criticism is of the lack of actual special effects work, as most of it consists of stock footage from previous films, including Godzilla vs. Gigan and Ghidorah, the Three-Headed Monster, but a few pieces of effects work have garnered praise, specifically a scene where Megalon breaks through a dam and the draining of the lake.[22]

The other aspects of the film have been similarly skewered. The acting is usually described as flat and generally poor, and as not improving, or sometimes, worsening, the already weak script.[22] One part of the film, on the other hand, has garnered almost universal praise: Godzilla's final attack on Megalon, a flying kick. It has been called the saving grace of the film,[24] and was made famous by the mock exclamations of shock and awe displayed on Godzilla vs. Megalon's appearance on Mystery Science Theater 3000. Through the end of season three to the middle of season five, that clip would be shown at the opening of each show.

Despite all this, the film is also one of the most widely seen Godzilla films in the United States — it was popular in its initial theatrical release, largely due to an aggressive marketing campaign, including elaborate posters of the two title monsters battling atop New York City's World Trade Center towers, presumably to capitalize on the hype surrounding the Dino De Laurentiis remake of King Kong, which used a similar image for its own poster.[22]

On review aggregator Rotten Tomatoes, approval rating of 38% based on 8 reviews, with an average rating of 4.7/10.[25]

The film was released numerous times in the VHS format, mostly as videos from bargain basement studios that featured the edited TV version (which was wrongly assumed to be in the public domain for many years), while PolyGram and 4 Front released the unedited version of the film in 1992 and 1998, respectively. Some rumors have circulated that the film's original VHS releases in the States were uncut, but there is no evidence confirming or denying this.  

Media Blasters acquired the DVD rights to both Godzilla vs. Megalon and Destroy All Monsters. Both films were released under one of the company's divisions, Tokyo Shock. Media Blasters originally planned to release Godzilla vs. Megalon on DVD and Blu-ray on December 20, 2011; however, due to technical difficulties with the dubbing and Toho having yet to give its approval for the release, the DVD/Blu-ray release was delayed.[26] Media Blasters finally released the film on August 14, 2012, but only on a bare-bones DVD and Blu-ray. Despite this, a manufacturing error led to several copies of the originally planned version featuring bonus content to be released by accident.[27] These special features versions are incredibly rare and are not labelled differently from the standard version, making them nearly impossible to find.[28] This release was commercially the first to remaster the film to its original full-length version. In 2019, the Japanese version and export English dub were included in a Blu-ray box set released by the Criterion Collection, which included all 15 films from the franchise's Shōwa era.[29]