Glenda Farrell

Farrell in Man's Castle (1933)

In 1928, Farrell was cast as the lead actress in the play The Spider and made her film debut in a minor role in Lucky Boy. Farrell moved to New York City in 1929, where she replaced Erin O'Brien-Moore as Marion Hardy in Aurania Rouverol's play Skidding. The play later served as the basis for the Andy Hardy film series. By April 1929, the Brooklyn Daily Eagle reported that she had played the role 355 times. Farrell appeared in several other plays, including Divided Honors, Recapture, and Love, Honor and Betray with George Brent, Alice Brady, and Clark Gable.

In 1930, she starred in the comedy short film The Lucky Break with Harry Fox and in July 1930, Film Daily announced that Farrell had been cast as the female lead, Olga Stassoff, in director Mervyn LeRoy's gangster film Little Caesar. The movie was Farrell's first major film role, co-starring Edward G. Robinson and Douglas Fairbanks Jr. Afterwards, she returned to Broadway and starred in On the Spot at the Forrest Theater. At the time, Farrell conceded that motion pictures offered immense salaries but felt the theatre was the foundation of the actor's profession.[5] She appeared in several more plays.

In 1932, Farrell starred in the hit Broadway play Life Begins, an episodic drama set entirely in the maternity ward in a hospital. Farrell received rave reviews and notices for her performance as Florette Darien, the professionally sullen chorus girl. Farrell was asked to recreate the role in Warner Bros.' film adaptation of Life Begins later that year. She was also given a seven years contract with the Warner Bros. film studio. Farrell did not return to the stage until 1939.

Farrell in Hollywood Hotel (1937)

Farrell appeared in over 30 films in her first five years with Warner Bros., sometimes working on three pictures that were shooting at the same time and managed to transition from one role to another.[1] She co-starred in the Academy-Award nominated films I Am a Fugitive from a Chain Gang (1932) with Paul Muni and Lady for a Day (1933) by director Frank Capra. She also appeared in films such as Girl Missing (1933), Little Big Shot (1935), the musical Go into Your Dance (1935) and the comedies Nobody's Fool (1936) and High Tension (1936).

Farrell was close friends with fellow Warner Bros. actress and frequent co-star Joan Blondell.[6] They were paired as a comedy duo throughout the early 1930s in a series of five Warner Bros. movies: Havana Widows (1933), Kansas City Princess (1934), Traveling Saleslady (1935), We're in the Money (1935) and Miss Pacific Fleet (1935). Farrell and Blondell appeared together in a total of nine films.

Farrell and Barton MacLane as Torchy Blane and Steve McBride

In 1937, Farrell began starring as Torchy Blane, a fast-talking, wisecracking newspaper reporter.[7] Warner Bros. had started to develop a film adaptation of "MacBride and Kennedy" stories by detective novelist Frederick Nebel. For the film version, Kennedy is changed to a woman named "Torchy" Blane and is in love with MacBride's character. Director Frank MacDonald immediately knew whom he wanted for the role of Torchy. Farrell had already proved that she could play hard-boiled reporters in Mystery of the Wax Museum (1933) and Hi, Nellie! (1934) and was quickly cast with Barton MacLane playing detective Steve McBride in the first film Smart Blonde (1937).

Smart Blonde was a surprise hit and became a popular second feature with moviegoers. Farrell continued to play Torchy in seven films opposite MacLane between 1937 and 1939. The Torchy series took Farrell's popularity to a new level. She was beloved by the moviegoing public and received a huge amount of fan mail for the series. Farrell based her portrayal of the Torchy character on real-life female journalists of the time, stating in her 1969 Time interview: "So before I undertook to do the first Torchy, I determined to create a real human being—and not an exaggerated comedy type. I met those [newswomen] who visited Hollywood and watched them work on visits to New York City. They were generally young, intelligent, refined, and attractive. By making Torchy true to life, I tried to create a character practically unique in movies."[3]

Along with starring in the Torchy Blane series, Farrell appeared in several other films, including Dance Charlie Dance (1937), Exposed (1938) and Prison Break (1938). She also performed in the radio series Vanity and Playhouse in 1937 and Manhattan Latin with Humphrey Bogart in 1938.

Farrell in the 1938 film Exposed with Charles D. Brown

Farrell was elected to a one-year term as the honorary mayor of North Hollywood in 1937, beating her competition Bing Crosby and Lewis Stone by a three-to-one margin. Even though it began as a Warner Bros. publicity stunt, Farrell took the job seriously, attending functions, presentations, and ceremonies. She was also put in charge when the North Hollywood Chamber of Commerce announced that it wanted to put sewers along Ventura Highway and started the groundwork for that project.[3]

In 1939, Farrell left Warner Bros. when her contract expired. Several factors resulted in her decision, including feeling Warner Bros. was typecasting her as a newspaper reporter, a pay raise reneged on by Jack Warner, and a desire to return to the theatre. Farrell later told syndicated columnist Bob Thomas in 1952: "There's something more satisfying about working in a play. You get that immediate response from the audience, and you feel that your performance is your own. In pictures, you get frustrated because you feel you have no power over what you're doing."

Farrell in 1962 with Chill Wills in the television series Frontier Circus

In July 1939, Farrell starred in the lead role in the play Anna Christie at the Westport Country Playhouse and followed that with a summer stock production of S. N. Behrman's play Brief Moment. She co-starred with Lyle Talbot and Alan Dinehart in the long-running play Separate Rooms at Broadway's Plymouth Theater for a successful 613-performance run throughout 1940 and 1941. She appeared in the Broadway plays The Overtons in 1945 and Home is the Hero by Walter Macken in 1954.

Farrell returned to motion pictures in 1941, starring in Mervyn LeRoy's film noir, Johnny Eager. Throughout the 40s, 50s, and 60s, Farrell continued to appear in numerous films: including the Academy Award-nominated film The Talk of the Town (1942), A Night for Crime (1943), the Western Apache War Smoke (1952) and the crime drama Girls in the Night (1953). She starred in the 1959 film adaptation of the Broadway play Middle of the Night with Fredric March and Kim Novak. Farrell co-starred with her son Tommy Farrell in two comedy films in 1964: Kissin' Cousins and The Disorderly Orderly.

Farrell made her television debut in 1949 in the anthology series The Chevrolet Tele-Theatre. She appeared in over 40 television series between 1950 and 1969, including Kraft Theatre, Studio One in Hollywood, The United States Steel Hour, Bonanza and Bewitched. In 1963, Farrell guest-starred in the ABC medical drama series Ben Casey as Martha Morrison in the two-part episode "A Cardinal Act of Mercy". She won the Primetime Emmy Award for outstanding performance in a supporting role by an actress.[2]

Farrell briefly retired in 1968 but soon decided to return to acting. Farrell's final work in her long career was the Broadway play Forty Carats. She was appearing in Forty Carats at the Morosco Theatre until ill health forced her to leave the play a few months later. Farrell was eventually diagnosed with lung cancer.[3]