From Enslavement to Obliteration

The album's lyrical themes cover a variety of social and political topics, including misogyny/sexism ("It's a M.A.N.S World" and "Inconceivable?"), animal rights ("Display to Me…"), racism ("Unchallenged Hate" and "From Enslavement to Obliteration"), materialism ("Private Death"), and anti-capitalism ("Make Way!"). The album calls for social change, as seen in the song "Uncertainty Blurs the Vision," quoting Rudimentary Peni at the song's conclusion.

Shane Embury retrospectively commented on the band's progression up until From Enslavement to Obliteration in Kerrang! magazine:

It was a good experience but it was a brief one. Back in those days albums were recorded very quickly – we recorded the album in about six days and I think it cost about £800. In the early days in the very beginning before I joined, it was more of a crust punk band really but it was a natural progression, I think, to get faster and faster. Scum created a buzz and by the time we did FETO, we just wanted to push it as far as we could and as fast as possible. We weren't really consciously trying to break any rules but we weren't paying any attention to them either. If we wanted to do a song that was going to be 20 seconds long then we'd do it – we didn't think there was any reason not to. The vocals for us went hand-in-hand with the distorted bass guitar, distorted guitars and hyper-fast drumming".[1]

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Classic Rock	8/10[3]
Spin Alternative Record Guide	8/10[4]

In 2009 From Enslavement to Obliteration was ranked number 1 in Terrorizer's list of essential European grindcore albums.[5] Writer Jonathan Horsley described it as marking "the genre's perilous rite of passage through Britain's post-industrial urban landscape."[5] Classic Rock reviewer remarked how the stable line-up brought "new maturity and coherence" and reminded that "for an all-too-brief moment in time, this album could lay claim to being the most extreme collection of songs ever recorded".[3]

In 2017, Rolling Stone ranked From Enslavement to Obliteration as 59th on their list of 'The 100 Greatest Metal Albums of All Time.'[6]

Napalm Death

• Lee Dorrian – lead vocals
• Bill Steer – guitars
• Shane Embury – bass
• Mick Harris – drums, backing vocals

Production

• Steve Bird – engineering
• Mark Sikora – cover art
• Mike Marsh – mastering

Some LPs had a sticker with the following line printed on it: "We wanted to be the biggest rock band in the world and you don't do that sounding like Napalm Death" Joe Elliot (Def Leppard)[8]

Grindcore band Sore Throat included a track called "From Off License to Obliteration" on their 101-track 1988 album Disgrace to the Corpse of Sid, also released on Earache Records.