Dru World Order

Following the release of Enter The Dru's final single, "You Are Everything", in the summer of 1999, Dru Hill was reduced to a trio when Woody left the act to become a gospel singer after a incident during a concert in Paris that resulted in a non-fatal shooting.[6] During this period, the group's label, Island Records, was merged with Def Jam Recordings, following PolyGram's sale to Seagram and later acquisition by Universal Music Group, combining into a unit known as the Island Def Jam Music Group. As a result, Island and Mercury Records' urban roster (including Dru Hill) were re-assigned to Def Jam; its R&B artists were moved to Def Jam's R&B imprint, Def Soul.[3][4] The new label renegotiated the group's contracts and successfully returned Woody to the fold. The intended plan was for each member to record a solo album, and then regroup in a year to record Dru World Order. However, lead singer Sisqó's solo album, Unleash the Dragon, was a notable success, selling at four million copies, twice as much as Enter the Dru. The album's singles such as "Thong Song" and "Incomplete" became top five hits on the Billboard Hot 100; the latter became a number one hit. When the group reformed in November 2000, it imploded, and Dru Hill was placed on an indefinite hiatus, resulting the other three members' solo projects being pushed back and later shelved.

One completed recording from the aborted fall 2000 sessions, "Without You", was included on Sisqó's second solo album, Return of Dragon. Unlike Unleash the Dragon, Return of Dragon was not a success. After the group members reunited at the funeral of Woody's mother, Dru Hill made plans to reform.[7] Woody, who had released his solo gospel album on Kirk Franklin's Gospocentric Records in the spring of 2002, agreed to the reunion, as did Jazz. Dru Hill also hired Rufus "Scola" Waller, a local artist from their hometown of Baltimore, as a fifth member.

Initially, Def Soul and most of the Def Jam staff were not interested on a Dru Hill reunion, given the long period of time since the group's predecessor, and the relative failure of Sisqó's second solo album. The group won the label over with "I Should Be...", a song written by a teenaged local R&B act from Baltimore called "Everidae", a member of The Featherstones, alongside Jeriel Askew.[8] The new five-man lineup began recording Dru World Order in October 2001, with Nokio taking creative control and executive production of the project.[7]

"I Should Be" peaked at number 25 on the Billboard Hot 100 pop singles chart in the United States, and number six on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. Its follow-up, "I Love You", was less successful, peaking at number 77 pop and number 21 R&B spring 2003. The album itself peaked at number 21 on the Billboard 200 albums chart, and at number 2 on the Billboard R&B/Hip-Hop Albums chart seeling 122,000 copies in its first week.[9] The album was certified gold by the RIAA for shipments in excess of 500,000 copies.[10]

• 1 "I Do (Millions)" interpolates the composition "Millions", written by Marvin Winans.

Unless Otherwise Indicated, information is taken from Liner Notes and Discogs.com[11]

• Lead and background vocals – Sisqó (Mark Andrews), Jazz (Larry Anthony), Nokio (Tamir Ruffin), Scola (Rufus Waller) and Woody (James Green)
• Guest vocals – Chinky of LovHer (Lead & Background on track 8), Kwamé (track 5), N.O.R.E. (6)
• Additional background vocals – Darrell "Dezo" Adams (track 1), Jessica Rivera (6), J. Moss (7), Eritza Laues (8), Jazz Dru-Daddy (11)
• Vocal arrangements – Nokio (track 8), Jazz, Phil Weatherspoon (8), Alan Floyd
• Vocal production – Bryan Michael Cox, Tamara Savage, Sisqó
• Bass Guitar – Darryl Pearson (track 8)
• Guitars – Darryl Pearson (track 2), Billy "Spaceman" Patterson (Lead on 8)
• Piano, Organ, Drums – Nocko (track 12)
• Keyboards – Jeriel "Baby J" Askew, Nathan "Boy Genius" Mooring, Darryl Pearson (track 2), Kenya "Fame Flames" Miller, Kwamé, Wirlie Morris, Nocko
• Drum Machine – Jeriel "Baby J" Askew, Nathan "Boy Genius" Mooring, Darryl Pearson, Kenya "Fame Flames" Miller, Kwamé, Wirlie Morris
• Music Programming - Jeriel "Baby J" Askew (Instruments on track 3), Nocko (tracks 8, 12)
• Multiple Instruments - Nathan "Boy Genius" Mooring (track 3), Kwamé Holland (5), Wirlie Morris (11)
• String arrangements and conducting – Benjamin Wright (tracks 2, 10), Clare Fischer (8)
• Arranging – Guy Roche, Sisqó
• Strings – Assa Drori (Violin on track 8), Antoly Rosinsky (Violin on 8), Elizabeth Wilson (Violin on 8), Igor Kiskatch (Violin on 8), Amy Hershberger (Violin on 8), Julie Rogers (Violin on 8), Jerry Epstein (Viola on 8), John Hayhurst (Viola on 8), Cecilia Tsan (Cello on 8), Richard Treat (Cello on 8), Arni Egilsson (Double Bass on 8)
• Recording engineers – Serban Ghenea (tracks 1–2, 8), John Gordon (1-3, 5–6, 8, 10, 12–13), John Hanes (Additional Pro-Tools on 1–2, 6, 8–12), Jan Fairchild (2, 5, 13, Strings on 2 & 10, Vocals on 7), Reggie Dozier (3), Chris Young, Eric "Ebo" Butler (5), Ann Mincieli, Tom Soares (6, 8), Kevin Blott (Instruments on 7), PAJAM (Instruments on 7), Pat Viala (8), Larry Mah (8), Greg Smith (9), Nocko (12, Vocals & Other Instruments on 10), Robert "Tkae" Mendez
• Audio Mixing – Serban Ghenea (tracks 1–2, 8–12), Manny Marroquin (3, 5, 7, 13), Tim Roberts (1-2, 6, 8–12), Stephen George (5), Rabeka Tunei (7)
• Production Coordinator – Sandra Campbell ("My Angel/How Could You")
• Mastering – Chris Gehringer
• A&R direction – Nokio, Sisqó, Jaha Johnson
• A&R manager – Leesa D. Brunson
• A&R coordinator – Tara Podolsky
• Recording administration – Terese Joseph
• Product consultant – Delroy Morgan
• Art direction and design – Akisia Grigsby, Robert Sims
• Photography – Anthony Mandler
• Stylist – April Roomet