Deep Cuts (The Choir album)

Professional ratings

Review scores
Source	Rating
CCM Magazine	[5]
Jesus Freak Hideout	[6]
True Tunes	Favorable [7]
The Fire Note	[8]
The Heartland Attack	[9]
Cephas Hour	Favorable [10]

Critical reviews for Deep Cuts were generally favorable, and focused primarily on the upbeat nature of the album compared to its immediate predecessor. Dan McIntosh from CCM Magazine called the album "a positive emotional space," saying that The Choir has been "a good friend to many of us, and we’re so thankful it continues to keep this musical conversation going."[5] John Underdown at Jesus Freak Hideout also thought that Deep Cuts featured "a newer, brighter message [...] focused on pushing for better times and reconciliation." However, he saw this as a weakness compared to the band's previous work: "Deep Cuts is more laid back and simply exists because these guys love making music together. That's fine, but it feels like a middle-of-the-road Choir album."[6] Levi Yager from The Heartland Attack agreed, saying that "while Deep Cuts may not be The Choir’s best work, it’s certainly no failure."[9] Andre Salles from True Tunes was more favorable, emphasizing that the album's kintsugi cover art was representative of its more complex emotional theme: "about how love makes us whole, but also about how the scars we carry from our pain make us even more beautiful. It is the love songs that give this album its character."[7] The strongest review came from Brian Q. Newcomb at The Fire Note, calling Deep Cuts "an altogether more up-tempo effort that rocks with intentionality and purpose," and saying that the song "“The Woods,” with an aggressive guitar attack and a gripping sax solo, is a welcome return to an intensity reminiscent of the band’s great, underrated ’93 release, Kissers and Killers.”[8]

All tracks written by Derri Daugherty and Steve Hindalong except where noted.

The Choir

• Derri Daugherty - lead vocals, electric guitar, acoustic guitar, keyboards
• Steve Hindalong - drums, percussion, harmonica, glockenspiel, gong, vocals, lead vocals on "Kathie's Garden" and "The Real WWW"
• Dan Michaels - saxophone, lyricon, horn samples

Guest performers

• Tim Chandler - bass ("The Real WWW", "What You Think I Am"), electric guitar ("The Real WWW")
• Marc Byrd - electric guitar ("What You Think I Am")
• Leigh Nash - vocals ("What You Think I Am," "After All (Re-imagined)")
• Matt Slocum - cello ("After All (Re-imagined)")
• Stephen Leiweke - acoustic guitar
• Jonathan Noel - vocals
• Mason Zgoda - vocals
• Stephen Mason - vocals, bass ("Eyes On Fire," "Mystical World," "Kathie's Garden," "Counting Stars")
• Chris Donohue - bass
• Andy Prickett - electric guitar ("Hurricane," "Feel You Close," "Aces Over Eights," "Deep Cuts")
• Michael Walker - electric guitar ("Kindred Spirits," "Sunshine Girl")
• Jared Norris - Keyboards ("The Fool," "Deep Cuts")
• Mark Uecker - twelve-string guitar ("Sunshine Girl")
• John Steingard - programming ("After All (Re-imagined)")
• Spooky - dog vocals ("Reckless Ways")
• Hotcake - dog vocals ("Reckless Ways")
• Erica Estes - voice [Angelic Laughter On Outro] ("Feel You Close")
• Christopher Heyn - voice ["You Are Beautiful, Hit It"] ("Deep Cuts")

Production

• Derri Daugherty - producer, engineer
• Stephen Leiweke - producer, engineer, mixing
• Steve Hindalong - producer
• Dan Michaels - executive producer
• Kimberly Uecker - executive producer
• Lisa Michaels - executive producer, handler
• Mark Uecker - executive producer
• Nigel Palmer - mastering
• Todd Evans – cover art, design