Charles Correa

Charles Correa, a Roman Catholic of Goan descent, was born on 1 September 1930 in Secunderabad.[2][3] He began his higher studies at St. Xavier's College, Mumbai. He went on to study at the University of Michigan (1949–53) where Buckminster Fuller was a teacher, and the Massachusetts Institute of Technology (1953–55) where he obtained his master's degree.[4][5]

In 1958, Charles Correa established his own professional practice in Mumbai. His first significant project was the Mahatma Gandhi Sangrahalaya (Mahatma Gandhi Memorial) at Sabarmati Ashram in Ahmedabad (1958–1963), followed by the Madhya Pradesh Legislative Assembly in Bhopal (1967). In 1961-1966, he designed his first high-rise building, the Sonmarg apartments in Mumbai. On the National Crafts Museum in New Delhi (1975–1990), he introduced "the rooms open to the sky", his systematic use of courtyards. In the Jawahar Kala Kendra (Jawahar Arts Centre) in Jaipur (1986–1992), he makes a structural hommage to Jai Singh II. Later, he invited the British artist Howard Hodgkin for the outside design of the British Council in Delhi (1987–1992).[5]

From 1970–75, Charles Correa was Chief Architect for New Bombay (Navi Mumbai), where he was strongly involved in extensive urban planning of the new city.[6][5] In 1984, Charles Correa founded the Urban Design Research Institute in Bombay,[5] dedicated to the protection of the built environment and improvement of urban communities. During the final four decades of his life, Correa has done pioneering work in urban issues and low-cost shelter in the Third World. In 1985, Prime Minister Rajiv Gandhi appointed him Chairman of the National Commission on Urbanization.

From 2005 until his 2008 resignation Correa was the Chairman of the Delhi Urban Arts Commission.

Later, Charles Correa designed the new Ismaili Centre in Toronto, Canada,[7] which shared the site with the Aga Khan Museum designed by Fumihiko Maki,[8] and the Champalimaud Foundation Centre in Lisbon, inaugurated by the Portuguese President Aníbal Cavaco Silva on 5 October 2010.[9]

He died on 16 June 2015 in Mumbai following a brief illness.[10]

Charles Correa designed almost 100 buildings in India, from low-income housing to luxury condos. He rejected the glass-and-steel approach of some post-modernist buildings, and focused on designs deeply rooted in local cultures, all the while providing modern structural solutions under his creative designs. His style was also focused on reintroducing outdoor spaces and terraces.[11][12]

His work is the physical manifestation of the idea of Indian nationhood, modernity and progress. His vision sits at the nexus defining the contemporary Indian sensibility and it articulates a new Indian identity with a language that has a global resonance. He is someone who has that rare capacity to give physical form to something as intangible as ‘culture’ or ‘society’ – and his work is therefore critical: aesthetically; sociologically; and culturally.

— British architect David Adjaye in 2013.[11]

In 2013, the Royal Institute of British Architects held a retrospective exhibition, "Charles Correa – India's Greatest Architect", about the influences of his work on modern urban Indian architecture.[6][13]