Chances: The Women of Magdalene

• Rev. Becca Stevens—Chaplain of St. Augustine's Chapel at Vanderbilt University
• Clemmie Greenlee

Variety magazine film critic Joe Leydon lauded the film, and wrote, "Inspiring uplift abounds in Chances: The Women of Magdalene, a slickly produced but unmistakably sincere docu about a femme Episcopalian priest's outreach program to rehabilitate Nashville prostitutes. Theatrical potential is limited, but pic could find appreciative auds through tube and nonprofit exposure...Pic touches briefly yet respectfully on Rev. Stevens' background and motivation -- she was sexually abused at an early age -- but focuses primarily on her program's clients, who prove remarkably candid while describing past ordeals and future plans. Feisty Clemmie Greenlee emerges as first among equals, and her response to tragedy provides one of the pic's many emotional highlights. High-def video lensing enhances the pic's intimacy."[1]

Nashville Scene film critic Jim Ridley gave the film a more mixed review, and wrote, "The women’s blunt personal stories form the most compelling parts of Tom Neff’s earnest, polished profile, which amounts to promotion for the program and its good works. As documentary, it’s limited: we see very little of the day-to-day life inside the shelters, while a project pairing Magdalene House residents with Music Row songwriters takes up too much of the movie’s focus—it comes as an intrusion when a son’s funeral turns into a music montage. But the Magdalene women interviewed on camera have fought for their second chances, and the hard-won hope on their faces can make you forgive a lot."[2]

Wins

• Nashville Film Festival: Audience Award for Best Documentary, Tom Neff, 2006.[3]

• Chances: The Women of Magdalene at IMDb