Backstage (magazine)

On July 6, 1990, the Backstage Shoot pull-out section of Backstage magazine was spun off into a full, standalone publication, SHOOT. The concept was to have Backstage concentrate on actors, performing artists, and theatre, while SHOOT would continue to "serve the news and information needs of creative and production decision-makers at ad agencies, and executives & artisans in the production industry" (according to their official press materials found on ShootOnline.com).[7] To emphasize the change, the official Backstage tagline "The complete service weekly for the communications and entertainment industry" was switched to The Performing Arts Weekly.

Around this time, Backstage acquired the New York–based Ross Reports publication, a monthly digest founded in 1949 by Wallace A. Ross. The Ross Reports compiled information on casting directors, agents, managers, production companies, and upcoming film and television productions.

In early 1994, Netherlands-based company VNU bought Backstage owner BPI.[8] VNU eventually came to own a variety of trade publications—including all of the BPI magazines as well as Mediaweek, Adweek, Film Journal International, The Hollywood Creative Directory, and many others—along with measurement company Nielsen Media Research, and events such as ShoWest and the Clio Awards.

Also in early 1994, Back Stage publisher Steve Elish hired a West Coast editor-in-chief, Rob Kendt, to help create a new publication, Back Stage West, a weekly trade paper similar to the New York–based Back Stage but with a focus on the West Coast acting community and casting opportunities based in California. At the time, despite past efforts, Backstage was still popular primarily in the Northeast U.S.

In May 1998, Back Stage acquired its main local competitor, Drama-Logue;[9] The Drama-Logue company was founded by Bill Bordy in 1969 as a casting hotline, and in 1972 it became a weekly trade publication entitled The Hollywood Drama-Logue Casting Sheet, commonly known simply as Drama-Logue. Before the end of 1998, Drama-Logue's holdings were fully integrated into Backstage.com and Back Stage West,[10] which for a time was co-branded as Back Stage West/Drama-Logue.[9]

Beginning in the late 1990s, a number of casting information and entertainment job websites began cropping up, offering specialized online tools for actors, performers, and models, including online casting submission systems and video-enhanced resumes. Backstage.com, introduced by Publisher Steve Elish, was a leader in taking the casting industry online. Its early products included a paid member's area, which charged $9.95 per month for unlimited access to articles and casting calls across New York, Los Angeles, Chicago, Florida, Las Vegas, and other key entertainment-industry hubs. The monthly fee also entitled subscribers to inclusion in the website's first iteration of a headshot and resume database.

Starting in 2000, writer-editor-filmmaker and web-developer Luke Crowe joined the company, and began working on the development of online casting tools for Backstage. Over the next few years, Backstage.com introduced options for casting directors to self-post breakdowns, a searchable acting-jobs database of casting notices, interactive audition lists, casting coverage in every state in the U.S., and an advanced headshot and resume talent database, among other new options, some of the first online tools ever developed for actors and casting directors. The number of new casting notices listed on Backstage.com each week expanded from the hundreds to the thousands over the next few years, while monthly site traffic increased from the hundreds-of-thousands to the millions.

In addition to encompassing all of the content from Backstage's print publications, the website's scope continued to expand to include more online-exclusive casting notices and original online-only news stories, feature articles, entertainment-industry listings, and reviews. During this time period, several competitors challenged the brand, but it remained the industry leader. However, the competition eventually sparked major changes in Backstage's development, and in October 2005 Backstage relaunched its print and online publications in order to regain its edge.

During this 2005 relaunch process, all Backstage publications were redesigned (including Backstage West); various staffing changes took place; the East Coast/New York edition of Backstage was renamed Backstage East; Backstage.com began publishing more articles on a daily basis and introduced more exclusive editorial content, blogs, feeds, and tools; and Casting. Backstage.com was founded, giving Backstage.com users access to even more advanced casting/job search, sort, alert, and application tools, along with a more robust talent database featuring resumes, pictures, video reels, and audio reels of thousands of working and aspiring actors and performers.

Around this same time, the primary Backstage tagline changed from "The Performing Arts Weekly" to "The Actor's Resource." A secondary branding slogan, "Casting You Can Trust—Since 1960" was also added and given prominent placement both on Backstage.com and on the front covers of the weekly East Coast and West Coast newspaper/magazine versions of Backstage. And sister publication SHOOT (and ShootOnline.com) was sold to another publishing company.

In 2006, a company called Valcon Acquisition B.V., run by a private equity group consortium, bought VNU, making Valcon the new owner of Backstage and all other VNU holdings. Then, on January 18, 2007, VNU rebranded itself The Nielsen Company, with its trade-publication division being renamed Nielsen Business Media.

In early 2007, VP/Group Publisher Steve Elish retired from Backstage after 34 years. However, co-founder Ira Eaker's daughter, former longtime Backstage editor-in-chief Sherry Eaker, carried on her father's work as Backstage's editor at large, along with editor-at-large David Sheward, who left his executive editor position at Backstage after working for the brand for over 28 years. Former publishers include Steve Elish, Jeff Black, and Charlie Weiss. Former lead editors include Sherry Eaker, Rob Kendt, Jamie Painter Young, Daniel Holloway, Dany Margolies, Tom Penketh, Erik Haagensen, Roger Armbrust, Leonard Jacobs, David Fairhurst, Andrew Salomon, Dan Lehman, dance editor Jennie Schulman (who wrote for Backstage for over 40 continuous years, starting with its first issue on Dec. 2, 1960[11]), film and television editor Jenelle Riley, contributing editor Jackie Apodaca, and actor-columnist Michael Kostroff (known for his work in The Wire), among others.

In October 2008, Backstage East and Backstage West were permanently combined into a single weekly publication with an expanded national focus. This new "national edition" was given the same name as the original 1960 edition: Back Stage.[12]

Backstage also launched a number of blogs around this time, including Blog Stage, Espresso, Backstage Unscripted, and The Backstage 411 Casting FAQ, all of which were discontinued in early 2012.

In early 2009, Ross Reports was renamed Call Sheet by Backstage, working with The Hollywood Creative Directory to expand its listings to include a wider variety of entertainment-industry contacts.

In late 2009, Backstage and other Nielsen Business Media brands were sold to e5 Global Media, which was later renamed Prometheus Global Media, and then renamed Guggenheim Digital Media.[13]

The Backstage brand remained closely tied to its primary sister publications, The Hollywood Reporter and Billboard, as well as the other e5 Global Media publications, such as Adweek, Film Journal International, and The Hollywood Creative Directory. However, Backstage also carved out its own industry niche by focusing on the needs of actors, models, performers, and casting directors; publishing directories (such as Call Sheet, a bimonthly listing of talent agents, casting directors, and film productions), books (actor handbooks and biographies published under the Watson-Guptill imprint Backstage Books),[14] casting-director mailing labels,[15] and special "insert" magazines (such as award-season nomination guides, theatre-school guides, and the ACTION magazine for actors interested in making their own movies); producing live events; and continuing the development of Internet casting technology.

Backstage continued to be a resource for audition information, casting calls/casting notices, training opportunities, and entertainment-industry jobs, news, and interviews. Film and theatre were the main topics reviewed and reported upon, but the television, radio, dance, music, cabaret, voice-over, modeling, commercial advertising, and stand-up comedy industries were also included in Backstage's coverage.

In October 2011, media entrepreneur John Amato led Backstage through a spin-off from Prometheus Global Media as part of a new strategic partnership, with the new company being called Backstage, LLC. Prometheus shareholder Guggenheim Partners backed the sale.[16][17]

In August 2012, Back Stage was relaunched again, with the magazine switching from a tabloid-sized newspaper to a smaller, full-color glossy magazine (and also being slightly rebranded from Back Stage to Backstage). The magazine added increased cross-promotion for the resources and utilities on the similarly-redesigned Backstage.com. Amato stated readers had requested that the print edition have a smaller form factor to make it easier to take to casting calls, while the redesigned website was meant to "[lead] the user into the products and content that we’ve seen historically be the most helpful for our audience".[18]

In January 2013, Backstage LLC acquired Sonicbids, a service designed to help musicians find gigs, for $15 million.[19] In April 2013, Prometheus Global Media, now fully owned by Guggenheim, bought the remainder of Backstage LLC. John Amato was made president of the Billboard Group, a new unit that would oversee Backstage, Billboard, and Sonicbids.[20][21][22][23] In December 2013, Backstage and Sonicbids were acquired by RZ Capital.[24]

In December 2016, Backstage expanded its online casting tools and editorial coverage to include a wider international scope, with an initial focus on casting in the United Kingdom.[25]

In October 2017, Backstage launched its first fully integrated mobile casting app.[26]

As of 2017, principals at Backstage included vice president and national casting editor Luke Crowe. Current Backstage writers and editors include managing casting editor Melinda Loewenstein and supervising casting editor Veronika Daddona, among many others.[27]