Big Bam Boom

The making of Big Bam Boom involved a mixture of traditional recordings and state of the art technologies.[2]

The duo opted to record on analog tape rather than the then-new digital multitrack machines, and due to their commercial success the duo was able to take advantage of the latest musical devices available then, specially the most advanced polyphonic synthesizers like Synclavier and the Fairlight.[2]

Bob Clearmountain, one of the producers, and Mickey Curry, the drummer, recorded various drum sounds, manipulating delays and reverbs to create huge dramatic bottom end that is emblematic of this album and the 1980s in general.[2]

Thanks to the new polyphonic synthesizers, the duo experimented with new sounds, for example, recording Boy Scout canteens, cardboard boxes, vocals, footsteps in gravel, etc., and combined them with the use of newer and more sophisticated drum machines.[2]

In order to promote the album, the duo embarked the Big Bam Boom Tour – Live Through '85;[4] they did most of the traveling in a private plane.[5] MTV provided tour date and ticket outlet announcements and the channel's name appeared on all tickets and print advertising, and was tagged on all radio spots.[4] The duo performed a show at The Forum in Inglewood, California, on December 17, 1984, with a satellite-delivered live broadcast of the concert; it was aired the next day.[6] The radio broadcast was remastered and released on CD, via music download and streaming in 2015 under the title: The LA Forum – 17 Dec 1984.[7]

Professional ratings

Review scores
Source	Rating
AllMusic	[8]
Robert Christgau	B[9]
The Rolling Stone Album Guide	[10]

In a review for AllMusic, Stephen Thomas Erlewine called Big Bam Boom "a sprawling and diffuse album" and "a bigger, noisier record than its predecessors, with its rhythms smacking around in an echo chamber and each track built on layers of synthesizers and studio effects". In Erlewine's opinion, it was a disappointment coming after a trio of albums that had very few flaws. Erlewine also criticized the production on the album saying that "it obscures the dark undercurrent to many of the tunes, several of which seem to foreshadow the duo's long hiatus following this record".[8]

• Daryl Hall – lead vocals (2–6, 8), backing vocals, synthesizers, guitars, arrangements
• John Oates – lead vocals (7, 9), backing vocals, synthesizers, guitars, synth guitar, arrangements
• Robbie Kilgore – keyboards, synthesizer programming
• Wells Christy – Synclavier programming
• Clive Smith – Fairlight CMI
• Tom "T-Bone" Wolk – synthesizers, guitars, bass, arrangements
• G.E. Smith – lead guitars
• Mickey Curry – drums
• Jimmy Bralower – LinnDrum programming
• Bashiri Johnson – percussion, timbales
• Jay Burnett – additional percussion
• Charles DeChant – saxophone
• Coati Mundi – Spanish vocals

• Producers – Daryl Hall, John Oates and Bob Clearmountain.
• Engineers – Jay Burnett and Bob Clearmountain
• Assistant Engineers – Gary Hellman, Bruce Buchalter and Michael Sauvage.
• Mixed by Bob Clearmountain
• "Mix Consultant and Additional Production"; also remixing on Tracks #10–13 – Arthur Baker
• Editing on Tracks #10–13 – The Latin Rascals
• Mastered by Bob Ludwig at Masterdisk (New York, NY).
• Keyboard Technician – Mike Klvana
• Keyboard and Synth Drum Technician – Anthony Aquilato
• Art Direction and Artwork – Mick Haggerty
• Cover Photography – Jean Pagliuso
• Inner Photography – Jean Pagliuso and Larry Williams
• Management and Direction – Tommy Mottola
• Director of Security – Eddie Anderson

The album debuted at number 33 on the Billboard 200 the week of October 27, 1984 as the highest debut of the week. After five weeks it peaked at number five on the chart on December 1, 1984. The album remained on the chart for 51 weeks and was ranked as the 17th most successful album of 1985 on the Billboard 200.[13][14][15] Additionally, it reached number 25 on the Top R&B/Hip-Hop Albums chart the week of January 12, 1985.[16]

By December 1984, the album had sold one million copies in the US, and was certified Platinum on December 3, 1984. Eventually, it sold an additional one million copies, and was certified double Platinum by the RIAA on April 1, 1985.[17]

In the United Kingdom the album debuted and peaked at number 28 on October 28, 1984 and was present on the chart for 13 weeks.[18] It was certified Silver by the BPI on February 1, 1985 for shipments of 60,000.[19]