Aquis Submersus
Aquis Submersus (Latin for Drowned in the Waters) is a painting by the German dadaist and surrealist Max Ernst created in 1919. Influenced by the Italian metaphysical art it is one of Ernst's earliest works showing surrealistic accents.[1] It currently resides at the Städel Museum in Frankfurt, Germany.[1]
Aquis Submersus | |
---|---|
Artist | Max Ernst |
Year | 1919 |
Medium | Oil on canvas |
Dimensions | 54 cm × 43.8 cm (21.26 in × 17.24 in) |
Location | Städelsches Kunstinstitut und Städtische Galerie, Frankfurt |
The painting depicts a swimming pool surrounded by buildings. The sense of dimension is unclear. The features of the buildings appear to be hand-drawn. The buildings leave shadows against the sky like a wall. Hanging in the sky is a clock that reflects on the water as a moon. In the pool, the picture shows a possibly female or childish body in an upside-down position with only the waist and legs above the water level. The person appears to be diving or is drowning. In the foreground is an armless statue-like figure that appears to have been made out of clay, throwing a shadow in the direction of the pool, similar to another shadow originating from outside the picture. The person looks away from the pool and bears a handlebar mustache resembling that of Ernst's father, but also has features which could be interpreted as female.
The painting carries the same name as a famous novella Aquis submersus by Theodor Storm, published in 1876, which influenced Ernst creating his painting.[1]
References
- Ernst, Max (25 December 1909). "Aquis submersus". Digitale Sammlung (in German). Retrieved 12 January 2023.
Sources
- The Guardian – Analysis of Pietà or Revolution by Night that describes Ernst's father.