Anik Bissonnette

Bissonnette first began her training in ballet at age ten at the studios of Ludmilla Chiriaeff, Les Grands' founder. She dropped out after six months.[1] She then took up jazz, and danced at the École de Danse Eddy Toussaint.[1] Toussaint offered her a scholarship under the condition that she take classes in classical ballet. Bissonnette agreed.[1]

In 1979, at age 17, she joined Toussaint's troupe, Le Ballet de Montréal Eddy Toussaint.[2] She created many leading roles in Toussaint's choreographies, including Rose La Tulipe (1979), Un simple moment (1981), Requiem de Mozart (1986), New World Symphony (1987), and Bonjour Brel (1988).

Under Toussaint's artistic direction, Bissonnette formed a unique partnership with Louis Robitaille. She starred in many televised productions with Le Ballet de Montréal Eddy Toussaint and performed in Night Magic, a film directed by Lewis Furey. Her participation in the 1984 Helsinki Ballet Competition netted Toussaint first prize for his choreography in Un simple moment.[1]

She danced the role of Giselle for the first time in Odesa, Ukraine, USSR, in 1988.[1] The following year, she was invited to Toulouse France where she danced the part of Odette/Odile in Swan Lake with Laurent Hilaire the principal dancer with the Opéra de Paris.[1] She also danced the role of Juliet in Nicholas Beriozoff's Romeo and Juliet[1] as well as Cinderella in a work of the same name.

In 1989, Bissonnette joined Les Grands Ballets Canadiens in Montréal, Canada[1] and was named principal dancer the following year, thus, gaining access to roles that showcased the full range of her enormous talent. Leading roles in great classics like The Nutcracker, Coppélia, La Fille Mal Gardée, Les Sylphides, Giselle, and Swan Lake allowed audiences to appreciate her versatility. She performed the dramatic principal roles in Antony Tudor's Jardin aux Lilas and Pillar of Fire and José Limón's Moor's Pavane. She has also performed in some ten ballets by George Balanchine.

In 1991, she resumed the role of Giselle and was partnered with Éric Vu An, another Paris Opera étoile.

Bissonnette left the company in 1996.

Throughout her career with Les Grands, Bissonnette has worked with such choreographers as James Kudelka, William Forsythe, Jiri Kylian, Ohad Naharin, Nacho Duato, Nils Christe, Susan Toumine, and Hans van Manen. Montréal choreographer Ginette Laurin and several up-and-coming choreographers (including Kevin O'Day, Gioconda Barbuto, Septim Webre, Didy Veldman, and Stijn Celis) have also had the pleasure of working with her.

In 2001, she created the role of Lisa in Kim Brandstrup's La Dame de Pique.

Bissonnette performs regularly in galas in many cities around the world: Melbourne, Athens, Prague, Budapest, Thessaloniki, Montréal, New York City, Toronto, Vienna, Spoleto (Italy), Helsinki, Bratislava.

In 2005, she was invited by Carla Fracci of Rome's teatro dell'Opera to revive the ballet La Chatte, which Les Grands Ballets Canadiens de Montréal had staged for her in 1990. She performed in Vienna for the closing of Tanz für Europa.

She retired from the company in 2007.[1]

In tandem with her stage career, Bissonnette is Artistic Director of the Festival des Arts de Saint-Sauveur[3] and President of the Regroupement québécois de la danse.

Bissonnette has helped organize Montreal's Festival Quartiers Danses.[4]