Adoration of the Magi (Perugino, Perugia)

The scene follows a standard layout, with the nativity hut on the right and the visitors' procession, developing horizontally, on the left. On the background, behind the ox and the donkey, is a rocky, hilly landscape painted using aerial perspective.

The Virgin holds the blessing child on her knees, and behind her is St. Joseph, standing, with a stick. The oldest of the magi is already kneeled, while the other two are offering the gifts. The crowded procession includes figures which are common in Perugino's works, such as the boy with a turban and the blonde youngsters in elegant postures. The man on the extreme left is perhaps a self-portrait of Perugino.

The Virgin and Child are reminiscent of Perugino's Gambier Parry Madonna at the Courtauld Institute in London,[2] dating to the very early 1470s. In general, the scene's style is related to Verrocchio's workshop, where Perugino made his apprenticeship. The characters, forming a crowd typical of late-Gothic art, show a robust appearance seen in the works of Fiorenzo di Lorenzo, perhaps the earliest master of Perugino. The integration between the characters and the landscape is inspired to Piero della Francesca, such as the golden ratio tree; the landscape is similar to works by Leonardo da Vinci.

• Garibaldi, Vittoria (2004). "Perugino". Pittori del Rinascimento. Florence: Scala. ISBN 978-88-8117-099-9.