A Tempestade ou O Livro dos Dias

A Tempestade ou O Livro dos Dias was recorded in a period of relapse of vocalist, acoustic guitarist and keyboardist Renato Russo, who was clean when the band recorded the previous album O Descobrimento do Brasil.[5]

Around that time, Russo was also finishing his second solo album, Equilíbrio Distante, while the other two members (guitarist Dado Villa-Lobos and drummer Marcelo Bonfá) joined EMI-Odeon artistic manager João Augusto to remaster the group's six previous albums and release them in a box set titled Por Enquanto – 1984/1995 (Meanwhile - 1984/1995).[6]

A Tempestade ou O Livro dos Dias was recorded from January 1996 on[6] at AR Estúdios, in Barra da Tijuca. They had a disagreement with the place as soon as they started to work on the album because the facilities had not been booked exclusively for them. Russo found in it another reason not to closely follow the album's production. Meanwhile, session keyboardist Carlos Trilha started to follow pretty much all the group's work. Unlike the previous album, this one did not involve any use of Pro Tools.[2]

It was intended to be a double-album, but Russo was against it, fearing an excessively high final price. The other members ended up agreeing in releasing only A Tempestade once they realized Russo wouldn't live much longer. Back then, Russo was already quite thin and weakened. Bonfá preferred the name O Livro dos Dias, a phrase found in the first part of the booklet, which also had a quote by Oswald de Andrade: "Brazil is a federative repuclic full of trees and people saying goodbye".[6] It's the only album by the band without the motto Urbana Legio Omnia Vincii ("Legião Urbana wins everything", in Latin).[7]

Due to his poor health, Russo only recorded guide vocals and never returned to the studio to record the final versions. The only exception was "A Via Láctea", with autobiographical elements and that he wanted to send to the radio stations.[2] Jorge Davidson, artistic director that took the band to EMI-Odeon, working at Sony at the time, was invited by Russo for a visit to listen to the finished album. He recommended that Russo re-recorded his voice, but the vocalist refused again. It was the last time they met.[8]

Russo would be updated about progress on the album by Villa-Lobos, who called him every day.[2] Besides, he would receive tapes from roadie Reginaldo Ferreira, who also returned them to the guitarist afterwards.[9]

Russo disapproved most of his band mates' work. After listening to the almost-finished material, he said "the only useful thing there was the metronome click". He even had an argument with Trilha for calling him late every night to express disapproval of his performances.[9]

Bonfá also commented he avoided staying in the studio longer than necessary since the atmosphere there was sad.[9]

In his last contact with Russo, Ferreira called him to ask him what he thought of the final product, to which Russo replied: "I'm yet to define the male and female of the album", a sentence Ferreira never understood.[10]

Ricky Martin made a Spanish-language cover of "A Via Láctea", named "Gracias por Pensar en Mi" ("Thanks for Thinking of Me").

Legião Urbana

• Renato Russo – lead vocals, bass guitar, acoustic guitar
• Dado Villa-Lobos – electric guitar, vocals
• Marcelo Bonfá – drums, ocarina, percussion, vocals

Additional personnel

• Carlos Trilha – keyboards, drum machine, acoustic bass

• Fuscaldo, Chris (2016). Discobiografia Legionária. São Paulo: LeYa. ISBN 978-85-441-0481-1.