William H. Lobchuk

Lobchuk was born in Neepawa, Manitoba and studied with Ken Lochhead at the University of Manitoba, graduating in 1966.[2] In 1968 he opened the Screen Shop at 50 Princess Street in Winnipeg. By the early 70s he operated the Screen Shop, the Printmakers Gallery and the Sunnyside Sign Company. These were replaced by the Grand Western Canadian (GWC) Screen Shop which he formed with partner Len Anthony in 1973,[2] hoping to make original art more affordable and generate revenue for artists.[3]

From 1973 to 1987, the screen shop provided a social and cultural hub[3] for artists in Winnipeg such as such as Ted Howorth, Chris Finn, Don Proch and Tony Tascona; from Saskatchewan David Thauberger, Victor Cicansky, Joe Fafard and Russell Yuristy; and from Quebec Pierre Ayot[4] as well as guests such as Daphne Odjig and General Idea and many others[5] to make and distribute their prints. Screenprinting was its main mode of production; a natural choice because of its economy and anti-elitist ethos.[6] Lobchuk and other artists printing at the GWC Screen Shop created two significant co-operative projects: The Great Western Canadian Series '78 and Series '80.[7] Canada. It was a place for artists to try experimental work, Lobchuk says, adding "We did all kinds of crazy things."[8]

In 1970, Lobchuk began to exhibit his prints and encourage other western printmakers to do so in group shows in Manitoba with institutions such as the Winnipeg Art Gallery, and University of Manitoba, across Canada, and abroad.[2] In 2010, The Grand Western Canadian Screen Shop Collection: the Bill Lobchuk Donation, curated by Robert Epp was held at Gallery One One One in Winnipeg.[5] In 2019, the MacKenzie Art Gallery in Regina in partnership with the School of Art Gallery at the University of Manitoba organized Superscreen: The Making of an Artist-Run Counterculture and the Grand Western Canadian Screen Shop[6] which sought to capture the innovation and diversity of Canadian cultural production from the 1960s-1980s and brought together art work and ephemera from in and around the Screen Shop to celebrate the spirit of a "rebellious, fertile and overlooked chapter in Canadian art history".[6]

Lobchuk’s work is in such public collections as the Art Gallery of Nova Scotia,[9] the Winnipeg Art Gallery,[10] and the MacKenzie Art Gallery.[11] He was elected to the Royal Canadian Academy of Arts (R.C.A.) in 1996.[2] Lobchuk is represented by the Fleet Galleries[12] and Guevich Fine Art Gallery[13] in Winnipeg and the Slate Fine Art Gallery in Regina.[14] His prints are also carried by the Winnipeg Art Gallery.[15]

Lobchuk gave his time generously to Professional Arts Organizations. He was elected President, Canadian Artist’s Representation CARFAC, Manitoba in 1972, national representative in 1976, and national director in 1978. He continued to work with CARFAC MB in different capacities from 1999 to 2005. He also taught printmaking at the University of Manitoba (1973-1974), served as a member of the Canada Council Art Bank juries (from 1973 to1989), as a Visiting Guest Artist, Canada Council Art Bank Commission, and in the 1980s served on boards of magazines and cultural centres.[2] In 1980, he was appointed fundraiser for the Jack Chambers Memorial Foundation and from 2002 to 2007 served as Executive Director.[2]

Lobchuk's fonds is in the University of Regina Archives & Special Collections Reference code 88-75.[16]

• Davis, Angela E. (1992). The Grand Western Canadian Screen Shop: Printing, People and History. Regina: Mackenzie Art Gallery. Retrieved 22 December 2022.
• Bovey, Patricia E. (2019). Don Proch: masking and mapping. Winnipeg: U of Manitoba Press, St. John's College Press. Retrieved 23 December 2022.