Wendy Taylor
Wendy Ann Taylor CBE (born Stamford, Lincolnshire, 1945) is an English artist and sculptor, specialising in permanent, site-specific commissions. According to her website, she 'was one of the first artists of her generation to “take art out of the galleries and onto the streets”'.[1] Her work typically consists of large sculptures which are displayed to appear carefully balanced.[2]
Wendy Taylor | |
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Education | St Martin's School of Art |
Known for | Sculpture |
Movement | Modernism |
Website | http://wendytaylorsculpture.co.uk/ |
Early life and education
Wendy Taylor studied from 1963 to 1967 at the Saint Martin's School of Art in London. She gained renown for her many sculptures in the public realm, especially in London.
Career
Taylor's abstract sculptures explore themes of equilibrium, materiality and fabrication. She views her artworks as communicative devices.[1]
From 1981 to 1999, Taylor was a Member of the Royal Fine Art Commission which now forms part of the Design Council. From 1986 to 1988, she was design consultant for the Commission for New Towns. In 1988, Taylor was the subject of a documentary on The South Bank Show, and, in 1992, her work was profiled in a monograph by Edward Lucie-Smith.
In the 1988 Birthday Honours, Taylor was appointed a Commander of the Order of the British Empire. In 1999, she restored the Virginia Quay Settlers Monument at Blackwall, London,[3] adding a mariner's astrolabe. In 2005, a major exhibition of her work was held at the Cass Sculpture Foundation in Goodwood titled The Seed Series. In 2009, this exhibition travelled to Canary Wharf in London.
Three of her works are Grade II listed structures: the Virginia Quay Settlers Monument,[4] Timepiece in St Katharine Docks, London,[5] and the Octo sculpture and reflecting pool,[6] in Milton Keynes. The Octo is a "continuous strip of stainless steel, 12ft high, forms a sinuous foil to the Miesian purism of Stuart Mosscrop's town office buildings".[7] It is an early example of the Milton Keynes Development Corporation’s public art programme.
Taylor lives and works in London. She is a fellow of the Royal Zoological Society.[2]
The Time Party dispute
In 2019 Taylor was in dispute with The Time Party after the minor pro-Brexit party used an image of Timepiece on their website and on their merchandise. Talking to The Observer, Taylor said "It is not so much about the politics for me, it is about using Timepiece in a way I did not intend. The Time party may say that the image is just a sundial, but it is clearly based on my work.”[8]
Exhibitions
- Kasmin Gallery, 1966.[9]
- Exhibited Tier and Column at the British Council exhibition 'British Printmakers 1968–1970'.[10]
- Sculpture 66, AIA Gallery, London 1966.[11]
- Axiom Gallery, London, 1970.[1]
- Angela Flowers Gallery, London, 1972.[1]
- 24th King's Lynn Festival, Norfolk, 1974.[1]
- World Trade Centre, London, 1974.[1]
- Annely Juda Fine Art, London, 1975.[1]
- Oxford Gallery, Oxford, 1976.[1]
- Oliver Downing Gallery, Dublin, 1976.[1]
- Oliver Downing Gallery, Dublin, 1979.[1]
- 'Building Art- The Process', The Building Centre Gallery, London, 1986.[1]
- Austin, Desmond & Phipps, London, 1992.[1]
- 'Art and Engineering', The Osbourne Group, London, 1998.[1]
- 'The Seed Series', Cass Sculpture Foundation Gallery, London, 2005.[1]
- 'The Seed Series', Canary Wharf, London, 2009.[1]
Works
- 1971: Triad, Somerville College, Oxford
- 1973: Timepiece, St Katharine Docks, London
- 1979/80: Octo, Norfolk House, Milton Keynes
- 1982: Essence, Saxon Court, Milton Keynes
- 1983: Gazebo, Golders Hill Park, London Barnet
- 1986: Pharos, East Kilbride South Lanarkshire
- 1987: Docklands Enterprise, West Dock/Marsh Lane
- 1987: Globe Sundial Sculpture, Marine Walk, Swansea
- 1994: Jester, Emmanuel College, Cambridge, and the Donald M. Kendall Sculpture Gardens, Purchase, USA
- 1997: Rope Circle, Hermitage Basin, London
- 1997: Spirit of Barrow
- 1999: Dung Beetles, Millennium Conservation Centre, Regent's Park, London
- 1999: Virginia Quay Settlers Monument, Jamestown Way, London (restoration of the 1928 monument)
- 2000: Tortoises with Triangle and Time, Holland Park, London
- 2000: The Millennium Fountain, River Walk, Enfield
- 2001: Voyager, Wapping High Street
- 2003: Knowledge, Library Square, Queen Mary and Westfield College, London
- 2006: Sycamore, sculpture garden at Cass Sculpture Foundation, Goodwood
Awards
1964 | Walter Neurath Award |
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1965 | Pratt Award |
1966 | Sainsbury Award |
1977 | ‘Duias na Riochta’ (Kingdom Prize)
Gold Medal at the Listowel Graphics Exhibition, County Kerry, Eire |
1977 | Arts Council Award |
1978 | First Prize Silk-screen, Barcham Green Print Competition |
1988 | Commander of the British Empire |
1989 | Fellow of the Zoological Society |
1993 | Fellow of Queen Mary College, University of London |
1994 | Fellow of the Royal Society of British Sculptors |
2002 | Civic Trust Partnership Award, Chase Green, Enfield |
2004 | Building of the Year Award, Architectural Sculpture |
2004 | Fellow of the Royal Society of Arts |
References
- "About". Wendy Taylor. Retrieved 12 December 2020.
- "Wendy Taylor | Artists | CASS Sculpture Foundation". www.sculpture.org.uk. Retrieved 17 December 2020.
- "First Settlers Monument". www.tower-bridge.org.uk. Retrieved 8 March 2017.
- Historic England. "Virginia Quay Settlers Monument (Grade II) (1442213)". National Heritage List for England. Retrieved 10 October 2018.
- Historic England. "Timepiece Sculpture (Grade II) (1391106)". National Heritage List for England. Retrieved 10 October 2018.
- Historic England. "Octo sculpture and reflecting pool (Grade II) (1432576)". National Heritage List for England. Retrieved 10 October 2018.
- "Sculpture up front". Art Monthly. No. 43. February 1981. pp. 7–9.
- "'I'm livid,' sculptor says as Brexiters use her sundial artwork". The Guardian. 14 September 2019. Retrieved 17 December 2020.
- Wolfram, Eddie. 'An earlier situation and current hard-edge trends', Arts Review, Vol. 18, Issue 3, 19 February 1966, p. 51.
- "British Council exhibition BRITISH PRINTMAKERS 1968–1970". Archived from the original on 4 May 2019. Retrieved 30 May 2019.
- Burland, Cottie, 'Sculpture 66', Arts Review, Vol. 18, Issue 24, 10 December 1966, p. 554.