Vindolanda tablets

The wooden tablets found at Vindolanda were the first known surviving examples of the use of ink letters in the Roman period. The use of ink tablets was documented in contemporary records and Herodian in the 3rd century AD wrote "a writing-tablet of the kind that were made from lime-wood, cut into thin sheets and folded face-to-face by being bent".[7][8]

The Vindolanda tablets are made from birch, alder and oak that grew locally, in contrast to stylus tablets, another type of writing tablet used in Roman Britain, which were imported and made from non-native wood. The tablets are 0.25–3 mm (0.01–0.12 in) thick with a typical size being 20 cm × 8 cm (8 in × 3 in) (the size of a modern postcard). They were scored down the middle and folded to form diptychs with ink writing on the inner faces, the ink being carbon, gum arabic and water. Nearly 500 tablets were excavated in the 1970s and 1980s.[7]

First discovered in March 1973, the tablets were initially thought to be wood shavings until one of the excavators found two stuck together and peeled them apart to discover writing on the inside. They were taken to the epigraphist Richard Wright, but rapid oxygenation of the wood meant that they were black and unreadable by the time he was able to view them. They were sent to Alison Rutherford at Newcastle University Medical School for multi-spectrum photography, which led to infrared photographs showing the scripts for researchers for the first time. The results were initially disappointing as the scripts were undecipherable. However, Alan Bowman at Manchester University and David Thomas at Durham University analysed the previously unknown form of cursive script and were able to produce transcriptions.[9]

Selected highlights

Invitation from Claudia Severa to Sulpicia Lepidina, ref Tab. Vindol. II 291

The best-known document is perhaps Tablet 291, written around 100 by Claudia Severa,[12] the wife of the commander of a nearby fort, to Sulpicia Lepidina, inviting her to a birthday party. The invitation is one of the earliest known examples of writing in Latin by a woman.[13] There are two handwriting styles in the tablet, with the majority of the text written in a professional hand (thought to be the household scribe) and with closing greetings personally added by Claudia Severa herself (on the lower right hand side of the tablet).[12][14]

The tablets are written in Roman cursive script and throw light on the extent of literacy in Roman Britain. One of the tablets confirms that Roman soldiers wore underpants (subligaculum),[15][16] and also testifies to a high degree of literacy in the Roman army.

There are only scant references to the indigenous Celtic Britons. Until the discovery of the tablets, historians could only speculate on whether the Romans had a nickname for the Britons. Brittunculi (diminutive of Britto; hence 'little Britons'), found on one of the Vindolanda tablets, is now known to be a derogatory, or patronising, term used by the Roman garrisons that were based in Northern Britain to describe the locals.[17]

Transcription

Illustration of Old Roman cursive script

The tablets are written in forms of Roman cursive script, considered to be the forerunner of joined-up writing, which varies in style by author.[18] With few exceptions, they have been classified as Old Roman Cursive.[19]

The cursive writing from Vindolanda differs greatly from the Latin capitals used for inscriptions. The script is derived from the capital writing of the late first century BC and the first century AD. The text rarely shows the unusual or distorted letter-forms or the extravagant ligatures to be found in Greek papyri of the same period.[19] Additional challenges for transcription are the use of abbreviations such as "h" for homines (men) or "cos" for consularis (consular), and the arbitrary division of words at the end of lines for space reasons such as "epistulas" (letters) being split between the "e" and the rest of the word.[20]

The ink is often badly faded or survives as little more than a blur, so that in some instances transcription is not possible. In most cases infrared photographs of the tablets provide a far more legible version of what was written than visual inspection. However, the photographs contain marks which appear similar to writing, but which certainly are not letters; additionally, they contain a great many lines, dots and other dark marks which may or may not be writing. Consequently, the published transcriptions have often had to be interpreted subjectively in deciding which marks should be regarded as writing.[19]

Wooden tablets have been found at twenty Roman settlements in Britain.[22] However, most of those sites did not yield the type of tablet found at Vindolanda, but rather "stylus tablets", marked with pointed metal styli. A significant number of ink tablets have been identified at Carlisle (also on Hadrian's Wall).[23]

The fact that letters were sent to and from places on Hadrian's Wall and further afield (Catterick, York, and London)[11] raises the question of why more letters have been found at Vindolanda than other sites, but it is not possible to give a definitive answer. The anaerobic conditions found at Vindolanda are not unique and identical deposits have been found in parts of London.[24] One possibility, given the fragile condition of the tablets found at Vindolanda, is that archaeologists excavating other Roman sites have overlooked evidence of writing in ink.

In 1973, the tablets were photographed by Susan M. Blackshaw in the British Museum, using infrared sensitive cameras and, more comprehensively, in 1990 at Vindolanda, by Alison Rutherford.[4][25] The tablets were scanned again using improved techniques in 2000–2001 with a Kodak Wratten 87C infra-red filter. The photographs are taken in infrared to enhance the faded ink against the wood of the tablets, or to distinguish between ink and dirt, to make the writing more visible.[26]

In 2002, the tablet images were used as part of a research programme to extend the use of the GRAVA iterative computer vision system,[27] to aid the transcription of the Vindolanda tablets through a series of processes modelled on the best practice of papyrologists, and to provide the images in an XML marked up format, identifying the likely placement of characters and words with their transcription.[28]

In 2010, a collaboration between Centre for the Study of Ancient Documents at University of Oxford, the British Museum, and the Archaeological Computing Research Group at University of Southampton, used polynomial texture mapping on several hundreds of the original tablets for detailed recording and edge detection.[29]

The images, at a resolution suitable for web page display, and text of the tablets from Tab. Vindol. II[30] were published on-line.[n 1] Tablets from both Tab. Vindol. II[30] and Tab. Vindol. III[31] were published in a new online catalogue in 2010.[n 2]

Tablets on display at the British Museum

The tablets are held at the British Museum, where a selection of them is on display in its Roman Britain gallery (Room 49). The tablets featured in the list of British archaeological finds selected by experts at the British Museum for the 2003 BBC Television documentary Our Top Ten Treasures. Viewers were invited to vote for their favourite, and the tablets came top of the poll.

The Vindolanda Museum, run by the Vindolanda Trust, has funding so that a selection of tablets on loan from the British Museum can be displayed at the site where they were found.[32][33] The Vindolanda Museum put nine of the tablets on display in 2011. This loan of items to a regional museum is in line with British Museum's current policy of encouraging loans both internationally and nationally (as part of its Partnership UK scheme).[34]

• Bath curse tablets
• Bloomberg tablets

• Birley, Anthony (2002). Garrison Life at Vindolanda. Stroud. ISBN 978-0-7524-1950-3.
• Birley, Robin (2005). Vindolanda: extraordinary records of daily life on the northern frontier. Roman Army Museum Publications. ISBN 978-1-873136-97-3.
• Bowman, Alan K; Thomas, J David (1974). The Vindolanda writing tablets. Northern history booklet, no. 47. Graham. ISBN 978-0-85983-096-6.
• Bowman, Alan K; Thomas, J David (1983). Vindolanda: The Latin Writing Tablets. Society for the Promotion of Roman Studies. ISBN 978-0-90776-402-1.
• Bowman, Alan K (1994a). Life and letters on the Roman frontier : Vindolanda and its people. British Museum Press. ISBN 978-0-7141-1389-0.
• Bowman, Alan K; Thomas, J David (1994b). The Vindolanda writing-tablets : (Tabulae Vindolandenses II). British Museum Press. ISBN 978-0-7141-2300-4.
• Bowman, Alan K; Thomas, J David (2003). The Vindolanda writing-tablets (Tabulae Vindolandenses III). British Museum Press. ISBN 978-0-7141-2249-6.
• Bowman, Alan K; Thomas, J David; Tomlin, R. S. O. (2010). "The Vindolanda Writing- Tablets (Tabulae Vindolandenses IV, Part 1)". Britannia. 41: 187–224. doi:10.1017/S0068113X10000176. S2CID 162953540.

Wikimedia Commons has media related to Vindolanda tablets.

• Item record at the British Museum, number P&EE 1989 6-2 74.
• Vindolanda Tablets Online, online catalogue of Vindolanda Tablets by CSAD, University of Oxford
• Vindolanda Tablets Online II Archived 11 June 2018 at the Wayback Machine, updated catalogue of Vindolanda Tablets by CSAD, University of Oxford
• Vindolanda Tablets at RIB Online, digital editions of every Vindolanda Tablet published to date.