Vestal Claret

Swanson and Tuozzoli wrote Vestal Claret's demo Two Stones in 2006, while Swanson was working on Upwards of Endtime's second album. The following year, they released a split with another one of Swanson's projects, German doom metal band Atlantean Kodex; the split was well-received and Vestal Claret was offered a recording contract with Sentinel Steel. This offer was later revoked because the music Vestal Claret planned to release was too different than the Two Stones demo material in the opinion of the record label. As a result, Swanson took lyrics he had written to Chad Davis and created Hour of 13's eponymous first album, put out by Shadow Kingdom. Swanson continued to sing for Hour of 13 from 2006–09, 2009–11, and 2011–13.[7][8][9]

In between Swanson and Tuozzoli's other musical endeavors, they continued writing Vestal Claret material and releasing it on various underground metal labels.[10][11][12] Their first full-length album, Bloodbath, was noted for its traditional doom influences and sophisticated lyrics.[13][14] This aesthetic continued in 2014's The Cult of Vestal Claret, (Cruz del Sur[15]) a dark composition dealing with topics such as Satanism, sexual abuse, and ritual torture.[16][17][18][19][20] A music video was released for final track "The Stranger."[21]

Vestal Claret has worked with session drummers Jim Quinn (Upwards of Endtime, Atlantean Kodex),[22] Michael Petrucci (Curse the Son), and Christopher Taylor Beaudette (Nightbitch, Entierro, Kingdom of Sorrow, Jasta live member). Tuozzoli and Swanson are currently writing a third and final Vestal Claret album. Additionally, they plan to release a full length album of original material and an EP of covers under the band name Bestial Clitoris.

• Vestal Claret Facebook Page
• The Cult of Vestal Claret on bandcamp