Melville Davisson Post

Post was born on 19 April 1869 in Harrison County, West Virginia, the son of Ira Carper Post, a wealthy farmer; his mother was Florence May (née Davisson).[5] Post's family had settled in the Clarksburg, West Virginia area in the late 18th century.[4]

Post earned a law degree from West Virginia University in 1892 and was elected the same year as the youngest member of the Electoral College. He practiced law with a firm in Wheeling, West Virginia but became uninterested in politics, instead concentrating on writing.[6] His first published Uncle Abner story was in 1911, and they appeared in newspapers throughout the country. His collection of Uncle Abner stories was first printed in 1918 and remained in print (at its original price) for two decades, which Craig Johnson believes made him the highest paid and most commercially published author of that time. Collier Books reprinted the stories in 1962 and the University of California Press in 1974.[7]

In 1903, he married Ann Bloomfield Gamble Schofield. Their only child (a son, Ira) died in infancy, after which Melville and Ann travelled in Europe. They later owned and managed a stable for polo ponies.[5] Ann died of pneumonia in 1919.

Post, an avid horseman, died on June 23, 1930, after falling from his horse at age 61. He had published 230 titles, most of them crime fiction. He is buried in Elkview Masonic cemetery in Harrison County.[8][9]

Post wrote three volumes of stories about Randolph Mason, a brusque New York lawyer who is highly skilled at turning legal loopholes and technicalities to his clients' advantage.[11]

In the first two volumes (The Strange Schemes of Randolph Mason and The Man of Last Resort, published 1896–1897), Mason is depicted as an utterly amoral character who advises criminals how to commit wrongdoings without breaking the letter of the law. The best-known of these stories is "The Corpus Delicti", in which Mason's client murders a blackmailing lover and dissolves her dismembered corpse in acid. Despite overwhelming circumstantial evidence, Mason secures his client's acquittal on the grounds that no body has been found and there are no eyewitnesses to the woman's death. (New York law at the time allowed one of these two conditions to be established by circumstantial evidence, but not both.)[12] Post deflected criticism of such sensational stories by declaring that he was publicly exposing weaknesses in the law that needed to be rectified. Nevertheless, in a third volume (1908's The Corrector of Destinies), Mason had become a reformed man who used his knowledge of the law for more beneficent purposes. Post explained Mason's change of character by stating the lawyer had been suffering from mental illness in the two earlier volumes.[3][13]

Uncle Abner is Post's best-known literary creation, the character, one of six detectives created by Post,[14] having appeared in 22 stories that were serialized in American magazines (primarily The Saturday Evening Post) between 1911 and 1928. The first tale, "The Angel of the Lord", is perhaps the very first work in the historical mystery genre. Uncle Abner solved the mysteries that confronted him in a backwoods West Virginia community, immediately prior to the American Civil War and before the infant nation had any proper police system. He had two great attributes for his self-imposed task: a profound knowledge of and love for the Bible, and a keen observation of human actions. One example of Uncle Abner's keen deductive skills is his showing a deaf man had not written a document, because a word in it was phonetically misspelled.[2][15]

Physically, Abner is described as having a large, powerful build, with craggy features, and a "grizzled" beard. His clothing is described as "plain and somber". Throughout the stories he is accompanied by his young nephew Martin, who narrates the adventures, and aided by Justice of the Peace, Squire Randolph.

Ellery Queen would later call the stories "an out-of-this-world target for future detective-story writers." In his 1924 book of literary criticism Cargoes for Crusoes, Grant Overton called the publication of Post's "The Doomdorf Mystery" a "major literary event", and in Murder for Pleasure (1941), Howard Haycraft called Uncle Abner "the greatest American contribution" to the list of fictional detectives after Edgar Allan Poe's C. Auguste Dupin.[2][15] After Post's death, more stories about Abner were written (at the request of the Melville Davisson Post estate) by the retired American research chemist, John F. Suter (1914-1996).

In 1945, Signature, a stage adaptation by Elizabeth McFadden of an Abner short story, Naboth's Vineyard, lasted only two performances. Abner was played by Judson Laire.[16]

Besides Mason, Abner, and Walker, Post also created the detectives Sir Henry Marquis of Scotland Yard (The Sleuth of St James Square, 1920), the French policeman Monsieur Jonquelle (Monsieur Jonquelle: Prefect of Police of Paris, 1923), and the Virginia lawyer Colonel Braxton (The Silent Witness, 1930).

• German War Ciphers. Everybody's, June 1918